Füge eine Handlung in deiner Sprache hinzuThe Gates of Hell have blown open and it is up to an amnesiac spy and a rag-tag bunch of soldiers to find out how to close it.The Gates of Hell have blown open and it is up to an amnesiac spy and a rag-tag bunch of soldiers to find out how to close it.The Gates of Hell have blown open and it is up to an amnesiac spy and a rag-tag bunch of soldiers to find out how to close it.
Fotos
Don Calfa
- Jack Stark
- (as Lance Fladoda)
Luis-David Madera
- Pvt. Raymond
- (as Luis Madera)
- …
C. Davis Smith
- Radio Voice
- (as Chuck Smith)
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I'm always one to give a zombie movie a chance. This was more of a thriller that had zombies in it. Some zombies. The movie tried to impress upon you that the world had been overrun by zombies (why?), but there was never any tangible sense of fear or terror. This was a total vanity project.
As a newly minted Debbie Rochon fan, I had wanted to see her performance. The homicidal character she portrayed didn't serve much, if any, purpose. It was as though she was there to prop up the main character as a hottie girlfriend, but that was stretching the truth too far. The lead, in the B/W sequences, looked like a high schooler in a home movie. And it seemed like in every scene he was checking his clip for bullets. And the kungfu scenes... woah boy. And dude, keep your shirt on, that Bacardi bat tattoo was too skimpy looking (not bad ass, but ass-bad).
I did like Richard Lynch's over-the-top acting. And, there is something nice about seeing Brinke Stevens and Linnea in another horror film. In fact, I would have enjoyed more seeing Brinke, Linnea, Debbie, and Richard talking about horror films. That would have been interesting. However, this film is truly marred by the deus-ex-machina at the end with Linnea showing up saying "You owe me one (two... three...). In any sequel she would probably show up whenever the heroes were in trouble and bail them out. How unimaginative! Speaking of deus-ex-machina, let's have a serum that induces a flashback and amnesia that has little to do with the story! And let's have a bright white room with no segue to the other scenes.
Why, WHY, does one actor bring up John Carpenter's "They Live"? All of a sudden I was thinking about that film, and how much better it was than Corpses. It took all I had not to turn off the movie then and there. I'm a big fan of indie cinema and horror films, but this film simply falls short in so many ways. Total vanity project- it's as if the writer/director shelled out bucks for some talent and couldn't deliver on the script. The positives? Rochon, Quigley, Lynch, some of the lighting, and the car. The zombies sucked. But I'm sure the cast and crew had a fun old making it.
As a newly minted Debbie Rochon fan, I had wanted to see her performance. The homicidal character she portrayed didn't serve much, if any, purpose. It was as though she was there to prop up the main character as a hottie girlfriend, but that was stretching the truth too far. The lead, in the B/W sequences, looked like a high schooler in a home movie. And it seemed like in every scene he was checking his clip for bullets. And the kungfu scenes... woah boy. And dude, keep your shirt on, that Bacardi bat tattoo was too skimpy looking (not bad ass, but ass-bad).
I did like Richard Lynch's over-the-top acting. And, there is something nice about seeing Brinke Stevens and Linnea in another horror film. In fact, I would have enjoyed more seeing Brinke, Linnea, Debbie, and Richard talking about horror films. That would have been interesting. However, this film is truly marred by the deus-ex-machina at the end with Linnea showing up saying "You owe me one (two... three...). In any sequel she would probably show up whenever the heroes were in trouble and bail them out. How unimaginative! Speaking of deus-ex-machina, let's have a serum that induces a flashback and amnesia that has little to do with the story! And let's have a bright white room with no segue to the other scenes.
Why, WHY, does one actor bring up John Carpenter's "They Live"? All of a sudden I was thinking about that film, and how much better it was than Corpses. It took all I had not to turn off the movie then and there. I'm a big fan of indie cinema and horror films, but this film simply falls short in so many ways. Total vanity project- it's as if the writer/director shelled out bucks for some talent and couldn't deliver on the script. The positives? Rochon, Quigley, Lynch, some of the lighting, and the car. The zombies sucked. But I'm sure the cast and crew had a fun old making it.
I would love to give a more detailed comment on the flick but it sucked so bad, I couldn't focus on it. Bad, acting, crappy fx, poorly shot, I've seen 8- year olds with better zombie makeup on Halloween. All I can really say is that it tries to pass off as an action/horror, but its not scary, or exciting..its just boring...90% talk to say the least and the action is so weak its not even worth watching to laugh at about how crappy it is...I would only recommend this movie as a sleep aid to people with insomnia...much respect to Felissa Rose though (not for playing in this garbage but sleepaway camp) though...that and I like Romereo is about the only reason I watched it but this movie is a disgrace, and I'm not saying that based on its budget... It just sucked...hardily.
