Devasuram

Few movies can be described as artistic, and they are a joy to behold. Devasuram is one such movie from the good old, early 90's. A classic which was not even replicated by it's sequel.

A wonderful movie directed well by I.V. Sasi and wonderfully acted by Mohanlal. This has to be one of his most iconic roles ever. Revathy, who is by nature a lovely actor and a fine dancer, did her role to perfection. Her chemistry with whom the Malayalis refer to as "The complete actor" was endearing. All the supporting characters, including the likes of Nadumudi Venu and Innocent, played a significant part. The music, directed by M.G.Radhakrishnan and S.P. Venkatesh gelled with the story profoundly, especially with the help of some legendary singers. A once in a lifetime movie, not to be missed by lovers of art.

Devasuram is one of the most successful Malayalam movies and was directed by I. V. Sasi starring Mohanlal. The movies has a cult following and the characters in the movies are fondly remembered by the Malayalees. The rivalry between Mangalasherry Neelakantan (Mohanlal) and Mundakkal Shekaran (Napolean) is the main theme of the movie.

Only the name "Mangalaserry Neelakandan" is enough. Beautiful Movie. Nice Direction. Devasuram adds feather to the Mohanlal acting. Acted by Mohanlal as "Mangalachery Neelakandan". Just the name says the power of the character. Character selection in this movie is excellent. Napeolean as "Sekharan" is another highlight of the movie. Then the character of Innocent. Wah... Then Revathi, Nedumudi venu and all main characters done their work extraordinary beautiful. Climax Scene is one of the highlight of the movie. Music by M.G Radhakrishan is excellent. Esp the song "Vande mukunda hare" sung by himself is amazing. Another main character is Oduvil unnikrishnan(peringodan). Nice Screenplay by renjith. Totally one of my favorite movie

Set in a very traditional 'valluvanadan' (a region of Kerala known for its affinity to art & culture) scene, this movie is easily one of the best movies in the history of Malayalam movies and quite possibly Indian movies in general. The story line depicts how a feudal lord, given his irreverent and spend thrift nature, is much vulnerable within. The vulnerability is exposed when the lord is told about his adoption as a kid by his ailing mother. What happens after that is depicted to absolute perfection by Mohanlal. Such performances that captures every bit of imagination and attention of the viewers runs through the whole film, by all the supporting cast. Couple that needs to be mentioned are that of Innocent and Oduvil Unnikrishnan.

All in all, if you do not watch this film, you are at loss!

Mangalasheri Neelakandan, the name itself creates awe and hero worship. Easily the most powerful characters created in Malayalam cinema. Neelkandan, the feudal lord is cruel, alcholic, male chauvinist, goes to any extend for his win. He is a great patron of arts and proud of his family heritage. I just don't want to go into contents of Devasuram as there are no words to describe the beauty of this masterpiece. Full marks to the director for ensuring that the heroism of Neelan is depicted by the tiniest of characters. Devasuram belonged to I.V.Sasi the director, Ranjith for his heart touching script and all the actors in the movie be it Nedumudi Venu, Revathi, Napolean and so on. But above all Devasuram and Mangalasheri Neelakandan would never be a part of your soul without the genius of Mohanlal. The genius makes you wonder with his subtle acting whether displaying the anger, sorrow or helplessness of Neelan. Sir its a honor and privilege to be a mallayali and watch you in on screen. For me the story of Devasuram ends there and don't want to see Ravanaprabhu the sequel. Because Neelan is one the most powerful character to appear in cinema and the sequel don't justify it.

This is easily one of the best Malayalam movies made. And one of the most iconic. The character of Mangalassery Neelakantan is as legendary a cult figure as it gets. The script was great, and so was the dialogue, both by Ranjith. No crass monologues as there would so often be a decade later. An example of the splendid dialogue (one example among many good ones) would be when Neelakantan talks about all the girls he'd romanced before as corpses, commending Bhanumati's character and calling her a real woman. Rarely in Indian cinema do we get a strong female lead (played so well by Revathi) going toe- to-toe with the male lead.

But the heart and soul of the movie was Mohanlal. Without him, there would be no Devasuram. The ease and spontaneity with which he essays that role is commendable. Such a role is easy to ruin with one- dimensional histrionics, but Mohanlal does not do so. Also, he always has that quality to bring a dash of vulnerability to even the most invincible of the characters he plays.

Even though this is one of my favourite movies I cannot give it a perfect 10 (I am tempted to do so). As great as it is, it could have potentially been even greater a movie, if it was handled with some more subtlety, like Irinjal rightly said. For example, the fight scenes were relevant to the plot, but a bit out of line with the realistic tone of the film, even with Mohanlal's larger-than-life character. The antagonist Shekharan could have been so much better than a bland, grimacing Napoleon. Imagine someone versatile like Siddique as Mundakkal Shekharan (sadly his versatility was exploited much later).