Harry Potter und der Gefangene von Askaban

If there's anything this movie proves, it is the difficulty in separating the series from the demands of fans. This is clear just from hearing some of the comments. "Why didn't they identify the names on the Marauder's Map?" "Why wasn't the second Quidditch game shown?" "Why wasn't there more of Crookshanks the Cat?" By focusing on what the film didn't have, fans fail to look at the film on its own terms. I think this is by far the best Harry Potter movie yet.

The only way to satisfy fans would be to include everything from the book, which would require a miniseries. Since that isn't what these films are, the story has to be abridged. The first two films tried to fit everything they could within a reasonable slot of time. The result was a set of films that felt cluttered yet incomplete. Had they continued with this strategy for this movie, based on a much longer book, it would surely have been over three hours long.

The virtue of the latest film is that it makes a real attempt to adapt the story, not just marching in lockstep with the book's events. The screenplay is sparing, leaving out or simplifying loads of details not directly relevant to the plot. But it captures much of the book's delight and humor. The first two films fell short in this regard, because they lacked the guts to tinker with the details, even though that was the key to condensing the story while staying true to its spirit.

The movie is still faithful to the book, of course. Many of the scenes are exactly as I had imagined them. When it deviates, it does so based on an understanding of the story and characters. This is evident in the way they show, for example, the Knight Bus; Hermione's overstuffed schedule; and the introduction of the Marauder's Map, a scene that captures the twins' mischievous personalities. The changes are clever and funny, and they help compensate for the movie's loss in other areas.

Certainly this has something to do with the new director. Columbus's approach was to stick to the books as literally as possible, often draining them of their subtlety. For instance, where the books only hint that Dumbledore can see through the invisibility cloak, the earlier movies make it unmistakable. The new director never condescends to the audience in that way. This is a children's movie, but it is also a fantasy-thriller that we can take seriously, because not everything is spelled out for us. We're given a chance to think.

But part of what makes the movie work is the book itself. The story is gripping from start to finish, because the threat looming over the school is established early on. Harry's personal life is sharply intertwined with the plot. We feel for him as we watch his disastrous (but hilarious) attempts to escape his uncle and aunt, and his humiliating reaction to the dementors. The story avoids common devices such as the talking killer or deus ex machina, which the other books have in abundance. The ending is nicely bittersweet and ambiguous. The plot is so complicated, however, that the book spends several chapters explaining it all. The movie wisely includes only very little of this, allowing the plot twists to become understood as the story progresses. I was surprised to see certain events that were in the movie but not the book lend support to an important theory some fans have had about what is to be revealed at the end of the series. Of course, it is well-hidden and won't give anything away for those who aren't looking for the clues.

I was so satisfied with the film that it almost seems trivial to mention the flaws, but there are some. The portrayal of Fudge's assistant as the standard hunchbacked dimwit is out of place here, as it would be in anything other than a cartoon or spoof. The most serious misstep, though, is the casting of Michael Gambon as Dumbledore. Gambon's face seems frozen in a perpetual nonexpression, and his voice lacks resonance. He compares poorly to the late Richard Harris, whose line readings had gravity, and who played the character with a twinkle in his eyes. It is a pure mystery to me why this actor was chosen as a replacement, especially considering the fine performances from other members of the cast. Even the children are in top form here.

Those complaints aside, this is the movie I was hoping they would make when the series began. If it doesn't live up to the book, so what? What's important is that it lives up to its potential as a movie. Fans who want a carbon-copy of the book are looking in the wrong place, because they're never going to get it here. This is probably the best example of a Harry Potter movie that we're ever likely to see.

Alfonso Cuarón's masterful adaptation does the source material immeasurable justice by exploring its underlying concepts in an intelligent manner. Of course, it certainly helps that the aesthetics of the film are incredible, the acting remains stellar (and the trio of young actors handle their roles admirably), and John Williams offers an amazing (and eclectic) score. Character development is superb - Steve Kloves penned a great script.

First-time and young viewers will likely enjoy the film for its merits based on plot and 'adventure' alone, but it takes multiple viewings and a critical eye to enjoy the abstract ideas and nuances. Cuarón himself credited the source material as being laden with real-world issues: oppression, racism, loneliness, power, friendship, justice and so forth.

This is the Harry Potter film that stands on its own and as a tremendous cinematic achievement. It challenges viewers and yet doesn't patronize them or attempt to offer answers to all of the questions presented. For instance, the ending is bittersweet at best and retains a healthy amount of ambiguity.

If you've never read the books or understood the acclaim of the series as a whole, watch Cuarón's 'Prisoner of Azkaban' and you'll understand why this entry is clearly the zenith of the seven.

This third Harry Potter film is the best one yet. Director Alphonso Cuaron (Y Tu Mama Tambien, A Little Princess) has taken over from Chris Columbus and has stuck less slavishly to the original JK Rowling Books.

