IMDb-BEWERTUNG
7,2/10
23.523
IHRE BEWERTUNG
Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Toshio Furukawa
- Skunk
- (Synchronisation)
Scott Weinger
- Atlas
- (English version)
- (Synchronisation)
Yuka Imoto
- Tima
- (Synchronisation)
Kei Kobayashi
- Kenichi
- (Synchronisation)
Kôki Okada
- Rock
- (Synchronisation)
Tarô Ishida
- Duke Red
- (Synchronisation)
Kôsei Tomita
- Hige-Oyaji
- (Synchronisation)
Norio Wakamoto
- Pero
- (Synchronisation)
Junpei Takiguchi
- Dr. Laughton
- (Synchronisation)
Takeshi Aono
- Ponkotz
- (Synchronisation)
Masaru Ikeda
- President Boon
- (Synchronisation)
Shun Yashiro
- Notarlin
- (Synchronisation)
Shigeru Chiba
- Lamp
- (Synchronisation)
Masashi Ebara
- Ham Egg
- (Synchronisation)
Takaya Hashi
- Lyon
- (Synchronisation)
Norihiro Inoue
- Atlas
- (Synchronisation)
Rikako Aikawa
- Fifi
- (Synchronisation)
Empfohlene Bewertungen
For crying out loud, it's stylized! That's why the soundtrack is jazz and blues and stuff. That's why the character animation is "crappy".
Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.
It's meant to be like a Prohibition era Chicago or something.
Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.
It's meant to be like a Prohibition era Chicago or something.
I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.
Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.
But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.
Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.
But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.
Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
In the futuristic Metropolis, robots are segregated and used for all the menial work. Many unemployed blame the robots and pushing for revolution. Duke Red is building a vast skyscraper. A robot disrupts the opening and Duke Red's son Rock destroys the robot. Private detective Shunsaku Ban and his nephew Kenichi are hunting for scientist Dr. Laughton who is supposedly trafficking organs. Laughton has actually been hired by Duke Red to recreate his deceased daughter with an advanced robot.
The visual style of this animated movie is beautiful. This is worthwhile watch simply for the visual aspect. The story is functional for more than half of the movie. Kenichi and the robot on the run is pretty good. The rest is a bit disjointed and complicated. Motivation is tricky. The twists and reveals are questionable and the story is overstuffed. It is still a beautiful looking piece of animation.
The visual style of this animated movie is beautiful. This is worthwhile watch simply for the visual aspect. The story is functional for more than half of the movie. Kenichi and the robot on the run is pretty good. The rest is a bit disjointed and complicated. Motivation is tricky. The twists and reveals are questionable and the story is overstuffed. It is still a beautiful looking piece of animation.
I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.
The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
Wusstest du schon
- WissenswertesOsamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
- PatzerRock's costume disappears in the Throne of Power scene.
- Alternative VersionenEnglish subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
Top-Auswahl
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Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 722.932 $
- Eröffnungswochenende in den USA und in Kanada
- 84.660 $
- 27. Jan. 2002
- Weltweiter Bruttoertrag
- 4.035.384 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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