Wenn zwei Brüder den Raub des Juwelierladens ihrer Eltern organisieren, geht der Job schrecklich schief und löst eine Reihe von Ereignissen aus, die sie, ihren Vater und die Frau eines Brude... Alles lesenWenn zwei Brüder den Raub des Juwelierladens ihrer Eltern organisieren, geht der Job schrecklich schief und löst eine Reihe von Ereignissen aus, die sie, ihren Vater und die Frau eines Bruders, die auf einen zerschmetternden Höhepunkt zusteuert.Wenn zwei Brüder den Raub des Juwelierladens ihrer Eltern organisieren, geht der Job schrecklich schief und löst eine Reihe von Ereignissen aus, die sie, ihren Vater und die Frau eines Bruders, die auf einen zerschmetternden Höhepunkt zusteuert.
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He's directed films such as 12 Angry Men , Serpico , The Verdict and Network yet when great directors are talked about his name is rarely mentioned and that's just wrong .
Before The Devil Knows You're Dead was Lumet's final film and it proved that even at the age 82 he still could make good movies.
Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.
Of course to make a great film you don't just need a brilliant director, you need a great cast too and Phillip Seymour Hoffman and Ethan Hawke are perfect as the two brother who are in trouble up to their necks .
The timeline jumps around in a very clever way and thankfully at no time was It confusing.
Hoffmann's performance is extremely intense almost as if he was living that role of a heroin addict . Sadly we know he was as he died 7 years later of an overdose.
This is about how children can let down their parents , when all they have to do is ask for help . Pride before a fall.
I really enjoyed this film . It's not Lumet's best but it's in the top six or seven .
Naturally, things don't go their way and both of them find themselves stuck in an ever deceasing spiral as more and more things get out of control. I won't go into the actual plot in too much detail, as anything I say will probably spoilt the film of you. However, what is nice is that you can see things from their points of view. Both men have problems. Yes, there may be easier (legal?!) ways of getting cash, but both have already gone too far to be able to turn around and utilise legitimate money-making means. Then, when things start to go wrong, everything happens logically. You'll feel for the two men (even if you don't always like them). Albert Finney is on the cast list and he does a good job, too. Although his part is decidedly smaller than his two on-screen sons, but what he does he does well.
'Before the Devil Knows You're Dead' is a slow film. Maybe when I watched it before I was expecting some sort of 'action-orientated' gangster film where people are shooting each other and delivering a witty quip here and there. It's nothing like that. If you're looking for that sort of experience, look somewhere else. This film is quieter, subtle and sadder in tone. It's also nearly two hours long, but, despite being slow, that's not a bad thing.
If you're in the mood for 'thoughtful' over 'thrilling' give this one a go. I'm definitely going to watch it again – probably in a few years, but definitely.
I saw this a few years back and what I can say is it was an amazing film. The acting was well constructed as it would be expected of Ethan Hawke and Philip Seymour Hoffman. But not one in the film captivated the debilitating affects of tension and concern as well as Hoffman himself.
The film had its share of humor and the supporting roles were brilliant and authentic.
It seemed as though as the film had progressed, the intense suspense in the film as well as the sharp acting seemed to just envelop you even more. The entire atmosphere just impacts the audience deeply and leaves a thrill of excitement that is still felt after the film.
A film close to perfection and one I will see again any time.
This is gritty cinema, marked by focused direction, intriguing writing, non-linear storytelling, great pacing in editing, and a very tough emotional tone.
Unsurprisingly, Philip Seymour Hoffman completely outshines a relatively strong cast, including a mediocre Marisa Tomei, a strong performance by both Ethan Hawke, an even outshines Albert Finney who delivers a brilliant performance. He simply steals the show and once again is truly Oscar-worthy. How can one be surprised; in my book, Seymour Hoffman is among, if not the single greatest actor of his generation - and yes, I'm considering him up against masters such as DiCaprio, Pitt, Phoenix, Bale, Gyllenhaal, Blanchett, Colman, Adams, Davis, and Swinton.
Highly recommended and a great swan song from Lumet!
To solve all their problems, he persuades his brothera likable loserto join him in a plan to steal their own parent's small store Their parents are happily married and proprietors of a jewelry store situated in New York's Westchester County Sixty thousand dollars is all they'll need to get their life out of desperation
Three main characters are important in this movie
First the two brothers Each of them is a complex individual, threatened with multiple motivations, and sunk into doubts and disappointments The two are desperate characters, financially and emotionally
Andy is selfish He feels that he has never had the love of his father He is the corrupting influence, turning his brother into an assailant, and his beautiful woman into an adulteress
Hank is a puppet too weak to resist his brother's wishes His ex-wife is one of the reasons he needs money as he owes her hundreds in child support . He longs to regain the confidence he once had with his father
The third character is their weary and deplorable father Charles Hanson (Albert Finney), especially in the haunting climactic scenes
Telling you more about the details could lessen the impact of the film, and therefore the entertainment...
Tomei's performance conveys great depth and emotion even with her look, her touch, her particular move
Lumet's direction is firm, fresh and brutal.
Wusstest du schon
- WissenswertesSidney Lumet said that the scene between Philip Seymour Hoffman and Marisa Tomei in the car when Hoffman has his breakdown was one of the most extraordinary scenes of acting with which he had ever been involved.
- PatzerIn the scene where Andy and Gina are discussing whether they should leave for Rio, she mentions that there are no extradition treaties between Brazil and the United States. This is not true, although her comment was actually more a jab at her husband than actual knowledge.
- Zitate
Andrew 'Andy' Hanson: The thing about real estate accounting is that you can, you can, add down the page or across the page and everything works out. Everyday, everything adds up. The, the total is always the sum of its parts. It's, uh, clean. It's clear. Neat, absolute. But my life, it, uh, it doesn't add up. It, uh... Nothing connects to anything else. It's, uh... I'm not, I'm not the sum of my parts. All my parts don't add up to one... to one me, I guess.
Justin: Get a shrink or a wife.
Andrew 'Andy' Hanson: Uh, I got a wife.
Justin: Get a shrink.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Antes que el diablo sepa que has muerto
- Drehorte
- 47th Street, Manhattan, New York City, New York, USA(second unit)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.084.227 $
- Eröffnungswochenende in den USA und in Kanada
- 73.837 $
- 28. Okt. 2007
- Weltweiter Bruttoertrag
- 25.038.466 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1