Here's your "zombie" secret-agent "thriller" in a nutshell: There are twelve zombies that never come close to hurting a soul, no plot, bad acting and a script so bad it poses the question: If 1,000 monkeys with 1,000 typewriters were put into a room for 1,000 years, would they be able to write something better? No and yes. No, they wouldn't write anything, but Yes, the flinging of monkey dung would be better than this dog of a film. If you are an indy filmmaker, why would you work so hard and gather some B- and C-list celebs into a movie only to make a confused, worthless half-ass piece of crap? Yes, I will crap on someone's dream because I love movies. I love movies so much that it hurts me when someone makes the effort to produce something so thoroughly weak.
And here's a question: If you're a CIA agent (that looks like a nineteen year-old kid with drawn-on tattoos) in the midst of a zombie invasion, why are you driving around in a convertible Caddy? Next time, the filmmakers should have ONE story and not only a real actor, but a REAL DIRECTOR. Find someone who knows how to write, and another guy who can operate an editing device. And a non-deaf person to be your sound guy...
I've got to go set this DVD on fire.
And here's a question: If you're a CIA agent (that looks like a nineteen year-old kid with drawn-on tattoos) in the midst of a zombie invasion, why are you driving around in a convertible Caddy? Next time, the filmmakers should have ONE story and not only a real actor, but a REAL DIRECTOR. Find someone who knows how to write, and another guy who can operate an editing device. And a non-deaf person to be your sound guy...
I've got to go set this DVD on fire.
"Corpses Are Forever" is essentially a home movie expanded to feature length. The only bright spot in the production is that the film maker Prendes actually got this thing on video store shelves.
For a zombie flick, Prendes could have delivered more zombies. The story is pretty convoluted, but it fails because it doesn't deliver on the promise of being a zombie-fest. I think I made this same movie when I was in high school. Maybe I should have peddled it around town as Jose did.
"Corpses" is pretty bad right out of the gate. I had to turn the volume way up just to understand what the main character was muttering -- and was that an English accent he was reaching for?
If Prendes made this movie as a high school student, than some kudos. But beyond that, it is not worth more than 5 minutes of your time, if that. This really is an example of how not to make a monster movie.
For a zombie flick, Prendes could have delivered more zombies. The story is pretty convoluted, but it fails because it doesn't deliver on the promise of being a zombie-fest. I think I made this same movie when I was in high school. Maybe I should have peddled it around town as Jose did.
"Corpses" is pretty bad right out of the gate. I had to turn the volume way up just to understand what the main character was muttering -- and was that an English accent he was reaching for?
If Prendes made this movie as a high school student, than some kudos. But beyond that, it is not worth more than 5 minutes of your time, if that. This really is an example of how not to make a monster movie.
Corpses Are Forever (2003) is a waste of time. The film makers tried to make a cool movie but thinking somethings cool when it's not sucks, and so did this film. Instead of wasting money on B-Movie actors who know the product sucks, they should have spent in on production and writing a decent script. This movie is why Asylum is a joke of a company. They think they're Troma and they act like their product is all that and a bag of chips. You think that a company with the name Asylum would make edgy and horrific films that'll shock and terrorize you. Instead they scare you from watching any of their d.v.d.s
When you're making a movie, don't try and bring up cooler movies just so you can get some cred amongst old school horror fans. It wont work. You'll seem like you're reaching for some thing (and anything). The concept of this movie was interesting. Anybody could have made it work. The problem lies with these people. They just don't know how to make a watchable movie. Throwing stuff at the wall and seeing if it sticks is no way either. I could have made a better movie movie with $10,000 and three digital cameras.
Perhaps there's a market for this crap. I don't know who would watch this tripe but there must be. Just remember, have a decent script, motivated actors, a good director and lots of lighting. If you follows these rules you can make something that's watchable. If you try to make a movie that'll entertain yourself, you'll end up on the short end of the stick every time.
Not recommended. This movie is so bad it'll crack the lens within your d.v.d. player.
When you're making a movie, don't try and bring up cooler movies just so you can get some cred amongst old school horror fans. It wont work. You'll seem like you're reaching for some thing (and anything). The concept of this movie was interesting. Anybody could have made it work. The problem lies with these people. They just don't know how to make a watchable movie. Throwing stuff at the wall and seeing if it sticks is no way either. I could have made a better movie movie with $10,000 and three digital cameras.
Perhaps there's a market for this crap. I don't know who would watch this tripe but there must be. Just remember, have a decent script, motivated actors, a good director and lots of lighting. If you follows these rules you can make something that's watchable. If you try to make a movie that'll entertain yourself, you'll end up on the short end of the stick every time.
Not recommended. This movie is so bad it'll crack the lens within your d.v.d. player.
Wusstest du schon
- PatzerIn the scene where General Morton is briefed concerning the extent of the zombie infestation, his back is to a large glass window. Outside, regular street traffic can be seen (no zombies or other signs of mayhem).
- Zitate
[Stark checks his watch after coming back from the dead]
Jack Stark: Jeez, my watch stopped. So did my heart, for that matter.
- Crazy CreditsThe film is dedicated to actress Linnea Quigley's dog DOC, who passed away due to cancer during the post production of the film. He was the director's favorite of Linnea Quigley's five dogs.
- VerbindungenFeatured in Something to Scream About (2003)
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