IMDb-BEWERTUNG
7,1/10
1299
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA drama that looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.A drama that looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.A drama that looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.
- Auszeichnungen
- 7 Gewinne & 10 Nominierungen insgesamt
Brad Bailey
- Subway Grifter
- (as Brad Baily)
Duane Boutte
- Young Bruce
- (as Duane Boutté)
Lawrence Gilliard Jr.
- Marcus
- (as Larry Gilliard Jr.)
Curtis McClarin
- Black Man on Subway
- (as Curtis L. McClarin)
Empfohlene Bewertungen
I couldn't disagree more with the person who described the film as "dreadful."
I am no great critic of film but I saw this film at the Philadelphia International Gay & Lesbian Film Festival (PIGLFF) and enjoyed it and was ultimately moved by it.
I detected a moment of spotty acting in an early scene; otherwise, I found the film to be professional and polished. It deals with themes of parenting, maturation, relations across generations, race, friendship, sexuality, homophobia, perception, the life, role and integrity of an artist in one's culture.
It provides an interesting and enticing view into the Harlem Renaissance, a place and time I was not that familiar with.
It was well received by the audience I viewed it with, and I recommend it.
I am no great critic of film but I saw this film at the Philadelphia International Gay & Lesbian Film Festival (PIGLFF) and enjoyed it and was ultimately moved by it.
I detected a moment of spotty acting in an early scene; otherwise, I found the film to be professional and polished. It deals with themes of parenting, maturation, relations across generations, race, friendship, sexuality, homophobia, perception, the life, role and integrity of an artist in one's culture.
It provides an interesting and enticing view into the Harlem Renaissance, a place and time I was not that familiar with.
It was well received by the audience I viewed it with, and I recommend it.
I loved this movie! From the moment it began as we traveled over the East River, I was totally absorbed it this movie. However, be aware that it is quite "erotic" even though it is not explicit. I saw the film in Manhattan early in the afternoon. There were quite a few "Thug" types in the audience, I guess because it is a predominatly "black" movie. To my surprise, they sat through the entire movie, erotic scenes and all. I think this makes a statement. Perhaps the "thug" scene is just a facade and this movie gets to the heart of what many men, including Black men feel. This movie has wonderful performances from everyone. It's ashamed that it is not in wider release. Congratulations to Anthony MacKie for taking on this role.
10TATBOY
"Brother to Brother" just won the two most coveted awards at the Los Angeles Gay & Lesbian Film Festival - otherwise known as Outfest. The Audience Award for Best Feature and the Jury Prize for Best Feature! And I was one of over a thousand queerfolk who voted them into the first award. This film is amazing!
The Harlem Renaissance was a seminal period in African American history; one that can be seen to have repercussions through to Stonewall and beyond. Sadly, it was one of the only times in our history where African American queers and other "outcasts" created and published their own voices for the world to see, read, and hear. And hear it they did.
Some of the most powerful and important queer poetry and prose were written during this time by the likes of the incredible Langston Hughes, Zora Neale Hurston, Wallace Thurman, and of course, Bruce Nugent; one of the main characters in this story.
Over the course of befriending Perry, a present-day artist/student trying to find his own voice in the world, Bruce recounts some of his own history with his radical, groundbreaking friends.
The film is exquisitely composed. The music created for "Brother to Brother" is eloquent and evocative and perfectly reflects and tints the images and perspectives within the story. Organic timing creates an engaging flow of story and character which passes back and forth from past to present and back; revealing at once how much and how little has changed over the last 80 years of Black (and queer) history.
All in all, this film ends as handsome Perry begins to find a clearer path for himself in the world. It ultimately gives us much of value that is even more than the sum of its respective parts. Most importantly, it shows us ourselves - beautiful, flawed, real human beings who seek nothing more than to have a voice, to give and receive love, and to make life as good as it can be.
This is one film which fully deserves its place in movie theaters and in DVD collections.
The Harlem Renaissance was a seminal period in African American history; one that can be seen to have repercussions through to Stonewall and beyond. Sadly, it was one of the only times in our history where African American queers and other "outcasts" created and published their own voices for the world to see, read, and hear. And hear it they did.
