Die Geschichte von Sir J.M. Barries Freundschaft mit einer Familie, die ihn zur Gründung von Peter Pan inspirierte.Die Geschichte von Sir J.M. Barries Freundschaft mit einer Familie, die ihn zur Gründung von Peter Pan inspirierte.Die Geschichte von Sir J.M. Barries Freundschaft mit einer Familie, die ihn zur Gründung von Peter Pan inspirierte.
- 1 Oscar gewonnen
- 19 Gewinne & 81 Nominierungen insgesamt
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Every holiday season Harvey Weinstein and Miramax talk up one of their properties, fully expecting everyone to bow and throw awards at it as soon as it's released. This year it's Finding Neverland, which has produced a lot of buzz in favor of Johnny Depp's sophisticated performance. Although the film deserves all the praise it gets, it is understandable that moviegoers are a little weary with another dramatic period piece, with another "oscar caliber" cast, about yet another take on Peter Pan.
The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.
My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.
The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.
As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.
If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.
The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.
My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.
The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.
As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.
If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.
Finding Neverland is one of the best films I have seen all year. Depp and Winslet are superb and their supporting cast is very strong in particular Julie Christie, Dustin Hoffman and Freddie Highmore. Forster's direction is tight and he maintains a story which had the potential to drag. Depp delivers a performance that is truly believable and he interacts with his co-stars well, in particular, Freddie Highmore who delivers a performance that outshines Depp's. It is a tour de force of acting talent. Clearly Highmore has a great career ahead of him. 9/10 for a superb piece of film-making, made diligently but, unfortunately, up against such strong contention, it had to make do with a disappointing award haul.
It's London 1903, J.M. Barrie's (Johnny Depp) latest play is a flop. On an idyllic day in the park, he befriends widower Sylvia Llewelyn Davies (Kate Winslet) and her four boys. The youngest being Peter (Freddie Highmore). Sylvia's mother Mrs. Emma du Maurier (Julie Christie) disapproves of her independence, and truly disapproves of her friendship with Barrie. JM's wife Mary (Radha Mitchell) isn't much happier. She'd hope to social climb upon Mrs. du Maurier's standings but in the end, she can't take being left out.
This is a wonderfully sweet movie. Sure a lot of it has been changed from the real history. That really doesn't matter in the least bit. I love the dog. I love the beds. I love all that stuff. It's great to see Johnny Depp in a more reserved role. He is more than wacky characters, and has wonderful chemistry with the kids. It's a gentle family movie for everyone.
This is a wonderfully sweet movie. Sure a lot of it has been changed from the real history. That really doesn't matter in the least bit. I love the dog. I love the beds. I love all that stuff. It's great to see Johnny Depp in a more reserved role. He is more than wacky characters, and has wonderful chemistry with the kids. It's a gentle family movie for everyone.
The real J.M. Barrie was influenced and inspired as a child in Scotland by the adventurous stories of Robert Louis Stevenson of pirates, Indians and kidnapped boys. As a young journalist in London in the peak years of the Gilded Age his vivid imagination took him from novels to stage-plays.
Barrie loved games and founded a cricket club with fellow writers Arthur Conan Doyle and P.G. Wodehouse. An old nugget describing his personality tells of his comments upon himself and others that often appeared in the newspapers. He once remarked to H.G. Wells, "It is all very well to be able to write books, but can you wiggle your ears?" It was in the very early years of the 20th Century, now 101 years ago and the same year that in the windy Outer Banks of North Carolina that the Wright Brothers took flight that Jamie Barrie's Peter Pan soared into the air on wires in the London stage.
Marc Forester's fascinating film biography adapted by David Magee from Allan Knee's play, "The Man Who Was Peter Pan," now comes to us in this delightful, moving account, 'Finding Neverland.' It presents historical reality between lushly imagined expeditions to a fictitious Neverland. It's performed impeccably by Johnny Depp as Sir James Mathew Barrie and an extraordinary cast under the able direction of Marc Forster.
