Die Erfahrung eines jungen Mannes in einer Jugendstrafanstalt berührt die stürmischen Veränderungen, die seine Familie und die Gemeinschaft, in der er lebt, betreffen.Die Erfahrung eines jungen Mannes in einer Jugendstrafanstalt berührt die stürmischen Veränderungen, die seine Familie und die Gemeinschaft, in der er lebt, betreffen.Die Erfahrung eines jungen Mannes in einer Jugendstrafanstalt berührt die stürmischen Veränderungen, die seine Familie und die Gemeinschaft, in der er lebt, betreffen.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Empfohlene Bewertungen
In short, it is a well acted, well directed movie. The story is not a feel good one, but I feel if you don't come away from the movie feeling good, you may just have missed something. To characterize it as "art house" is unfair, in my opinion, but as our society likes labels, this is probably the one that fits. If you find you know everything there is to know about the world... I'd suggest skipping this one. If you feel movies should be a form of escape "from the world"... you won't find it here. But if you do watch it... you just might find something in yourself.
Many characterizations in this movie work well -- the scenes between Leland (Ryan Gosling) and Becky (Jena Malone), Pearl (Don Cheadle) and father Fitzgerald (Spacey) as well as with Leland, Becky and sister Julie (Michelle Williams), among many others.
But the central thread of this movie -- the fulcrum on which everything hangs -- is the character and motives of Leland. He's a somewhat shy, passive, nice high school student who daringly introduces himself to Becky whom (we find) is going to an alternative school because of a past history of drug problems. In Becky's family, she has a sister, Julie, who's just graduating from high school and preparing to go on to college; Julie's boy friend, Julie's age (and whose parents' had recently died) is also living with them.
Leland lives with his mother; his father (Kevin Spacey) and mother have long been divorced and his father is a famous novelist. Leland is very perceptive. The young boy in "The Sixth Sense" saw dead people; Leland sees teenage lovers and recognizes that years later they will divorce, that pain is going to follow many people's present experience of happiness. BUT, for reasons that are never made explicit, his prescient gift seems to operate some times, for some people, some relationships, and not for others. ???
Parts of the movie feel a bit like a derivative quilt -- borrowing from "American Beauty," "The Sixth Sense," "The Graduate," and possibly some others I didn't recognize. That wouldn't be bad if only the character of Leland worked.
I think Gosling did a great job of playing Leland but the script and the story imposed limitations. Would such an observant, meditative young man ever be homicidal? Even for altruistic reasons? Nothing in the film gives a reason for this. I'm a retired therapist with much experience working with families and teenagers; while many of the reactions shown in the film work -- this part, this most essential element certainly does not.
And there is at least one other element which, in my experience, would not fit with real life although it's not as critical. The reason for the differences between the sisters, Becky and Julie, are never hinted at but that's okay. Once two sibs begin occupying different roles (one the all good girl, the other the troubled one), the roles themselves can begin driving each other to more extreme positions. For the troubled one, Becky, it's kind of, "what do I have to do to be loved around here -- give up being me and become Julie?" And the pressure to live up to being the All-Good, parent-pleasing child, is no less intense on Julie. So, why would she break up with her boy friend of long-standing and of whom her parents so obviously approve?
Don Cheadle was good as Leland's teacher; all others were good in their parts. 98% of the scenes were good. What was missing was that crucial slip in understanding human nature.
Good acting; flawed story and psychology; worth seeing; not a total loss.
This film is Matthew Ryan Hoge's second movie, and it is spectacular in nearly everyway. This is one movie which will leave you thinking in the end, and wondering about how it all works. The movie is quite dark, but if you can handle that then you will realize just how good a film it is.
In this movie, there is no bad guy. There is no one you can blame for anything that happens. There's no stereotyping, and the audience does not try to prove Leland guilty. Instead, we sit back, relax, and watch this boy's life unfold throughout the corse of the movie. All the problems depicted in the story are very real. Drug addiction, parental expectations, overwhelming sadness; they all exist in our world.
Ryan Gosling gives one of the greatest performances of his career in this movie, as the depressed teenager Leland. His father lives in Europe and doesn't really care much about his son. The only person he loves is Becky, but she has problems of her own. He knows exactly what he did, but as he says in the film, 'You want a why, but maybe there isn't one. Maybe this is something that just happened.' There is a why, but we don't find out about it until the end. As you watch the movie, the audience finds themselves amazed that such a young person could know so much about the world. Leland notices things that people tend to ignore.
A particular thought-provoking scene which really affected me was during one of Leland's conversations with Pearl. Pearl just cheated on his wife and when Leland asks why, Pearl replies that he's only human. Then Leland says something which never really occurs to anyone: "Why do people only say that when they've done something wrong?"
Another fantastic acting job was provided by Chris Klein. In the film he plays Allen Harris, the boyfriend of Becky's sister Julie (Michelle Williams). Although he is not one of the main characters, I found myself amazed at how deep his character was. You can relate to Allen a lot. You know how much he cares for the Pollard family. It's as if they were his own flesh and blood. By the end of the movie, you realize just how far he would go to help them.
Overall, this movie is a masterpiece which has been overlooked by quite a few people. If, however, you take the time to watch it, you will most likely see that everything I've mentioned above is true. And once you're finished watching it, you'll never look at the world the same way again.
9.5/10
Wusstest du schon
- WissenswertesA recurring element of the film is the fact that Leland doesn't have any contact with his father, absent ever since his childhood. Ryan Gosling never shares any scenes with Kevin Spacey and in the courtroom sequence, even though both characters are present, they're never in the same frame.
- PatzerIn this movie, set in Arizona, all the cars shown have front and back license plates. However, in Arizona you are only issued two license plates if you have a personalized plate which none of the cars in the movie had.
- Zitate
Leland: It covers my eyes. It's all I can see. Say there's some kids playing baseball. All I see is the one kid they won't let play because he tells corny jokes. And no-one thinks they're funny. Or I see a boy and a girl in love and kissing, you know. I just see that they're gonna be one of those sad old couples one day who just cheats on each other and can't even look at each other in the eye. And I feel it. I feel all of their sadness. I feel it probably even worse than that sad old couple or that corny kid will ever feel it.
- VerbindungenFeatured in Anatomy of a Scene: The United States of Leland (2004)
- SoundtracksGigantic
Written by Frank Black (as Black Francis) and Kim Deal
Performed by Pixies (as The Pixies)
Copyright 1988 Rice and Beans Music (BMI)
Used by permission. All rights reserved.
Courtesy of Elektra Entertainment Group/4AD
By Arrangement with Warner Special Products
Top-Auswahl
- How long is The United States of Leland?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 20 Messerstiche
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 343.847 $
- Eröffnungswochenende in den USA und in Kanada
- 48.384 $
- 4. Apr. 2004
- Weltweiter Bruttoertrag
- 343.847 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1