Füge eine Handlung in deiner Sprache hinzuAn alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she teams with the wizards assista... Alles lesenAn alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she teams with the wizards assistants and Rick the servant who's in love with ella.An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she teams with the wizards assistants and Rick the servant who's in love with ella.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Frieda
- (Synchronisation)
- Ella
- (Synchronisation)
- Prince Humperdink
- (Synchronisation)
- The Wizard
- (Synchronisation)
- Dwarf 1
- (Synchronisation)
- (as John De Maggio)
- …
- Fairy Godmother
- (Synchronisation)
- Stepsister 2
- (Synchronisation)
- (as Jill Talley Kenny)
- …
- Witch 1
- (Synchronisation)
- (as Tress Mac Neille)
- Rumplestiltskin
- (Synchronisation)
- Amigo 2
- (Synchronisation)
- (as Robert F. Paulsen III)
- Wolf 1
- (Synchronisation)
- (as John Polito)
- Rick
- (Synchronisation)
- Amigo 1
- (Synchronisation)
- (as Philip G. Proctor)
- Munk
- (Synchronisation)
- Stepsister 1
- (Synchronisation)
- (as Kath E. Soucie)
- …
- Additional Voices
- (Synchronisation)
- (as Lee Arenburg)
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Here's the lowdown: Cinderella, or Ella, as friends call her (Sarah Michelle Gellar) is taken with the charming but clueless Prince Humperdink (Patrick Warburton), but in the classic fashion of the fairy tale we all know, stepmother Frieda (Sigourney Weaver) has other ideas--when she stumbles upon the lab of a powerful wizard (George Carlin) and runs afoul of his hapless assistants, Mambo and Munk (Andy Dick and Wallace Shawn, respectively) she learns that everyone's fate in Fairy Tale Land is pre-written, can be manipulated, and proceeds to do so. She garners the support of just about every fairy tale villain in a regular coup, Forcing Ella, Mambo, Munk, and cynical palace dishwasher Rick (Freddie Prinze Jr.) to search for the Prince, or some way out of the mess.
This film looks terrific--the visuals of Fairy Tale land are quite stunning, and the character design, along with capable voicing, makes the characters memorable. Even the idea is juicy, and leads to other interesting notions, such as the view of Rumplestiltskin (Michael McShane channeling Gilbert Gottfried) as a concerned guardian. The problem--and it's a big one--is that they all deserve a better executed, better timed story. The plot, while intriguing in concept, drags in too many places, and there just feels like a few too many holes are left here and there. The disjointed use of the talent is somewhat evident as well; I'm somewhat used to guys like Warburton, Shawn, and Andy Dick getting the great lines, and Dick does get some good ones, but most of the good lines are divided between Prinze and Weaver. Oh, they handle them effectively enough, but the uneven feel loses punch for the whole production. So technically, it's excellent, but overall, it's mediocre. You should really wait for DVD on this one...
We all know how fairy tales go, the happily ever after ending, but did you ever wonder if there was some sort of monitoring going on to make sure that everyone had a happy story? Well, that's what this story is about, only Cinderella has another man in her life that wants her heart, a slave, Rick, who wants a happy ending of his own. But when Cinderella's step mom finds out about the monitoring, she takes over and wants the villains for once to win the day.
Happily N'ever After is a silly film, but it was all in good fun, you have got to admit that the prince character was pretty funny, when he was admitting all his failures and started crying. There were some fun moments also, I think people were a little too harsh on the film, just give it a look for yourself, it's not unique, but it's just a fun little animated film that I think just got over looked.
5/10
I agree with those of you who liked the film, and I also agree with those of you who didn't. Hollywood lacks imagination these days with spoofs, re-makes and slight plot changes. But, that's the media's fault... so, for a movie that had to compete with all the stuff out there, it was good.
And Freida, by the way, looked like the Step-Mother from the original Cinderella, but with more attractive hair and a little more leg. Their 'busts' are the same size, just Frieda has a cleavage line.....Don't agree? What Cinderella again -smirk- Thanks for readin'!
-The Horror Whore-
The thing to ignore is the thing we are supposed to place foremost, all the dialog, acting, story and pacing. Its just dreadful. Enough said about that.
But. It has two things that interested me.
One is simply the idea. It is a movie of a fairy tale inside a movie about manipulating fairy tales, inside a movie narrated by someone who seems to be outside both movies (he actually gets to stop the film physically) but at the same time trapped in the innermost movie. There's magic to explain some of this, but only a part. Its a very clever concoction.
But the other thing was some of the characters. Well, they vary so; I guess I really mean the two women in front, Ella (Cinderella) and her redhaired stepmother. Its how they are rendered. Ella seems to be the only character whose face seems outside the cartoon world she inhabits. She's clearly a version of Audrey Hepburn with each of her attractive feature made a little more so. Its really quite good.
The bodies are another thing. Not since Betty Boop's boobs were stilled by the censors, have we seen a young body as naturally sexy as this. There's nothing seductive or intended or cheap or erotic about it. Its just that all the parts move as they should, under modest clothes. I really was amazed, especially at the attention paid to her rear end.
The step mother is something else. She moves with exaggerated erotic intent. She has huge bosoms and a nearly invisible waist. And then again huge thighs. Where the younger just walks, this puffy dominatrix swings. There's clearly some intent by the filmmaker here to get some sort of message across about the undesirability of overt sexuality. It zoomed right past me just in my astonishment at Ella's motion.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Wusstest du schon
- WissenswertesThis is Sarah Michelle Gellar and Freddie Prinze Jr.'s fifth film together. They recorded many of their scenes in the same studio, which is rare for a full-length animated film.
- PatzerAt 23:56, Jack is smaller than the giant's foot and gets stuck to his heel but then at 28:33 and 28:41, he's as big as the sole and is under the arch.
- Zitate
Munk: Are you sure about this?
Rick: No. Act cool.
Rick: [to Troll guards] Hey I'm just tryin' to put money in your pocket playa. Yo.
Munk: Umm... Yo?
Mambo: Yo! We're cool. We're low. We're on the down low. The DL. Down low. Way down we're slowly rolly polly oly.
Mambo: [after Munk pulls him away from the guards] Hey! What's wrong with you? I'm down!
- Crazy CreditsSomewhere in the final credits we find out that "Step Mother" gets new friends in a very cold place.
- VerbindungenFeatured in Cartoon Corner: Happily N'Ever After (2014)
- SoundtracksHappy Doesn't Have to Have an Ending
Written by They Might Be Giants
Performed by They Might Be Giants
Published by TMBG Music
Courtesy of Idlewild Recordings
Top-Auswahl
- How long is Happily N'Ever After?Powered by Alexa
- Why is the title "Happily N'Ever After" and not "Happily Never After"?
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Happily N'Ever After
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 47.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.589.393 $
- Eröffnungswochenende in den USA und in Kanada
- 6.608.244 $
- 7. Jan. 2007
- Weltweiter Bruttoertrag
- 38.085.778 $
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1