Der Sohn der Braut

In 'El Hijo de la Novia', director Juan José Campanella tells the story of a workaholic 42-year old divorced father who has unstable relationship with his daughter and girlfriend and who's father, after 44 years of marriage, wants to remarry his mother who's struck by Alzheimer's disease. But things take a different turn when he has a stroke. Campanella tells a sweet tale of self discovery or rather self rediscovery accompanied by a playful score. He does present the culture quite well as one does get the feel of the local Argentinian life. Héctor Alterio and Norma Aleandro give very spirited performances and they are a treat to watch. Ricardo Darin is adequate while Natalia Verbeke and Eduardo Blanco are very good. In spite of gaining widespread acknowledgement, 'El Hijo de la Novia' remains a small humble little film. I liked how the relationships were portrayed and how the characters and problems were very recognizable. Nino's love for Norma was very moving. The only quibble for me was that the pacing was very slow midway so it requires some patience from the viewer but in the end es una película divertida que eleva. Make sure to watch it through the rolling end credits.

Very sweet mid-life crisis movie from Argentina starring the brilliant

Ricardo Darín from 'Nine Queens'. Darin plays Rafael, a driven

restaurant owner who's stressed lifestyle and continuous intake of

ristrettos and cigarettes earns him a heart attack. Lying in his

hospital bed he resolves to start 'a new cycle', simplifying his life.

This proves harder than he expects. Gorgeous younger girlfriend

Nat wants commitment, ex-wife Sandra heaps scorn on his

neuroses and his dapper father wants financial help in enacting a

touching gesture to his wife of 44 years: a proper wedding

ceremony.

Rafael is assisted in meeting these challenges by the appearance

of an old friend, Juan Carlos. Played with memorable comic

energy by Eduardo Blanco (a kind of Argentine Roberto Benigni),

Juan Carlos' loyalty and friendship - and the story of his own

triumph over tragic life circumstances - helps Rafael understand

the treasure he possesses without appreciating it: family.

It may sound kind of soppy, and at moments 'Son of the Bride'

does teeter into sentimentality, but on the whole this is a

consistently entertaining movie, the best of its kind I've seen in a

long time. The film's script is very nearly brilliant, stuffed full of bon

mots and witty asides, from the Padre describing his new speaker

system as 'omnipresent' to Juan Carlos' Jesus-Christ-as-

Maradonna joke.

But its quality lies in more than just a list of gleaming one-liners

and 'zingy' exchanges. There's acres of depth here too, in passing

observations about the universality of corruption in modern day

Argentina, to wry observations about the hypocrisy of the church.

Campanella covers a lot of bases - much more so than comparable comedies from the US - without ever losing his

lightness of touch. It's this that raises 'Son of the Bride' above the

mass and makes it a movie that I'm actually very keen to see

again.

Impossible not to like, then, and if the ending doesn't leave you

with a tear in your eye, you're a heartless swine.



I actually caught 'Son of the Bride' last night in a double with 'Nine

Queens'

This is a real jewel from Argentina... at a time when some viewers are knowing Latin American film making through tasteless stories, I highly recommend "El hijo de la novia". The story is full of discovery and emotions. It touches the importance of the family and the values, it deals with serious issues with a touch of humor, and a lot of class. The rhythm of the story is well balanced and the characters are very real and likeable. Don't miss it! (9/10)

Great performers in an expertly mounted A feature. This one goes on too long but deserves to edge out the glossy English speaking movies which play to the same audience in the multiplexes.

The film is full of great players given the chance to do their stuff. Darin has the authority of a major leading man and it's a great pleasure to see already familiar veterans like Alterio and Aleandro in strong roles. Her spin on senility is a beautifully judged mix of touching and funny that the film needs to grab the broad public. Verbeke registers as an exceptionally vivid version of the sexy, winning fantasy girl that we keep on seeing in films.

If you want to argue that these characters are a distortion of real life you're in a different mind set to the makers and the fourteen dollars a seat customers they are playing to.

I enjoyed seeing this recognisable world of cell 'phones, old friends, resolved family tensions and gourmet food put across in an unfamiliar setting with superior film know how. It's like a good overseas holiday. The old Sascha Guitry gag of the security system picture or the finding the priest at the final wedding were worth the cheer they got at the performance I saw.

Rafael Belvedere (Ricardo Darín) runs a restaurant started by his parents, Nino (Héctor Alterio) and Norma (Norma Aleandro). While he has made it a success, a corporate buyer who wants to buy the restaurant observes that the extreme effort required to keep all of the plates spinning is like running a marathon. He is divorced and, with the constant cell phone calls and sleepless nights, doesn't seem to have much time for his daughter or girlfriend, although he seems to have genuine affection for both. He hasn't visited his mother Norma, who is in a nursing home with Alzheimer's, in a year. As the previews and the title reveal, his father Nino decides that what he wants most of all is to give Norma the church wedding she always wanted, although many wonder if she would even notice due to her mental state.

The wedding and other story turns which I won't give away help the film turn gracefully from mostly a comedy in the early going into an outstanding drama in the later parts of the film. The performances are excellent by all of the actors, helping to make all of the characters seem real. While the photography is often attractive, I would not be surprised if the film was shot on 16 mm film or even high definition video and transferred to 35 mm film for exhibition.

This film was nominated for an Academy Award for best foreign film, which should have given it a higher profile than it seems to have gotten. It is highly recommended, and should not lose too much seen on home video, assuming it eventually shows up there.

Note that the star, Ricardo Darín, also stars in "Nine Queens," which is opening very soon in the United States.