Firefly: Der Aufbruch der Serenity

Firefly is like no other television program. Only lasting one year, with episodes randomly thrown on strange nights on FOX, this series boasted a classic combination of science fiction with a western flair. How could it go wrong? A humorous program that had fun, fought bad guys, and harbored extremely dark secrets. Why did it only last one season? Marketing. FOX, as we all can learn from my review of Outfoxed, is not quite the "fair and balanced" type of programming that it promotes, but instead attaches itself to the hottest trend and pushes it nearly to the point of sickness. For those that would disagree, I ask you to check out how many predictable seasons of American Idol we will have to endure until someone realizes that it lost its steam a many a moon ago. Or how about the disaster of a series called Wife Swap? Honestly, did FOX just ignore the idea of creativity and push directly for insulting "reality" television? From what I see on television today, I could only assume the answer to be "yes". Firefly was a bold, unique, and highly original series that gave us powerful characters, detailed stories, and that Lost itch in the back of your mind that keeps you asking that age old question, "why". Yet, in all of its power, it was canceled.

Firefly is perfection on a stick. The twang of the guitar, the stone-face stare of Mal, the goofiness of Jayne (is that a girls name?), the questionable past of Shepard Book, the humor of Wash, the power of Zoe, and the innocence of Kaylee is exactly why I fell in love with this show. This is honestly, one of the few series that I could go back from the beginning and watch again, loving every moment of it. Whedon created a masterpiece in my eyes, and a huge opportunity was missed by several major networks to keep this imagination alive.

While some will argue that Firefly was full of nothing more than C-rated actors who were "shallow cut-outs, and whose dialogue never rises above the level of a so-so sitcom", I thought that they brought so much personality and charisma to a smorgasbord of unoriginal programming. I wanted to know the truth behind River and the darkness behind the good Shepard. I continually waited for a snappy comeback from Mal, and was excited whenever he showed humility. Jayne was a big favorite of mine, always questioning authority, yet as loyal as the family dog. The love between Zoe and Wash brought a new layer of honesty to this sci-fi series. It wasn't just about paying for the ship, flying through unmapped terrain, or stealing, it was about humanity. That sense of humanity could be found in the opening episode for this series aptly titled "Serenity". In it, the crew takes upon some passengers with some rather unknown cargo. Inside one of those crates is a girl that will change their lives forever. For this series to work successfully, as it did, we needed human characters that bled, felt compassion, and demonstrated connectiveness to each of us. Mal's ship, Serenity, was a living example of how television could be done creatively and originally.

The characters could only be as strong as the words that were handed to them. Listening to the words that pass through Mal's mouth, the charm of Wash, or even the inconsistent ramblings of River, you could only wonder where Whedon could have gone with all of them. In each of these characters, Whedon had written secrets. While, sadly, we may never know what they all were, that is what made you itch for more episodes. You not only wanted to see the creative "western" adventures that Whedon was sending his crew, but you also wanted to learn more about these band of renegades. They were good, but possibly darkness reigned inside of them. The character most guilty of this (outside of River) was Shepard Book. I loved this character. Whedon drew him with so much passion and conviction, yet with every episode you learned more about this man than imaginable. He is an excellent example of what this series was like. He represented the smart words of Whedon, the humanity of his character, and the secrets that each of these shared. He was a "priest", yet he knew more about the Alliance than anyone aboard that ship. If anyone were to ask me to describe the series in two words, I would simply say, "Shepard Book".

George Lucas is credited with creating this detailed futuristic world that gives us glimpses of a possible future, or a galaxy far far away, Whedon succeeded in this series by giving us a plausible future in the not-too-distant future of 500 years. Prostitution in legal, in fact respected in the community, the Chinese and Americans have forged one super power called the Alliance, and our hero is a war veteran, still not shaken by the loss that his side took due to the Alliance control. While Lucas gives us far-fetched characters and situations, Whedon gives us a imaginative look at our future. I think that is why this series worked so well for me. I could imagine this future. I could see it past the characters. I wasn't bogged down by dopey looking aliens, but instead a plausible man vs. man situation. Firefly was simple, yet so complex.

