25 Stunden

Having seen Spike Lee's "25th Hour", I must say I was pleased. Lee's plot is both involving and heartfelt, showing the essence of reality. His script is fresh, yet somewhat slow in spots. His characters shine, however, in a truly believeable tale of consequence. Edward Norton, in another masterful performance, shows an almost frightening level of genuine human emotion as the protagonist Montgomery Brogan. The supporting cast consisting of Philip Seymour Hoffman, Barry Pepper, and veteran Brian Cox provide a solid foundation that allows Lee's story to flow freely. While most would consider this tale a literal one, take note: It is quite apparent, through subtlety and the rather obvious "restroom mirror scene" that Spike Lee has a message he wants to get across. What I think makes "25th Hour" so appealing on a theoretical level is the fact that his message is surprisingly open-ended; allowing the individual viewer to decide what he or she wants to retain from the film. This is a genuine film experience; a haunting dose of reality.

Like buckshot, all over the place. Somewhere in here there is a very good (maybe great) film, but it needs to lose 20-35 minutes.

That being said, fine performances all around.

Spike needs to preach less, stop trying to use "cool" camera and editing techniques, leave that to the music video crossover directors.

Spike Lee is a better director than this movie would lead someone to believe.

I read the novel 'The 25th Hour' before I even knew it was going to be adapted into a movie and I absolutely loved it. I thought it was one of the best books written in the last ten years. Being a huge fan of Spike Lee and Edward Norton, I was extremely excited when I found they were making it into a film.

However I will admit I was a bit skeptical to whether Spike Lee could pull the film off, but when I saw the trailer I had a new found faith in it and I'm sorry to of doubted him. I saw the film yesterday and was just amazed. It's nearly flawless and is almost exactly like the novel which was written by David Benioff (who also wrote the screenplay).

The characters in the film are great. You got Monty Brogan (Norton) who's looking at seven years for drug dealing charges. It's his last day of freedom and he's just trying to tie up any loose ends before he goes. Then you got his two friends, Frank Slaughtery (Barry Pepper) and Jakob Elinsky (Philip Seymour Hoffman) who each have to deal with the fact that their best friend is going away for seven years, but also have their own demons to deal with. You also have his girlfriend, Naturelle Rivera (Rosario Dawson) who must deal with it as well and must also deal with the fact that she's suspect on who could have sold Monty out to the DEA. And finally you have James Brogan (Brian Cox), Monty's father. He's a hard working guy who obviously wished that things didn't turn out the way they did. One last night for Monty to set things straight and also make decisions.

The film sticks almost exactly to the novel, but there are slight differences. Since the novel was written in 2000 and the movie was filmed during 2002, Spike Lee and David Benioff included the mentioning of the attacks on New York and the aftermath, which I applaud Lee for. He didn't cop out and try to ignore it like others. It was necessary to capture the emotion of what New Yorkers are facing and among that, what the characters have to face with Monty going to prison. There are also slight differences and cut outs from the book to make the film flow easier, but I was disappointed with only one thing that the film didn't include. In the novel, Monty constantly thinks of how he always wanted to be a fireman. While firemen references and his father was a fireman are all mentioned in the film, it didn't really tackle Monty's regret of never becoming a fireman, like it did in the book. But the film makes up for that one thing by being terrific all around.

There are some stellar performances here. Edward Norton is always great in everything he plays, but in this film he is just excellent. The 'F**k You' scene he has when he's staring in the mirror is just excellent and I hope he gets an Oscar nomination for this role (he was robbed from one for American History X). Barry Pepper is in his greatest performance yet as the tough guy stockbroker. Philip Seymour Hoffman was great as Jakob, the high school teacher. Dealing with his attraction to his student, Mary (Anna Paquin). Rosario Dawson really made me feel for her and it was great to see more of her in a film. Brian Cox doesn't have a huge role, but he's great as Monty's father. I would also like to give praise to Tony Siragusa for his performance as Kostya. He was dead on with the accent.

So without going on any further, I just have to say that '25th Hour' was really great and is now one of my favorite films of all time.

SCORE: 9 out of 10 (excellent)

For myself, watching 25th Hour was sort-of like taking a palm reading. Noticing one line, representative of a life-path, stretches out long and far, while another line branches off and stops short in the middle of your palm. You question which life path will you take, and which are you currently on now. Are you one the short one or the long one? You question the various choices and decisions that you made in the past, and which life-line have those choices and decisions ultimately lead you down. In a round-about way, the three characters in Spike Lee's 25th Hour are struggling with these same kind of questions. Based on a novel by David Benioff, the film is essentially three people struggling with the choices that they have made in their past, and the choices they are to make in the future -- and which path will it ultimately lead them down.

