Der menschliche Makel

This just opened in Lawrence, KS, a university town, at the theater that shows indies and foreign films. Maybe Miramax is hoping for a "Big Fat Greek Wedding" type of reaction?

I've not read the book but, to me, this was a very satisfying film, with some examination of a number of issues: the costs to a black person of crossing over and becoming white -- and/or the price to anyone of becoming disconnected from their families. Although disconnection may give greater freedom in some ways, in others it forms an uncomfortable prison. Another issue might be described as a variant on, "Let he who is without sin cast the first stone." And yet another is that the "stain" that all of us carry also stains others with whom we come in contact. And maybe there's a dear price (and reward?) that may be paid for following heart too much rather than head?

Really solid performances by some great actors -- Hopkins, Kidman, Harris -- and the others.

Some gratuitous nudity was injected, maybe to help ticket sales?, but it was not too far-fetched from the story line.

All the backgrounds fit (I grew up in Vermont and lived in academia many years elsewhere); the landscape and the Volvos plus the professor's house had a very authentic feel.

I found this an excellent film.Hopkins and Kidman were superb in their character portrayal especially Kidman.My only qualm is that some of the story could be expanded such as when Kidman meets Hopkins and hit it off. Hopkins had been in her shop earlier and there didn't seem to any spark of love interest at that point............even in the car there seemed to be no real chemistry.I think their initial meeting should have been more intense as for the rest of the story to follow on. I also thought the part of the ex husband could have been beefed up to reflect his often violent tendencies to his ex wife. Overall i was mesmerised by the acting of both Kidman and Hopkins and the superb way the story line was gently weaved out as th film progressed.

This movie is based around the life of a classics professor (Coleman), who is currently living in a small New England town. He has harboured a dark secret for 50 years which slowly starts coming out and causes his life to unravel painfully. When he loses his job after being wrongfully charged of racism, his wife dies leaving this man who is near retirement, with nothing. He embarks on an affair with a young cleaning lady from the college which quickly turns into a relationship as they reveal intimate secrets to each other and finally find the release and trust they've each been searching for. I quite enjoyed this movie – there was some excellent acting from some top actors, and the sense of intrigue and suspense was maintained throughout. The characters were well-written and the complexities which lingered within their personalities original yet believable. There were moments where I held my breath waiting for the tension to subside and others where I found myself wishing that everything could work out nicely for the people in this story, and remove the arguments and misunderstandings which threatened to ruin what good things they had. It is a truly great movie which can inspire this level of emotion in its audience. The main downside was the fact that it did not seem to flow very well between flashback sequences and the present. Of course I could clearly make out which scenes were of a younger Coleman and memories of the past, however at times failed to recognise their significance at that particular point. It may have been a better idea to insert several shorter flashback clips instead of the lengthy scenes used so that the connection with the present was not lost. There were also sections where the story lagged slightly and I questioned the need for these scenes. In some parts the use of visual without dialogue was extremely effective, but in other parts I felt that the scenes existed solely for the sake of art. In particular, scenes such as the lingering shot of Coleman cradling his wife as she died, froze time and really made me feel the incredible and very sudden loss he suffered. But in comparison, a sequence where the professor's young lady is dancing erotically for him seemed clumsily done as I felt it existed purely for the sake of displaying a sex scene. It did not have the effect of deepening our understanding of the emotions the two main characters felt, which I think it should have done. I was amazed at the end when the terrible secret was revealed through the investigations of a writer who the professor had befriended. To me it would seem wrong to live such a deception your entire life but the movie helped me to understand the character's motives and how he felt that he had no other choice. I was left feeling saddened that someone would have to deny their heritage to such an extent in order to achieve their goals. While it takes a bit of patience to get through the movie (which could have been 20mins shorter), I would highly recommend this movie to anyone. With any luck the more people who watch this movie, the more open-minded society will become and hopefully this type of prejudice will disappear.

I almost did not see this because of the poor reviews (only 38% on Rotten Tomatoes) but I'm glad I ignored the reviews and saw it any way. While far from perfect, it is still one of the better films of the year.

This is a film that aims high, which makes it's imperfections stand out all that much more. While the critics have documented all that is wrong with this film, it is still a powerful story with great acting and cinematography. For me, more cinematic style would have been what this film needed to take it from being a good film to being a great film.

A strong 8/10 rating.

Based on the superior book by Philip Roth, Anthony Hopkins gives an emotionally strong and convincing performance as the professor accused of a racist comment. The overwhelming consequence of this results in the death of his wife. Alone and embittered, he meets dowdy and troubled Nicole Kidman many years his junior and an unlikely unity is forged. What is grossly underwritten by this adaptation is Kidman's ex played by Ed Harris. Here he appears as nothing more than a sub-plot, when by the end he is anything but and therefore dissolves all tension and drama. Good performances throughout and the direction effortlessly combines the all-revealing flashbacks of the past to reveal the futility of the future.