Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.
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- 1 Gewinn & 5 Nominierungen insgesamt
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Hopefully, most people are still satisfied to see good people triumph in the end. With a Dickens story, you know there will be a lot to overcome, too, and lots of suffering and heartache along the way to a happy ending.
Douglas McGrathdid a fine job directing this film. Dick Pope, director of photography (cinematographer) made England look as beautiful as any Merchant-Ivory film I've seen. Start-to-finish the landscape of England never looked prettier. Pope performed the same kind of magic two years later in "The Illusionist," a gorgeous-looking movie. Kudos to Rachel Portman for a magnificent score, too, with a beautiful, sweeping theme song. This movie is a treat for the ears, as well.
Charlie Hunnam as Nicholas Nickleby was adequate; Christopher Plummer as his Uncle Ralph was very good and Jamie Bell as the unforgettable "Smike" was excellent. It's hard to believe he's the same kid who played "Billy Elliott" just a couple of years ago.
Jim Broadbent and Juliet Stevens as the wicked, evil husband-and-wife-team who run DotheBoys Hall, a boys boarding school, were also memorable. Dickens also had cruel people mistreating little boys and these two personify cruelty.
Two beautiful women: Anne Hathaway's as Nicholas' love "Madeline Bray" and Romola Garai as his sister "Kate" were both pleasant and easy on the eyes. As for supporting actors, I enjoyed them all as well, getting an extra smile from Timothy Spall and Gerald Horan and "Charles and Ned Cherryble" The same can be said for Nathan Lane and Alan Cumming, who provide much-needed comic relief and whimsy.
I did not recognize Tom Courtenay as "Newman Noggs." I guess I still picture him from his younger and much thinner years. It's been almost 25 years since I last saw him in "The Dresser" and he's changed quite a bit.
One other thing that was fun to observe in this film: everyone's vocabulary! , I loved how they expressed themselves, the good and the bad people
Of the many well-put sentences delivered in this well-intentioned and high-minded film, I remember Nickleby saying near the end,
"Weakness is tiring, but strength is exhausting."
The idyllic thatched cottage in Devonshire with its white smoke pluming to heaven contrasts sharply with the dark satanic mills of London spewing black smoke into every home and hovel. The eponymous hero, played by Brit TV star Charlie Hunnam, travels both worlds to defend the honor of his sister, overcome the tyranny of his uncle (Plummer), and find love. Along the way Broadbent's boarding-school proprietor, reflecting the workhouse slavery of 19th century England, helps his uncle sabotage Nickleby's spirit and endanger his best friend. But Nicholas also meets the delightful Cheeryble brothers, one of whom is Mike Leigh regular Timothy Spall in an uncharacteristically cheery role.
England is lovingly represented in this film by a cinematography wedded to landscape like a Constable painting, gentlemen appearing as stately as in a Reynolds, and women appearing to be sitting for Gainesboro. All seems well represented without being overdone or obvious.
Like a good Dickens novel, the filmed `Nicholas Nickleby' can't help but drive home lessons about honesty and family. Reliance on both will bring happiness. My only question is how did the Golden Globes ever nominate this as a comedy?
I must say I have not read the book. I enjoyed the film a lot, and hence I was surprised by the overwhelmingly negative comments on this site. I found the characters likable, believable and distinctly human. I enjoyed the interaction between good and evil characters, especially between Nicolas and Ralph. The story is tightly woven, and there is not a scene where it is followed up later. The presence of Anne Hathaway is a surprise, and her English accent is excellent! I found the ending particularly moving, and I would certainly recommend this movie to other people.
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- WissenswertesAt the request of production designer Eve Stewart, writer and director Douglas McGrath advanced the time from the 1830s to the 1850s, so she could incorporate elements of the Industrial Revolution in her design plans.
- PatzerWhen Nicholas leaves Madeline's apartment for the first time, it appears to be in the basement. When he rushes to save her from marrying Mulberry Hawk, he runs up many flights of steps to get to the apartment.
- Zitate
Mr. Crummles: In every life, no matter how full or empty one's purse, there is tragedy. It is the one promise life always fulfills. Thus, happiness is a gift and the trick is not to expect it but to delight in it when it comes. And to add to other people's store of it. What happens if too early we lose a parent, that party on whom we rely for only everything? What did these people
[indicating Nicholas, Kate and Madeline Bray]
Mr. Crummles: do when their families shrank? They cried their tears but then they did the vital thing. They built a new family, person by person. They came to see that family need not be defined merely as though with whom they share blood, but as those for whom they would give their blood.
- Crazy CreditsThanks to everyone at One Aldwych.
- VerbindungenFeatured in The 60th Annual Golden Globe Awards (2003)
- SoundtracksOn Ilkla Moor Baht 'at
(uncredited)
Traditional Yorkshire folk song; sung to the Methodist hymnal tune "Cranbrook" (1805) (uncredited), written by 'Thomas Clark'
Performed by Kevin McKidd (uncredited), Helen Coker (uncredited), and Jim Broadbent (uncredited)
Sung by John Browdie and Tilda while on their honeymoon in a London public house, accompanied by Mr. Wackford Squeers
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Ніколас Ніклбі
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.587.173 $
- Eröffnungswochenende in den USA und in Kanada
- 42.864 $
- 29. Dez. 2002
- Weltweiter Bruttoertrag
- 3.651.462 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1