Das zweite Leben des Monsieur Manesquier

The great Jean Rochefort plays a mild-mannered old man who's so lonely that as soon as mopey bank robber Johnny Hallyday lets a room in his empty mansion, he simply won't stop talking to him, no matter how little Hallyday says back! Both men are bored with their current lives but are intrigued by the other's.

This slow burner may not be interesting enough for many, certainly not quick enough for most. But its nevertheless a fascinating "little" film and character study. It works in the play between these two men from different worlds, who grow to aspire to see what its like to be the other person. There's no giant twist, no supernatural catch at the end, so don't be expecting it - just enjoy it for the wry, vivid look into the rapport between these two men with nothing in common.

3.5/5. A treat.

'The Man on the Train' is a beautiful movie about two man later in life. One of them is a bank robber, the other is a teacher. They meet by accident and become friends. Slowly they both start wishing they would have been the other man.

The teacher (Jean Rochefort) knows what the bank robber (Johnny Hallyday) does for his money. He even offers to help, but the day the bank will be robbed he has to go into surgery. We see how the teacher pretends to be a cool guy, even changes his looks to that. We also see how the bank robber pretends to be a teacher when the real teacher is out.

All this leads to an ending that closes things in one way, but leaves things open in another. We feel an ending like this coming, but it still works. It is beautiful and fits the rest of the movie perfectly.

If your favorite movies are like 'The Fast and the Furious' you will probably not like this. It is a real European movie, sometimes slow, most of the time very quiet, but if you can appreciate this kind of film making you will like 'The Man on the Train'.

1st watched 8/9/2003 - 7 out of 10(Dir-Patrice Leconte): Wonderful drama about two men who want to switch places in life because each is bored of what their life has become. One is a bank robber, and the other is a retired poetry teacher. The bank robber is plain tired of the excitement and the other wants excitement in his life. The retired poetry teacher also has an upcoming triple-bypass heart surgery that lends to his aggressiveness about trying out the other lifestyle. Like many French dramas, this movie takes it's time and explores the characters and let's us get to know them. This is `so' lacking in most American films these days and therefore this is a breath of fresh air for those who are okay with reading subtitles. While watching this movie you get the feeling that you're watching two `real' people interacting despite their differences. Do they ever switch places? Well, sort of but like other French dramas `reality' is where the film stays for the most part. The ability for the characters to understand and accept each other is `just' wonderful and makes a wonderful statement about how we should `all' interact and I think this is what makes this film remarkable.

"Man on the Train (L'Homme du train)" is a small story of cumulative details done exceedingly well that could simply not be done by Hollywood.

The excellent leads, each charismatic in his own way, talky Jean Rochefort and taciturn Johnny Hallyday (who brings none of his pop star baggage to an American audience), are past middle age. There is a lot of Rohmer-like sitting around talking over a bottle of wine.

The emphasis is on very gradual, internal realizations by each character that are revealed by a subtle accretion of surprising little decisions, such as wearing slippers or getting a new haircut, culminating in an unpredictable, yet beautifully satisfying conclusion.

Photographed in a shades of gray palette that is almost in black-and-white, a small town and its interconnections and personalities are beautifully evoked.

The women in their lives are ancillary, which is just as well, as they are not completely believable.

The poetry teacher is too sophisticated to quote John Greenleaf Whittier, but I will, on the theme: "Of all the words of tongue or pen/the saddest are these/It might have been."

This is a beautifully acted and written story of two older men dealing with regret. The dialogue is witty, but never self-conscious and the performances are great. Johnny Hallyday (The Elvis of France!) is especially surprising in his role as the bank robber at the end of his career.

The story is well paced, and unlike a lot of French movies, it's not just a bunch of talking heads, but a real story with compelling characters. The two strangers meet by hazard and forge a close relationship, each trading bits and pieces of their lives. The scene where Jean Roquefort gives Johnny his slippers is a literal manifestation of their efforts to change their lives, albeit late in life.

A lovely little film from beginning to end!