H

H

I am a huge fan of the Korean serial killer drama Tell me something. So when the review on the box of this movie said `tell me something esque' I thought I would give it a shot. My history with Korean films are hit or miss. This is a miss. I will say this the plot twist is something you would never see in American film. Of course you would also never see it in reality either.

The film is paced so boring. Maybe the moody feeling just doesn't translate but I think the film was going for the SEVEN moody feeling. The camera work was somewhat interesting. The gore was there. The acting was so so. In the end I kinda had to force myself to finish it.

I would say if you have a choice get `tell me something' instead.

Ten months after the imprisonment of serial killer Shin Hyun (Seung-woo Cho), who gave himself up to the police after brutally murdering six women, a copycat murderer begins to replicate his grisly crimes. Detectives Kim Mi Yun (Jung-ah Yum) and Kang Tae Hyun (Jin-hee Ji) are assigned to the case, and after interviewing Shin Hyun, begin to suspect that he has somehow masterminded the killings from behind bars.

Directed by Jong-hyuk Lee, Korean thriller H is, rather ironically, something of a copycat itself, being a little bit Silence of the Lambs and a little bit Seven, but nowhere near as good as either film: the plot is a little too convoluted and confusing at times, the pacing way too slow, and the inevitable twist nowhere near clever (or believable) enough. In an effort to make his film as stylish as those he is trying to emulate, director Lee throws in endless rain-drenched scenes and moody shots of his cops smoking, but even though his film looks good throughout, it fails thanks to its leaden storytelling, a lack of tension and originality, and an ending that beggars belief.

A bit less than a year ago a serial killer turned himself in. He had targeted mostly pregnant women and the police had no clue as to his whereabouts. But now he's in custody. The only problem being that a copycat killer has emerged. So detectives Kim (Yum Jung-ah) and Kang (Ji Jin-hee) are put on the case.

Korean films don't seem to believe in happy mediums. Either they're full-out acid trips of surrealism, or they're the greyest, most depressing dramafests you've ever seen. H falls into latter category. Granted, the actual killings are horrifically brutal and graphic in a way you just don't see in mainstream Western cinema, but aside from that the film is almost banal.

When it's not blatantly ripping off The Silence of the Lambs, that is. I mean, you have psychotic madball killer in prison, who's interrogated to help catch another criminal, while at the same time he's analyzing his interrogators. Subtle this movie is not. Throw in some Se7en as well for the events of the final third and you have yourself an unoriginal movie.

Though, it is shot nicely, the characters can be interesting and the gore is sure to be pleasing to those that gravitate towards that kind of thing. Not a complete loss, but not worth recommending either.

I could go on about the slow pace, bad acting, moodiness, implausibility, contrived and generally ridiculous plot line but suffice to say that I wish it was me getting a bullet in my head at the end of the movie.

The movie was dreadful. I'd recommend almost any other Korean movie over this. The sheer number of times I found myself scoffing at the actions of the characters, the plot "twists" or the character "dialogue" were too numerous to count.

Any deeper reading about the supposed message of the movie only serves to obscure the fact that this was one horrible flick.

The only positive comment I can make (as someone on the message boards noted) was some of the very interesting artwork; I quite liked it.

The frame is a thriller with victims and chasers. Yet, the content is richer. The description of females vs. males is especially intriguing. The main female characters Detective Kim Mi Yun and Dr. Chu Kyung-sook are both more intelligent than their male counterparts and they both stay cool while the males are either easily aroused or do not understand. It is true that all the victims are females. Yet, the killings are connected with the reproductive capacity of the females that the males do not possess and can not control. A main motive is the pregnant women's ability to kill their (male) foetuses. The most influential male character, Shin Hyun, murderer now in a prison, has a non sexual foetus like aura. The killings are carried out as revenge on the women for this ability, obviously and totally in vain. Thus, the film describes a core dilemma true for all males. However, I am not aware of a comparable open description in European literature of film. Yet, I have seen it in Japanese films (e.g. Shindo's Onibaba). – A most interesting film.