Kermit der Frosch

It has been many years since Kermit has been home so he gets on his scooter and heads back to the swamp. Driving down the road to the swamp Kermit reminisces about the first time he saw that road. He was only a small frog when he and his friends ventured out onto it for the first time – only for two of them to get picked up by a driver in a red truck. Kermit and his other friend were forced to set out after the truck to try and rescue their friends from the terrors of the outside world.

Using the hook of the famous Muppet character in his early years, this film delivers a version of Toy Story where Kermit is forced out into the unfamiliar world to rescue his friends (although where this leaves Muppet Babies in the Muppet universe is beyond me). The plot is basic though and lacks any real emotion or intelligence in the way that Toy Story was and the total film is pretty basic. It has a few laughs along the way for adults but mainly this will appeal to younger children who will be amused by the puppets and engaged by the bad guy of Dr Krassman. I doubt very much though that such basic antics will appeal to older viewers – certainly not to adult viewers who have fond memories of the wit and energy of the Muppet Show.

The voice work is all fine, with Whitmire doing a good job as Kermit, while Barretta, Goelz, Mazzarino and others all fill in well enough. The human cast are so-so; Haggard's not great and try as he might, Hostetter isn't that great a bad guy and can't pull of genuine menace and comedy – so he ends up doing neither particularly well. The tone of the film is overly comic and it does prevent it do anything of significance. Overall a so-so film that will please young children but doesn't do anything else well enough to be of greater value.

although I couldn't put my finger on why. I could have picked it up at Wal-Mart for five bucks, and yet I didn't. There was something about the packaging and the ads I'd seen that made me think "This isn't a Muppet film. This is a kids' movie by people who think they know what kids like" and I didn't know what made me think that way.

Until a few minutes ago, when the answer struck me like a lead brick: Color.

In most, if not all, Muppet productions to date, it has been much easier to ignore the fact that the characters are fairly brightly colored, felt objects, because of the surrounding color. The Muppet Show took place in a dimly lit theater, with dark burgundy curtains serving as Kermit's introductory backdrop. Sesame Street is, for the most part, dark grey. Fairly subdued, real-type places. The Muppet Movie ranges the gamut, but it always takes place in real locations, with no bright colors added for the sake of bright colors. And that's what was missing from (at least the promotional portions of) this movie. It seemed like they were aiming for kids because nothing seemed real. Including the grass. Including the swamp. None of it seemed like it was even *attempting* to be real, and so it was difficult for me to take it seriously enough to even desire to watch it.

It might be a good movie. I don't know. Maybe I'll learn different sometime.

But for this Muppet fan, it was just asking for one unbelief-suspension too many.

Kermit's Swamp Years will likely be a delight for little kids - very little ones - preferably those who have not been acquainted with the Muppets. I employ this statement with emphasis because I feel that anyone who has had any kind of relationship with the Muppet characters we've come to know and love will find this film dreadfully childish and a few steps away from being an insult to the iconic characters' respective legacies.

I can't say they'd be incorrect; this is a pretty immature affair, combining an annoying amount of bathroom humor with a subpar, obligatory fish-out-of-water story that results in tedium and boredom with only a seventy-five minute runtime. It concerns Kermit (voiced by Steve Whitmire, who, I'll say, does a pretty damn good job) who is returning back to his homeland, the swamps, after an extended absence. While cruising down the road on his scooter, he recaps a keen adventure he had with his pals Croaker the Frog and Goggles the Toad, as they naively ventured outside the boundaries of the swamp into, gasp, the land inhabited by shiny creatures (automobiles) and humans.

This lands them in a direct battle with a high school biology teacher (John Hostetter) who wants to collect amphibians for his class's forthcoming dissection. When they team up with a dog named Pilgrim (Cree Summer, who has voice credits on Clifford The Big Red Dog, Drawn Together, and Rugrats), they try and find a way to survive out in the newland and return to their homeland.

For a film titled "Kermit's Swamp Years," very little of the film actually takes place in the swampland. We open with widescale shots, mostly aerial ones, of the swampland and its inhabitants. The scenes provide one with almost a travelogue-esque image of the swamp and warm our hearts with the beauty and the incomprehensible majestic qualities below. Then a fly swoops into the picture, makes some horribly childish jokes, and then we see Kermit on his scooter and the plot begins. We're in the swamp maybe fifteen minutes before we're taken to the archetypal territory of the mainlands, which are no fun in comparison.

In addition, I can't help but feel that Kermit's Swamp Years, in itself, is disrespectful to the proud, invaluable legacy Jim Henson left behind. His Muppet characters had heart and wit, and would never stoop down to the level of inane bathroom-talk as a means of humor and cheap laughs. The relationships with each other - man or Muppet - felt genuine and real; the characters' names you knew for a reason. Watching several Muppet shows when I was a child, I never wanted to get up and leave the couch or have the show end. It was a magical, priceless world I was inhabiting, and I had no intention of leaving it; the real world seemed monotonous and drearily perfunctory. I almost couldn't wait to be done with Kermit's Swamp Years for the exact opposite reason.

I return full-circle to the point I began this review with; this film will be enjoyed by little, little kids. Seven and up may want to move on to old-school Nickelodeon.