I could honestly go on forever about how much I enjoyed this show. I have never watched a series where I found myself prepared to watch over and over again. Firefly blends a power mixture of comedy, western, and action all together … and the characters bleed. Villains die in this series. How often do you see that? If you have not watched this series, or have not spent the money to support it, DO IT RIGHT NOW!

Grade:(proudly) ***** out of *****

I have to admit, I had serious doubts about this show. I hate westerns, and a sci-fi/western combination sounded like a really bad show concept--especially since the most recognizable actor in the show was a guy who had a minor part in Two Guys, A Girl, and A Pizza Place (itself a pretty forgettable show). But I found myself getting drawn into this series very quickly. It is very witty, as well as suspenseful. The characters are a lot of fun, too. It is definitely a little quirkier than most of the shows out there, but is that really a bad thing? I loved the banter, loved the acting, and was very disappointed to watch the last episode last night. This show deserved better than to be canceled in the middle of its first run. I'm guessing that the humor was too high-brow for most of the TV watchers of the world.

As with BtVS, the world is divided into people who get Firefly and people who don't. In this series Joss Whedon created one of the most realistic post-war visions of the future ever committed to tape, that at the same time spoke about yesterday and today. Maybe a little too much today for its own good.

The series is anti-corporate, anti-government and, while it takes the stand that some things are worth fighting for, it is largely anti-war. No wonder FOX did everything in its power to kill it off, including airing episodes out of order, skipping weeks after airing only three eps and, inevitably canceling the show without even airing episodes 12, 13 and 14 (out of 15). This was particularly damaging, as Firefly had a greater sense of ongoing plot than any other Whedon series in its first year. Viewers were left wondering, on more than one occasion, when a character would reference something we hadn't seen yet.

The backstage dramatics aside, Firefly is intelligent and, like Buffy, mythic - except this time Whedon is dealing with the myth of America: the Frontier, the Civil War, the rise of the Corporation, etc . . .

Firefly is a demanding show. It asks its audience to appreciate the shades of grey in its characters' moral scale. The villains are not comfortingly dressed as an alien race. In 500 years mankind will still be its own worst enemy. Technology will be in the hands of a privileged few, and others will in "The Black" - Whedon's frontier third world - where it is possible to exist without the interference (or benefit) of civilization and government. Things will be dirty, and used. Firefly creates a universe that almost totally opposes that of (that bastion of television sci-fi) Star Trek: its Federation-like central power (the Alliance) is interpreted as being oppressive and dystopic. We are on the side of those who resisted (like the Maqui) and lost.

The acting is strong, the writing as excellent, funny and moving as on any Whedon show, and the effects and sets create a consistent, believable world. It is a shame the series didn't have a more hospitable environment in which to grow and become all it could have been.

Comparable in flavor to critically-acclaimed Cowboy Bebop. If you're one of the many people that enjoy a good, character-driven show, with a decent plotline and writing hand-crafted by some of the finest in the business, then this is the show for you. Apparently so for the Fox network, but only for a few weeks. Thankfully, the show was released in its entirety on DVD, in all of its glory. Also, as if the brilliant episodes weren't enough to satisfy, there are great, insightful commentaries on most episodes, by creator Joss Whedon and others, and lots of other extras. I can't say enough about this show. Everyone was sad to see this show go, especially the stars.

***** out of *****

This series is an excellent series. However, like other high quality shows, this one was cancelled prematurely. Science fiction often takes time for people to warm upto it, but in the end, the fanbase makes up for the time lost. (Stargate SG-1 was tossed around from HBO to Fox and now to SciFi where it is now the hottest scifi show on television) The magnitude of Star Trek: The Original Series was not realized until it was prematurely cancelled. Look at the money Paramount is making off of the franchise. This show is like many others who deserve recognition in science fiction. I recommend anyone who appreciates science fiction to watch this series, however, I must warn you that the ending is exceptionally disappointing. It is unfinished... an abrupt ending with so many lose ends, it may leave you with a feeling of grave disappointment when you realize there's no more episodes to watch... when everything that has been building up in suspense comes to nothing. Networks sure know how to get people to stop watching TV... cancel anything of any value.