Edward Norton stars as Monty Brogan, a man whose life decision, becoming a drug dealer, has left him facing a seven year prison term, "...with 84 days off with good behaviour." It's the morning before, and Monty has twenty-five hours left to examine his life, bond with his closest friends, say goodbye to family, find a home for his dog, and figure out a way to survive in the joint. At one point, Monty's friend refers to his incarceration, as "...going to hell and never coming back," and the audience gets the feeling that it's not just a coy metaphor. If Monty does survive his "time", he will most assuredly not be the person they once knew when he gets out.

Even though he has grown distant from them over the years, Monty chooses to spend his remaining hours with his closest friends from childhood, Jacob Elinsky (Philip Seymour Hoffman) and Frank Slaughtery (Barry Pepper). Socially and economically, these are two of the most dissimilar people one is likely to see spending time together in a film. Their only real connection is the deeply entrenched devotion they feel to their friend. Jacob is a nerdy English teacher, whose gift for the language, has done little for his social skills. His self-doubt and shame for being born wealthy has left him single, lonely and in a thankless job. He desperately yearns for one of his students, a beautiful and precocious seventeen year old, Mary D'Annunzio (Anna Paquin), but is afraid to act on it, fearful that such a decision will lead to him being fired from his job, or even worse, arrested. Frank, on the other hand, is on the opposite end of the character spectrum, he's a good-looking, rich Wall Street trader, who, unlike, his nebbish friend, has never had a problem with the ladies. Also unlike Jacob, Frank is much more forthright in his feelings about life, and his friend's impending incarceration, "He profited from other's misery and he deserves what he gets," he tells Jacob. Norton's character also has a girlfriend, Naturelle, played by Rosario Dawson, whom he believes might have been the one who sold him out to the police. There's also his father, played by Brian Cox, a retired fireman who owns a bar on Staten Island which caters primarily to fire fighters. Each of these people, in their own way, blames them self for what is happening to Monty.

The story propels forward when the three childhood friends gather in a nightclub, with Jacob's student, Mary, and Monty's girlfriend, Naturelle, tagging along. It is what happens in this club, on this night, that provides the core of the movie. The accusations that are made, the favor that is asked, the choices that are acted upon, and the truth that is revealed, will stay with these characters long after the 25th hour has widdled and gone away. Will these friends be willing to enact Doyle's Law, in a figurative sense, and save Monty Brogan, the symbolic beaten dog?

25th Hour is also memorable for grappling openly with the aftermath of September 11th. Lee skillfully immerses it into the subtext of the story. Referenced in pictures of fire fighters who lost their lives at the World Trade Center, which adorn the walls of the local sports bar and the uptown offices of the traders; to the mention of Bin Laden in a particularly biting commentary by Monty; to Frank Slaughtery's defiant refusal to move from his apartment, which sits overlooking the ruins of the Twin Towers. Director Spike Lee, never known for being subtle, thrusts these images, and his obvious anger about it, into the viewers lap and compels them to deal with it. Also memorable is the venomous diatribe by Norton into a bathroom mirror, where he verbally attacks every group in New York regardless of ethnicity, sexual preference or socioeconomic standing. Not even the church or JC himself, is safe from his tirade, which ends when Monty realizes the only person he has to blame for his predicament, is the one staring back at him in the mirror.

The whole film plays in a subdued, almost depressing, tone. There are no laughs to be had, no falsely engineered moments where the characters break bread, and cry, and get all remorseful -- none of that. We feel as Monty feels: perplexed, distressed, unsure of those things to come and angry for how he happened to arrive at this place, and moment, in his life -- his last 25 hours.

'I tattooed 'survive' on my hand the night before I went away to prison. And I did. We do what we have to do to survive.'

I don't think I can remember a film that has put me more on an emotive level with the main character as this film has. Edward Norton plays Monty Brogan – he's not the nicest of people by anyone's standards – and certainly no one you should feel sorry for. But having said that, I have never felt so sorry for the bad guy as I did watching this film. We watch the anguish of Monty during his last 24 hours on the 'outside' before he must go to prison for seven years, knowing completely what is in store for him on the 'inside'.

Set in post 9/11 New York City, we are constantly reminded of humanity and the need to bond together and to make the most of the little time we have; as do Monty's friends, including Jacob Elinsky (Hoffman), a confused and self-tortured school teacher who has strong feelings for one of the students in his class, Mary (Paquin – of X-Men and The Piano fame). Although not about to die, Monty's world is about to turn severely bad, and there's nothing he can do about it. Norton's performance made me feel nervous and quite scared on his behalf, almost to the point of feeling nauseous. It made me want to forgive him, forget about his crimes and let him go (he seemed sorry for what he did – he was no longer a drug dealer – he was trying to make an effort). His performance worked. He had successfully transformed the criminal figure into your best mate and buddy, perhaps even yourself, and you genuinely feel sorry for him.

Director Spike Lee's films usually deal with African-American themes, so it came as a surprise to me to find that this film was something very different – proving that Lee's talent extends across multiple genres and styles.

I highly recommend 25th Hour, not just for the brilliant story, but for the emphatic feelings the film imparts on the viewer.