Some of the most powerful and important queer poetry and prose were written during this time by the likes of the incredible Langston Hughes, Zora Neale Hurston, Wallace Thurman, and of course, Bruce Nugent; one of the main characters in this story.
Over the course of befriending Perry, a present-day artist/student trying to find his own voice in the world, Bruce recounts some of his own history with his radical, groundbreaking friends.
The film is exquisitely composed. The music created for "Brother to Brother" is eloquent and evocative and perfectly reflects and tints the images and perspectives within the story. Organic timing creates an engaging flow of story and character which passes back and forth from past to present and back; revealing at once how much and how little has changed over the last 80 years of Black (and queer) history.
All in all, this film ends as handsome Perry begins to find a clearer path for himself in the world. It ultimately gives us much of value that is even more than the sum of its respective parts. Most importantly, it shows us ourselves - beautiful, flawed, real human beings who seek nothing more than to have a voice, to give and receive love, and to make life as good as it can be.
This is one film which fully deserves its place in movie theaters and in DVD collections.
There is a strong and understandable tendency to over praise films dealing with or representing minority groups simply as a means of encouragement. It's all very well being supportive of a particular minority group, but biased criticism ultimately does nobody any good.
Countless of very mediocre gay themed movies have received disproportionate praise. With themes of being black as well as being gay, "Brother to Brother" is a perfect candidate for such slanted criticism.
Let me state clearly, that to my mind, "Brother to Brother" is in no way mediocre clearly having being made with much care and devotion. As others have pointed out, it's informative and educational in its depiction and discussions of the Harlem Renaissance about which not terribly much is known by the wider public. Rodney Evans proves himself a director and writer with a lot of promise.
However labelling this a "masterpiece" or "amazing" is to do a disservice to Evans. Hopefully he will go on to create masterpieces and amazing films but this is not it. "Brother to Brother" has much to recommend it. The performances are solid, the dialogue flows, the characters are interesting, and the cinematography is way above the average for a first time indie effort. For all this Rodney Evans certainly deserves praise.
With all the genuine will to encourage young black, (or gay) film makers, it's important to keep focus on the real quality of the work. "Brother to Brother" despite it merits doesn't quite make the grade.
Countless of very mediocre gay themed movies have received disproportionate praise. With themes of being black as well as being gay, "Brother to Brother" is a perfect candidate for such slanted criticism.
Let me state clearly, that to my mind, "Brother to Brother" is in no way mediocre clearly having being made with much care and devotion. As others have pointed out, it's informative and educational in its depiction and discussions of the Harlem Renaissance about which not terribly much is known by the wider public. Rodney Evans proves himself a director and writer with a lot of promise.
However labelling this a "masterpiece" or "amazing" is to do a disservice to Evans. Hopefully he will go on to create masterpieces and amazing films but this is not it. "Brother to Brother" has much to recommend it. The performances are solid, the dialogue flows, the characters are interesting, and the cinematography is way above the average for a first time indie effort. For all this Rodney Evans certainly deserves praise.
With all the genuine will to encourage young black, (or gay) film makers, it's important to keep focus on the real quality of the work. "Brother to Brother" despite it merits doesn't quite make the grade.
I was thoroughly impressed w/ Rodney Evan's Brother to Brother. It was a refreshing coming of age story. To add a historic context was genius. This movie was bold in that it brought to light the homosexual subtext of the Harlem Renaissance. BTB was not laden w/ stereotypical imagery that often plagues Black cinema. The setting was simple, one of which we can relate. My favorite scene was the skit that included James Balwin whereby Baldwin had to defend why being gay does nothing to hinder 'the movement.' Although Evans had many concurrent themes, the movie was not over-bearing. From familial troubles to inter-racial relationships, we saw that Perry's character was multi-dimensional Kudos!
Wusstest du schon
- VerbindungenFeatured in The 20th IFP Independent Spirit Awards (2005)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
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Box Office
- Bruttoertrag in den USA und Kanada
- 80.906 $
- Eröffnungswochenende in den USA und in Kanada
- 9.245 $
- 7. Nov. 2004
- Weltweiter Bruttoertrag
- 80.906 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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