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Robotic Angel

Originaltitel: Metoroporisu
  • 2001
  • 12
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
7,2/10
23.523
IHRE BEWERTUNG
Robotic Angel (2001)
Trailer for Metropolis
trailer wiedergeben1:34
4 Videos
99+ Fotos
Animation für ErwachseneAnimeCyberpunkEine TragödieHandgezeichnete AnimationSteampunkAbenteuerAnimationsfilmDramaScience-Fiction

Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.Kenichi und sein Onkel Shunsaku Ban müssen das Rätsel um Robotermädchen Tima lösen.

  • Regie
    • Rintarô
  • Drehbuch
    • Osamu Tezuka
    • Katsuhiro Ôtomo
    • Fritz Lang
  • Hauptbesetzung
    • Toshio Furukawa
    • Scott Weinger
    • Yuka Imoto
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    23.523
    IHRE BEWERTUNG
    • Regie
      • Rintarô
    • Drehbuch
      • Osamu Tezuka
      • Katsuhiro Ôtomo
      • Fritz Lang
    • Hauptbesetzung
      • Toshio Furukawa
      • Scott Weinger
      • Yuka Imoto
    • 135Benutzerrezensionen
    • 65Kritische Rezensionen
    • 75Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 4 Nominierungen insgesamt

    Videos4

    Metropolis
    Trailer 1:34
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:34
    Metropolis
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer
    Trailer 1:33
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer

    Fotos245

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 239
    Poster ansehen

    Topbesetzung66

    Ändern
    Toshio Furukawa
    Toshio Furukawa
    • Skunk
    • (Synchronisation)
    Scott Weinger
    Scott Weinger
    • Atlas
    • (English version)
    • (Synchronisation)
    Yuka Imoto
    • Tima
    • (Synchronisation)
    Kei Kobayashi
    • Kenichi
    • (Synchronisation)
    Kôki Okada
    • Rock
    • (Synchronisation)
    Tarô Ishida
    • Duke Red
    • (Synchronisation)
    Kôsei Tomita
    • Hige-Oyaji
    • (Synchronisation)
    Norio Wakamoto
    Norio Wakamoto
    • Pero
    • (Synchronisation)
    Junpei Takiguchi
    • Dr. Laughton
    • (Synchronisation)
    Takeshi Aono
    Takeshi Aono
    • Ponkotz
    • (Synchronisation)
    Masaru Ikeda
    • President Boon
    • (Synchronisation)
    Shun Yashiro
    • Notarlin
    • (Synchronisation)
    Shigeru Chiba
    Shigeru Chiba
    • Lamp
    • (Synchronisation)
    Masashi Ebara
    • Ham Egg
    • (Synchronisation)
    Takaya Hashi
    • Lyon
    • (Synchronisation)
    Norihiro Inoue
    • Atlas
    • (Synchronisation)
    Rikako Aikawa
    • Fifi
    • (Synchronisation)
    Tomohisa Asô
      • Regie
        • Rintarô
      • Drehbuch
        • Osamu Tezuka
        • Katsuhiro Ôtomo
        • Fritz Lang
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen135

      7,223.5K
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      Empfohlene Bewertungen

      sadrec1

      Why does everyone hate this?

      For crying out loud, it's stylized! That's why the soundtrack is jazz and blues and stuff. That's why the character animation is "crappy".

      Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.

      It's meant to be like a Prohibition era Chicago or something.
      10ExpendableMan

      One of my all time favourites

      I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.

      Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.

      But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.

      Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
      6SnoopyStyle

      visually stunning but story problematic

      In the futuristic Metropolis, robots are segregated and used for all the menial work. Many unemployed blame the robots and pushing for revolution. Duke Red is building a vast skyscraper. A robot disrupts the opening and Duke Red's son Rock destroys the robot. Private detective Shunsaku Ban and his nephew Kenichi are hunting for scientist Dr. Laughton who is supposedly trafficking organs. Laughton has actually been hired by Duke Red to recreate his deceased daughter with an advanced robot.

      The visual style of this animated movie is beautiful. This is worthwhile watch simply for the visual aspect. The story is functional for more than half of the movie. Kenichi and the robot on the run is pretty good. The rest is a bit disjointed and complicated. Motivation is tricky. The twists and reveals are questionable and the story is overstuffed. It is still a beautiful looking piece of animation.
      8lambiepie-2

      I loved this film!

      I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.

      The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
      Wizard-8

      A visual feast - though the script has problems

      I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.

      Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.

      As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.

      The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.

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      Verwandte Interessen

      Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Family Guy (1999)
      Animation für Erwachsene
      Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
      Anime
      Ryan Gosling and Ana de Armas in Blade Runner 2049 (2017)
      Cyberpunk
      Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
      Eine Tragödie
      Jodi Benson, Jason Marin, and Samuel E. Wright in Arielle, die Meerjungfrau (1989)
      Handgezeichnete Animation
      Alfred Abel, Brigitte Helm, and Rudolf Klein-Rogge in Metropolis (1927)
      Steampunk
      Still frame
      Abenteuer
      Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Chihiros Reise ins Zauberland (2001)
      Animationsfilm
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drama
      James Earl Jones and David Prowse in Star Wars: Episode V - Das Imperium schlägt zurück (1980)
      Science-Fiction

      Handlung

      Ändern

      Wusstest du schon

      Ändern
      • Wissenswertes
        Osamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
      • Patzer
        Rock's costume disappears in the Throne of Power scene.
      • Zitate

        Tima: I am who?

      • Alternative Versionen
        English subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
      • Verbindungen
        Featured in Siskel & Ebert & the Movies: John Q/Maryam/Hart's War/Crossroads/Metropolis (2002)
      • Soundtracks
        I Can't Stop Loving You
        Performed by Ray Charles

        Written by Don Gibson

      Top-Auswahl

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      FAQ20

      • How long is Metropolis?Powered by Alexa

      Details

      Ändern
      • Erscheinungsdatum
        • 31. Oktober 2002 (Deutschland)
      • Herkunftsland
        • Japan
      • Sprachen
        • Japanisch
        • Französisch
        • Deutsch
        • Italienisch
        • Spanisch
        • Englisch
        • Russisch
      • Auch bekannt als
        • Metropolis
      • Produktionsfirmen
        • Bandai Visual Company
        • DENTSU Music And Entertainment
        • Imagica Corp.
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Box Office

      Ändern
      • Budget
        • 15.000.000 $ (geschätzt)
      • Bruttoertrag in den USA und Kanada
        • 722.932 $
      • Eröffnungswochenende in den USA und in Kanada
        • 84.660 $
        • 27. Jan. 2002
      • Weltweiter Bruttoertrag
        • 4.035.384 $
      Weitere Informationen zur Box Office finden Sie auf IMDbPro.

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 48 Min.(108 min)
      • Farbe
        • Color
      • Sound-Mix
        • DTS
        • Dolby Digital
        • SDDS
      • Seitenverhältnis
        • 1.85 : 1

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