12 horas

there are no words to describe how bad puertorricans "movies" are.this is simply another disguisting puertorrican effort to

make a movie.this "movie" just like COMPLOT,LA FIEBRE,and puertorricans rap videos are painfully disguisting and ultra low budget.puertorrican films got the worst script,worst image quality,worst acting,and worst music that only a wicked,sick,mediocre,cheesy,puertorrican "director" can direct.the only good thing about this movie is that you can stop watching it.in overall a mediocre stupid crap "movie".so disguisting.......

12 horas claims to be part of the Dogma movement on movies. This is a great marketing gig because in reality this movie is a wreck! From some awful acting from the leads and a convulted and meanningles storyline, this is a pretentious piece filled with cheesy cliches about the "night life" in Puerto Rico. The promise of different lives criss-crossing with teh taxi driver is another lie. What you will see is four bad oriented stories , literally copied and pasted together in a very "hip" way. An insult to what really happens in the streets of Puerto Rico. ! I cannot recomend it to any serious cinema lover.

A wonderfully energetic film with little story and ill-advised ending. I hope these people make lots more movies, and that they find a good writer who can tie up the loose ends without resorting to shallow tragedy. I was especially fond of Flavia Manes Rossi, but everyone was lively and interesting. A very talented cast.

Its really a shame that shallow tripe like this is representing our country's film community. There are a lot of talented people working here in PR, but sadly, what mostly gets filmed and shown is the WORSE things. 12 Horas is truly a big shame for us cinema lovers down here in PR..

Its just sad how this comes out of Puertorican cinema. Its not that this is the best the film comunity can produce but this is what gets funding. Allot of great films in Puerto Rico never see the light of day due to lack of funds and lack of exposure (its incredebly hard to find movie theathers that will play them since there are only two movie theather chains on the island Carribean Cinemas and Cinevista who are only now showing lee way in letting independent films in their theathers). Not only do film makers have a hard time finding funding but even if they do they have to conform to the demands of the producers who usually come from radio station owners, tv chains or goverment funds so this usually means hirring bad actors, stupid rewrites, ect. (for example how in the middle of the film the film makers stick in the safe sex ad or the convinient name dropping of business, the anti drug ads i could go on and on)

Another factor is that many of the "good" actors in Puerto Rico are used to theather but have problems doing the crossover to television or cinema and ad to that inexperienced directors and well you have a disaster on your hands.

There is some good in this film, great camera work, some good acting (not consistant though) and there are some funny moments (although once again few) Marcos Betancourt and Michelle Deliz are the best this film has to offer.

But there is a TON of bad in the film which is not surprising over acting is probably the worst this film has to offer. Wanda Rovira is given far to many lines, Charlie Massó is given far to much time in this film and well the rest of the cast just flounders (especially the kids). Probably the best example is how in one moment we can be moved by one actors preformance (Marcos Betancour) and then have it complete thrown in the garbage by another (Yadira Nazario) The story of this film is predictable and unorigal. The screen writer gets so desperate he tries to shock us five minutes before the films ends as if he wants to cover all his bases.

The sad thing is not that this is the best Puerto Rico has to offer because its not, its that this is whats allowed out of Puerto Rico when better films never see the light of day.