This is the loveliest film of the year, highly recommended. Bring Kleenex for the final scenes and see how difficult it is to leave the theater and return to today.
Barrie loved games and founded a cricket club with fellow writers Arthur Conan Doyle and P.G. Wodehouse. An old nugget describing his personality tells of his comments upon himself and others that often appeared in the newspapers. He once remarked to H.G. Wells, "It is all very well to be able to write books, but can you wiggle your ears?" It was in the very early years of the 20th Century, now 101 years ago and the same year that in the windy Outer Banks of North Carolina that the Wright Brothers took flight that Jamie Barrie's Peter Pan soared into the air on wires in the London stage.
Marc Forester's fascinating film biography adapted by David Magee from Allan Knee's play, "The Man Who Was Peter Pan," now comes to us in this delightful, moving account, 'Finding Neverland.' It presents historical reality between lushly imagined expeditions to a fictitious Neverland. It's performed impeccably by Johnny Depp as Sir James Mathew Barrie and an extraordinary cast under the able direction of Marc Forster.
This is the loveliest film of the year, highly recommended. Bring Kleenex for the final scenes and see how difficult it is to leave the theater and return to today.
Of course it takes liberties with the truth, not the first biographical drama to do that, but I cannot deny that Finding Neverland was very magical and affecting and was beautifully crafted not only in visuals but in acting too. Plus it made me believe in Peter Pan again, and that is a wonderful feeling as Peter Pan is one of my all-time favourite stories. The cinematography, costumes, locations and scenery are absolutely stunning, and the score gives the film its magical feeling. The script had its deft touches, the story had a perfect balance of the humorous and the tragic, and director Marc Forster deserves credit for making even those mundane events into something somewhat enchanting. The acting is wonderful too- Johnny Depp is nothing short of magnificent as JM Barrie as he alternates between being playful and sensitive, it was his sensitive side especially that made his performance so good. Kate Winslet is very tender as Sylvia and Dustin Hoffmann impresses in a smaller role. Even the kids were good, especially Freddie Highmore who offers a wonderful portrayal as the serious-minded Peter. In conclusion, beautiful film, very affecting when it needed to be and quite magical to say the least. 10/10 Bethany Cox
Wusstest du schon
- WissenswertesIn real life, Michael Llewelyn Davies was J.M. Barrie's inspiration for Peter Pan. Michael, not Peter, was said to be Barrie's favorite of the children. It's not clear why Barrie chose to name the main character Peter. One idea is that his brothers and Peter behaved the most like an adult at a young age. Barrie wished he'd had more of a childhood, so he immortalized him as the symbol of youth.
- PatzerWhen Peter is knocking over his set for his play, a man in a t-shirt, blue jeans and a baseball cap is reflected in the window.
- Zitate
J.M. Barrie: Young boys should never be sent to bed... they always wake up a day older.
- Crazy CreditsLast credit to appear at end credits: For Milo...
- Alternative VersionenThose wishing to duplicate their experience from the theatrical viewing of the film should beware: The film was released in two versions. One is the original release, with a runtime of 1h 46m (106 min), while the other has a length of 1h 41m (101 min), and is labeled the Encore Edition, or print. This latter was apparently only released for the United States, and is a "special edition." Besides being shorter than the original release, this version, released in 2005, contains some special features that are not available in the theatrical release, such as deleted scenes, outtakes, audio commentary, and a documentary about the making of the film, so it has compensatory facets the may more than make up for the lacking time. Copies of the original, 106-minute-long release can usually be distinguished by the label "multiformat," and may, depending on your hardware not be playable without special equipment.
- VerbindungenEdited into Happy Birthday, Peter Pan (2005)
- SoundtracksMedieval and Renaissance Fanfare No. 7
Composed by David Marshall (PRS)
Published by Studio G Ltd (PRS)
Courtesy of Promusic
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Descubriendo el país de nunca jamás
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.680.613 $
- Eröffnungswochenende in den USA und in Kanada
- 220.524 $
- 14. Nov. 2004
- Weltweiter Bruttoertrag
- 116.650.613 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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