Daniel Radcliffe, Rupert Grint and Emma Watson are back as Harry, Ron and Hermoine, with Hermoine in particular getting to do a lot more. There are less Quidditch matches, and more menace, in keeping with the improved complexity of Rowling's third novel. Hogwarts is not safe, Draco Malfoy is no longer a menace, but just a pain in the ass. And the new CGI-scripted character Buckbeak the Hippogriff (half eagle, half horse) looks fantastic and has personality.The kids are all supposed to be thirteen but look older - hey we'll forgive them. Neville Longbottom has lost so much weight he's almost unrecognisable.

Great performances from Emma Thompson hamming it up as the ditsy professor of foretelling, Prof Trelawny, Michael Gambon as the new Professor Dumbledore (not as magical but good), David Thewliss as Prof Lupin, and Gary Oldman as the Prisoner of Azkhaban.Thrilling, complex, menacing, ****/***** stars.

Harry Potter is growing up! The voice is deepening, the shoulders are broadening and...hurray! You no longer feel like a creep for having a little crush on Daniel Radcliffe...whoops, did I say that out loud? Say what you will, I see him making the jump from child star to adult actor in a way that Haley Joel Osment only dreams of.

Appropriately, this third film in the Harry Potter series has matured along with it's young stars. At first glance the storyline itself is relatively simple - Sirius Black has escaped from Azkaban Prison and young Harry is on his hit list. But the reality is that this movie is about being a teenager and all the trials and tribulations that go with it. On one level, Harry is like any other kid at school - he puts up with torment from bullies, gets into scrapes with his teachers and hangs out with his friends. But this is not just any school. This is Hogwarts School of Witchcraft and Wizardry, and Harry has a whole OTHER set of problems. Like an escaped madman who may just want to kill him, for example.

The plot contains the requisite amounts of twists and turns. The focus is on Harry's past - Sirius Black was his godfather but just may have been in league with he who's name cannot be mentioned. There is the usual game of 'are they or aren't they?' when it comes to deciding which characters are really the baddies. Alan Rickman continues to walk the finest of lines between good and bad with his marvelous performance as Professor Snape. Has there ever been a better match of actor and character? Snape shows again that, while he may take occasional delight in making his students' lives difficult, he does have their best interests at heart - like any good teacher. Other plot quirks worked well - I enjoyed the way the time travel angle was worked in and the map showing the location of everyone in Hogwarts was a delight.

Visually, this is a much darker film and it is a sumptuous treat for the eyes. There is so much incredible detail in the sets that it's impossible to absorb it all in one sitting. All the staples from the other films are there - the paintings talk, the staircases move, ghosts roam the halls - watch out for the knights on horseback crashing through windows! The special effects are all top notch. A word of caution for any parents - there are some genuine scares here. The Dementors are particularly nasty, and I would certainly think twice about letting very young children watch this film. This is without even considering it's running time - two and a half hours - which is a very long time to expect some children to sit still.

One of the most impressive things about this film is the way that the young cast are more sure of themselves. As Hermione, Emma Watson grated in the first film with her occasional woodenness. Pleasingly, she has grown into herself as an actor and her performance here is much more mature. A leading lady of the future, perhaps? Hermione is growing up and is tired of being taken for an irritating goody-two shoes know it all. Rupert Grint provides comic relief and Daniel Radcliffe gives an outstanding performance, considering the whole film rests on his shoulders. Harry is the hero - the audience needs to identify with him. By the end of this film teenage girls will want to take him home to mother, while their mothers will just want to take him home and adopt him!

New cast members acquit themselves well. The role of Sirius Black was tailor made for Gary Oldman - he has a requisite creepiness with just a dose of humanity to bring the character to life. Daniel Thewlis is good as Professor Lupin, the new Defense Against the Dark Arts master who takes Harry under his wing. Emma Thompson is amusing as a Divinination professor with bad eyesight. She can see into the future but can't tell which students are falling asleep in her class!

Many have criticised Michael Gambon's performance as Dumbledore. While it's true that he is no Richard Harris, I personally was pleased that he didn't attempt to imitate his predecessor. Gambon is accomplished enough a performer to stay true to the character while at the same time putting his own stamp on it.

Take away the magic and monsters, and what you have is a coming of age movie. Harry is forced to grow up and confront both his past and his future, and come to terms with the reality that he is no ordinary wizard. With the spectra of 'you know who' continuing to loom on the horizon, roll on film four!

This is certainly darker than the first two instalments, and not as funny. But based upon a truly excellent but complex book, it is a very good film nonetheless. In my reviews on the first two films, I forgot to mention the music by John Williams. In all three movies, it is very good, but not Williams's best work. His scores to Star Wars, ET and Home Alone are better. The only real quibble i had with the movie was Michael Gambon as Dumbledore. Richard Harris, the first and better Dumbledore, had died, and although Gambon was good, Harris suited the character a lot more in terms of looks and sincerity. The three leads are still likable, and they are given solid support by Maggie Smith, Alan Rickman and Robbie Coltrane. The real treat lies in the newcomers though, namely David Thewlis as Lupin, Emma Thompson as Trelawney and Gary Oldman as Sirius. Timothy Spall I felt was a little odd for Wormtail. The Dementors I felt quite terrifying, a lot more chilling than they were in the book. All in all, very good. 8/10. Bethany Cox