Eine italienische Hochzeit

We saw this movie at the Palace Norton Cinema, quite appropriate since it is a movie about Italian culture.

It is about two close brothers, one is painfully socially inept but sweet, and the other is the opposite. This is set in Victoria, Australia, in the olden days, so there are plenty of good old costumes. Its a humourous plot, the brothers are involved with two girls, one fresh of the boat (literally because thats how they travel back then) from Italy, and another who has been Aussiefied. Throughout the movie we see relationships between them break and build.

In the movie is the first time I've heard of the rule of having the eldest sibling married before the younger ones, so I'm not sure if thats Italian culture. This movie also reinforced my view that mail-order brides or arranged marriages will never work. There is an expresso machine and lots of people drinking coffee in the movie, so make sure you bring a nice cup of coffee into the movie so you don't feel left out.

A thoughtful movie, exploring love and culturally identity. 3.5 out of 5 stars.

I personally thought this film was wonderful. For me it was pure enjoyment to watch it. I found it to be a fresh idea with very good young actors. I thought the interchange romance development was very interesting. Giving complexity to the film. Putting one in a different time, 1950's or place, Australia. Surrounded with such amicable characters and so human. The idea of preparing a book of their love while waiting to come to Australia seemed so romantic. Making this film probably more something a romantic person would like to see. There should be more pleasurable films like this one, because it still brings a smile to my face to think of it now. Which must be a good sign. If you like love-films, I can definitely recommend watching and enjoying this splendid film.

Forgive me for not being one of those cinema buffs who can articulate the many problems that they observe in films but I'm just a viewer who loves sweet films about interesting, human topics rather than the junk shoveled out by the big Hollywood studios. I was enchanted by this film and I love our film industry and the products of that industry.

Our films are so believable and human-centred as opposed to the make believe product from across the Pacific. I recently watched "To be and to Have" and was captivated by it's beauty and innocence-a documentary about a rural French teacher and his class of primary kids. I mention this fabulous film because it was a member of a genre of "slice of life" films like "Loves' Brother"-I was as captivated by this beautiful Australian as I had been by the beautiful French film.

I loved looking at fifties, rural small town life; I loved watching the difficulties of young foreign born people trying to overcome problems of distance and culture and I, as opposed to others, was completely taken by the huge difficulties of connecting. I know, in the dying years of last century, people who endured not dissimilar marriage situations. I thought the film was exceedingly sensitively worked and I have no complaints about the movie in any way.

If you enjoy the genre of human development then this fabulous little film is for you. Take it as it is-don't read your own values into a time and place far removed from today.

Saw this film twice at Worldfest, Houston's film festival celebrating 37 years of independent film. It was magical! Had the distinct pleasure of meeting the director, Jan Sardi, and hearing "the inside scoop" of trials to get the film made. It was well worth the wait and effort! Sardi prefaced the screening with something like "there's no sex, drugs, violence, car chases, or profanity in the film...but I hope you'll like it." It's near perfect in my book and I hope it finds a U.S. distributor soon! Sardi's writing and direction is superb, and the casting couldn't be better (Adam Garcia and Amelia Warner are stunning, and Giovanni Ribisi is at his quirky best). Stephen Warbeck's (Oscar winner for Shakespeare in Love) score transports the viewer to Northern Italy and Andrew Lesnie (LOTR Oscar winner) showcases the sun-drenched golden hills of Italy and Oz's lush scenery as only he can.

BTW, the film won Best Feature, Best Director, and Best Cinematography at the festival. A must-see...a gentle film for the entire family with enough magic to make you want to see it again and again!

There's a first time for everything, including directing a movie, and accomplished Australian scriptwriter (`Shine') Jan Sardi has not disgraced himself here. The plotline is corny (wrong brother's photo sent in marriage broking operation) and the approach stickily sentimental but things are saved by some good casting, quality acting and fine cinematography.

As Angelo, the shyer brother who is looking for a bride from Italy, Giovanni Ribisi (last seen as the doltish husband in `Lost in Translation') combines the intensity of B A Santamaria with a remarkable amount of diffidence. Adam Garcia, hitherto mainly a song and dance man, plays the less screwed up younger brother Gino with abundant artless charm, and they combine very well to give us a picture of two very different but very devoted people. Rosetta the mail order bride, (Amelia Warner) is very beautiful and doesn't say a great deal which adds to her charm of course. There are also some strong performances from supporting players. Silvia de Santis, hair dyed blonde, is very effective as Gino's girlfriend Connie, and John Bluthal does an Italian version of his loveable old man persona. Eleanor Bron has a brief role as the marriage broker – no more improbable than an Italian siren from Liverpool (where Amelia Warner hails from). It was also worth the price of admission to see Barry Otto as a Catholic Priest blessing a newly installed espresso machine.

Andrew Lesnie, responsible for the cinematography in the Lord of the Rings series, gives us one or two unusual camera angles, but by and large keeps things very pretty. He apparently looked at `Il Postino' to get some pointers on how to shoot an `Italian' movie. (That film was actually directed by an Englishman, Michael Radford.) Daylesford, Victoria, and its surrounds are shown to their advantage, certainly more so than the Italian village used for Rosetta's home town. The Italians shown here who migrated to Australia are a jolly lot; most of them seem to think Australia is heaven compared to Italy. The film is set circa 1958 but even 40 years later it looks like they made the right decision. They certainly did wonders for Australian coffee drinking.