Balzac und die kleine chinesische Schneiderin

In 1971, in the China of Mao Tse Tung, the two university students Luo (Kun Chen) and Ma (Ye Liu) are sent to a mountain mining village with very ignorant peasants and also a Maoist rehabilitation camp, to be reeducated. Both fall in love for the illiterate granddaughter of the local tailor, called "little seamstress". They become friends, and Luo and Ma steal forbidden books of western literature, and while they read the books and teach the little seamstress, they also tell the story to the community and play classical music in the violin, developing and improving their lives.

What a magnificent and beautiful movie is "Balzac and the Little Chinese Seamstress". In a wonderful landscape with stunning scenery, this revolutionary love story about the importance of books to improve the life of people is very believable and I am not sure whether it is based on a true story. I regret that the DVD released in Brazil by Europa distributor has interviews with the cast and director spoken in Mandarin and without subtitles. My vote is ten.

Title (Brazil): "Balzac e a Costureirinha Chinesa" ("Balzac and the Little Chinese Seamstress")

this movie I watched only because I red the book first which is excellent. the movie is fairly loyal to the book. only 1 or 2 things are added, but other than that is is very accurate. the movie was created like it was taken right out of the book. the love story is charming and the characters are never annoying and never get tiresome. the atmosphere created in this movie is brilliant. a delight to watch. you could fall in love with The little seamstress just the way to protagonist and Luo do.the scenery is perfect, and makes you wish to be re-educated, although... not at all. just watch this movie. not a break through but certainly an enjoyable story.

"Balzac and the Little Chinese Seamstress" it is not a movie without flaws, by any means. The manner in which it portrays literature and classical music as being magically transformative is a little syrupy and snobbish (not to mention wildly unbelievable), but hey - they only had two hours to try to explain how great books and music can speak to the soul, so I have to cut them some slack. The oppressive Communist Chinese "re-education" program was clearly criticized. There were many characters in the film who spoke directly about freedom. So the message was loud and clear, both for freedom and against oppression. Throw in a sweet love story, stunning landscapes, and appealing main characters, and it's a winning combination.

I wanted to see a few films at the recent Asian Film Festival here in San Diego. So I chose three films that seemed to grab my interest. "Balzac and The Little Chinese Seamstress" was one of them. So after seeing an ok film from Taiwan the night before,I headed down to the cool art theatre this night to catch "The Little Chinese Seamstress." Wow! Packed house...wow! one empty seat next to me,and an attractive Asian girl by herself sits down..wow! I was lost in the film,as was the rest of the audience(including the cute girl) This film took a wide eyed,but intelligent swipe at the upside down vision of Mao's Cultural Revolution,and asked us"What if?" The simple,humorous story,and the lead characters drew that whole audience in,and reminded me of why I like the movies. I like a good heavy drama as much as anyone,but as I sat there in the dark packed house that night flying over the most beautiful lush Chinese landscapes,and really being involved in the three characters plights,amid tears and sniffles scattered throughout the theatre(i got choked up a bit too) I realized that sometimes less is more in filmmaking,and it can mean the difference between connecting with the story and characters,and just being along for the ride du jour. This film plays like a classical piece of music you never want to end.

Don't be mislead into thinking that a film about the Chinese Cultural Revolution has to be heavy. This one is delightfully light, at times quite funny, but not trivial.

Describing one film review in Hong Kong serves well to describe the film itself. The critic used 90% of the review to say how the film is unrealistic, somewhat over-literary, a bit over-romantic, etc. In the last paragraph, however, despite everything that he said before, he gave the film top rating simply because it was so beautifully made.

The three young people are such a joy to watch. The message I get (which may not be the one intended by the director) is that no matter under what circumstances, youthfulness will prevail. For those who follow the international movie scene, Zhou Xun and Liu Ye wouldn't be total strangers. Chen Kun, the third of the trio, put up an equally sparkling performance. All the supporting roles are great too, and there are quite a few of them.

The scenery is breathtaking and the ending (which of course I won't give away) is very poetic.

It's one of the best, if not the best, "Chinese" film I've ever seen (Chinese in quotes because it's really French, and represents France in the Golden Globe, losing, narrowly I hope, to Almodovar's masterpiece Talk to Her).