Starring: John Hostetter. Voiced by: Steven Whitmire and Cree Summer. Directed by: David Grumpel.

Just for the record, I am a big fan of the Muppets, The Muppet Show and Muppet Babies were part of my childhoods, and I love all their specials and movies, excepting Letters to Santa, Muppet Wizard of Oz and this. Kermit's Swamp Years is not terrible, it's just that I had a very lukewarm reception towards it. The costume and set design are splendid, the voice work is great especially from Steve Whitmire and Dave Goelz and there are some cute moments such as the outtakes. However, the songs are mediocre, especially the uninspired lyrics, the script and jokes fall flat due to a lack of comic timing with the human cast with little of the material coming across as memorable or quotable, the story is dull and very basic with too much emphasis on the comic elements consequently the wit and heart is gone and the human cast range from so-so(Drew Haggard) to quite bad(John Hostetter). All in all, didn't do much for me, as much as I do love the Muppets. 4/10 Bethany Cox

I try not to rip on films made specifically for young children because I know there were films I loved when I was a kid that established movie critics trashed. For instance, I have fond memories of watching "The Chipmunk Adventure" (1987) as a child. However, at the time it was released into theaters, Siskel & Ebert were unabashed at expressing their hatred for the film, stating how the Chipmunks' and Chipettes' voices annoyed them the most, and the diamond theft operation plot was unoriginal. Hey, I still love the movie, even though it was a box office flop.

"Kermit's Swamp Years" is a direct-to-video film that will probably appeal to children, but probably not to adults. I admired some things about the story, but it has nothing on "The Muppet Movie" (1979), "The Great Muppet Caper" (1981), or "The Muppet Christmas Carol" (1992).

This movie could be considered a prequel to "The Muppet Movie", since we see Kermit in the beginning of that movie famously playing a banjo in his swamp homeland. Here, Kermit returns to the swamp, and breaks the fourth wall by telling the viewers about when he was 12, and his frog friends Croaker and Goggles, decide to venture out from the safety of their swamp into the "real world". Almost immediately after seeing the dirt road outside the swamp area, Kermit and company are hunted down by haughty, 9th grade biology teacher Hugo Krassman (John Hostetter) and his cute, but inept, assistant Mary (Kelly Collins Lintz). While escaping them, Goggles is captured by a well-meaning pet shop owner and taken into the town of Leland. Kermit and Croaker, with the help of a stray dog named Pilgrim, go into the town to find him, and the story really takes off.

The main strength of this movie is the conflict, namely frog versus world. I liked how the climax involved a high school biology class, and how frogs were routinely taken in to be dissected (in my high school, we dissected pigs, but that's another story). While John Hostetter was delightfully over the top, I couldn't help but think of Peter Ustinov when I watched him act. I suppose that's good for his character. If Ustinov was alive today, this would have been a great role for him.

While the conflict had the power to elicit a good story, I wasn't a big fan of Goggles. I got that he was an obsessive compulsive frog who was afraid of, or allergic to, everything, but he came off as very whiny to the point of sheer annoyance. Of course, Kermit had to put up with other Muppets with annoying character traits on "The Muppet Show", so it would be natural to still save his friend anyway. I have always respected that nobility of Kermit. Seriously.

I also thought there was a nice subtle tribute to Jim Henson in this movie, as Kermit walks along and passes by a boy who sees him. The boy is standing in front of his house, and the mailbox you see has the name "Henson" on it. The closeup on the mailbox wasn't necessary, though, as if the audience couldn't figure that one out for themselves. Also, I wish the boy did more than just look at Kermit.

Probably one of the main reasons this film went directly to video was because the songs weren't very memorable. There could have been a better song written for Kermit to sing as he gases upon a star in the sky. "When You Wish Upon A Star" (from "Pinocchio" (1940)) can't be the limit to songs about stars in kids films. I also thought the song the rabbit sang about how great it is to be a pet was not good enough. Given the great songs Paul Williams wrote for "The Muppet Movie" and "The Muppet Christmas Carol", it was a shame they could not get him to write songs for this movie.

Also, being a huge Muppet fan, I was a little let down that only two Muppets from "The Muppet Show", Statler & Waldorf a.k.a. "The Two Old Guys On The Balcony", made a cameo in this movie. Although an overload of Muppets would have hurt this movie, I thought it would have been cool to have Dr. Bunsen Honeydew and Beaker appear even briefly in the high school lab. The voice of the star calling for Kermit sounded quite a bit like Miss Piggy too, yet that cameo would have been a stretch, especially considering how hard it must be to hire Frank Oz these days.

The film also had a missed opportunity to see the other frogs all grown up. The familiar older Kermit serves as a framework for this story. When it ends, it shows him heading into the swamp because, he says, he is still friends with Croaker and Goggles. You hear their voices, but you don't see them, and that made for a clunky ending.

So Muppet fans like myself may be disappointed that this film doesn't live up to the high quality of the previous, theatrically-released Muppet films. However, I bet kids will like it, and I can't fault them for liking such a movie. If "Kermit's Swamp Years" obtains a cult following, what right do I have to tell people they can't like a film? It's something I try not to do anyway.