The Shape of Things

Terrifying but so true tale about the way people can control us and the reasons we just let them do it. Rachel Weisz is amazing as art student who makes changes to a lonely guy who just wants to fit in. The story in true Neil Labute fashion takes a macabre turn and makes you question everything that you have done in your relationship and gives you a well deserved punch in the stomach in the reality department as well. The acting is beyond top of its game with Rachel Weisz proving once again to be one of the most talented and gifted actresses of our generation. Her performance is beyond brilliant and she single handily carries this movie on her shoulders with her performance. Paul Rudd, Fred Weller and Gretchen Mole do great work as well and Neil Labute proves once again to be a profound playwright of uncanny wisdom of the evil that resides in the human heart.

I do hope that Weisz and Labute work together again.

While a well done film, it's not enjoyable. There are enough mean people in the world without voluntarily subjecting yourself to another one that is the heart of this film. Rachel Weisz plays convincingly in this film as a heartless art student who subjects Paul Ruud to her talents as a sculptor of humans. The best thing about this film is Paul Ruud's subtle transformation from geek to chic. By the end of the film, you've realized how convincing his change was. However, just because a movie is well made and well acted does not mean it is worth watching. When I left this movie, I felt as if I had spent two hours in the company of evil and meanness. If you like a think piece that leaves you feeling negative, then this is the perfect movie. But if you're looking to spend your hard earned money on a movie that leaves you feeling better for having spent it, choose another flick.

'The Shape Of Things' gave me the impression of being an unconventional romantic comedy. It starts that way and pretty much stays that way in the first half hour. But, in a very subtle way, director LaBute, as though peeling the story, gradually reveals its darkness. The movie gets darker and darker by the minute and the ending is unsettling as Evelyn's revelation is exposed like an unexpected punch in the stomach. This also makes one question the 'little sacrifices' they make to satisfy their partners and the extent one is willing to go. LaBute has based the film on his play and it seems to have translated well on screen. With fine cinematography, tight editing, soulful score and solid writing, 'The Shape of Things' is certainly well made but what would it have been without its outstanding performances. Rachel Weisz is marvelous as Evelyn the artist. It can be described as a tour du force performance. Being more specific would risk revealing spoilers. Paul Rudd brilliantly suits the role of Adam (the names Adam and Eve(lyn) are an obvious reference that may define their relationship, depending on the viewer's perspective). Frederick Weller is great as Rudd's caddish friend and Gretchen Mol is very good. 'The Shape of Things' is certainly not your average rom-com. In fact, it isn't a rom com at all.

Surprisingly cold satire with too much empty dialog, but you must really appreciate the attitude: the message is against the feel-good-romances as well as against the gender-politics. If you feel betrayed just because Rachel W says everything you loved was actually art and performance under construction, the film was worth of seeing. And you should note that the "art gallery" in the end of the film has nothing to do with art itself... the meaning of this metaphorical place you can decide yourself.

It may not be a good example of play adaptation, but there really should be more films like this with good self- consciousness, and also more actors like Rachel W who understand the point of irony.

Rachel Weisz seems to be everywhere. From a Soviet partisan in besieged Stalingrad in "Enemy at the Gates" to a self-assured single mom in "About a Boy" and most recently as a grifter in "Confidence," she inhabits her roles with deft assurance.

Here, in Neil La Bute's play-brought-to-the-screen, "The Shape of Things," Weisz is a disturbing, thought-provoking challenging character: an artist in pursuit of a master's degree but in reality a tester of uncharted waters as she combines the creation of art with her relationship with a man who, like a canvas, is transformed from without. In this case by her.

Paul Rudd is Adam, an art gallery guard who Evelyn, the art student, first encounters in a quirky exchange that suggests an unfolding comedy. There are humorous moments but a darker side slowly emerges as Evelyn carefully encourages Adam to shed his dorky exterior. There's nothing new, of course, with the theme, "Change if you love me," but here Adam's relationship with his close friends, Phillip (Fred Weller) and Jenny (very well acted by Gretchen Moll) takes some disturbing turns. Is Evelyn a catalyst or an agitator? Is her commitment to art part of her persona or its sum total? These questions are increasingly explored in this short film. Does the name "Adam" have some esoteric meaning here?

Some plays don't travel well to the screen. This one does. La Bute's play seems to have been little altered by him for a screenplay.

What is the place of ideas and intellectual experimentation in the creation and fostering of an intimate relationship? Are there boundaries that must be respected even if truth is sacrificed in the process? Does art illuminate or camouflage the reality of a relationship? No ready answers and no final ones here but the effort yields a thought-provoking study.

Rachel Weisz's emerging and brooding intensity is the anchor for this unusual film. She also produced the movie.

The score is by Elvis Costello. His fans will appreciate the soundtrack.

8/10.