Küss mich, wenn du willst

this is not typically french as i've read in some other comments. the film is based on a british book ....

it's a very acid and cynic satire of how some people's lives are laced with lies ...

it has this kind of witty bitter humour that will make it a very enjoyable movie, and i'm going to buy the book to see if there are any notable differences..

thank you for your attention !

Those of us who like French cinema do so because, more often than not, the French display subtlety and skill in creating all sorts of different kinds of movies- light and heavy, political and whimsical. This is not one of them. In fact, other than the rampant, unapologetic sexuality, this could have been an American movie, and though I do like American movies, this is not meant as a complement. If you want a better French movie of this genre, try "The Taste of Others" or "Same Old Song"

Carry on Conking!

Summer things of course is a naughty metaphor for what people get up to on their annual holidays; in France it's a sport so it seems as just about every sexual mix and coupling is explored in this enjoyable and 'Carry On' style French farce, although they have neatly exchanged the nudity for suggestion.

A thought

One in four couples apparently spilt up on Valentines Day ever year and it's a similar ratio for first time young lovers on their summer vacation because the pressure to perform romantically is often the final straw of not living up to those passionate expectations.

It's the turn of five French couples, interconnected by three Parisian families, escaping the traditional august exodus from the capital, to see how their relationships fair on their annual summer holiday. Right from the opening snazzy credits and quirky French pop tune you know this is not going to be a predictable and serious French relationship, mood drama, but something much more fun and frivolous with a premier French cast to boot.

The story

Affluent middle aged couple, Bernard (Jacques Dutronc) and Marianna (Charlotte Rampling) have booked a week in the exclusive Westminster hotel on the South of France for their escape from the bustle of tourist riddled Paris. Bernard's star employee at the family estate agency is Kevin (Sammy Bouajilla) who is secretly screwing the bosses bitchy, unlikeable, but sexy tear away daughter in Emily (Lula Dubois) with the two furtively meeting up together on Emily's Chicago break.

At the last minute Bernard decides not to go away with his wife under the excuse of urgent business at home as the couples meet to decide the travel plans. Best friends to Bernard and Marianna are Jerome (Denis Podayudos) and Vera Salois (Kerina Viard) who are also coming to the same resort.

Vera is a bit of a jealous snob and has made her husband book a week at the Westminster, way above her embattled husbands salary and current career prospects. He has had to sell the family car to pay for it and hasn't done what his wife has asked him and instead has seriously compromised their social standing as the couple and their cute young son Loic (Gerrald Ullier) pull up at a caravan park in a battered replacement jalopy.

On arrival at the resort we meet the third couple in the obsessive hair dresser in Jean Pier and his beautiful lawyer wife in Julie (Claudette Cloran).He cant bare being apart from her and suspicious of every man that even talks to Julie, with hotel romeo in Romaine (Mathieu Bodynae) being this weeks number one suspect. Completing the line up is attractive single mom, Lulu (Carla Banquet), the niece of the Salois family who off-loads her baby on the gleeful Vera who is quickly tiring of caravan life. In return for looking after the kid for the week, Loic goes to stay with the ever calculating Marianna for his coming of age experience with Lulu free to explore the remaining male population.

For Bernard, the cats away and the mice will play, be it with his hermaphrodite home help or the younger woman close to them that we assume Marianna doesn't know about. At the hotel its bed hoping galore with Lothario Romaine filling the vacuum and vacant holes, providing the gumption for the frolics and the momentum to the complex relationships as we slowly discover the skeletons in the closet that hold this fragile group of promiscuous friends and family together.

The quote;Jean Piere:"It's not easy living with a nymph"

Jerome;"You should try living with the opposite".

The thinking on it...

It's a refreshing change to see a French film on the subjects of love and romance not taking themselves too seriously for once. This is positively swimming with joi de vive and jealousy with the superb super tolerant and soothe saying Charlotte Rampling and her immaculate French at the heart of it.

It a story about those scheming women that leach of men and eventually bring them down when their accrued social status is threatened; better not to expose your husbands affair until you are guaranteed the house and the car. This can usually be identified when the husband's hairline has receded more than his salary.

This is excellent stuff as the subtitles for once dissolve into an insignificant distraction for once as we are enveloped into the frolics and comedy with some cracking writing in this brisk and talky 90 minutes. OK there's some dodgy dubbing and sizable chunks of continuity missing that appear in the deleted scenes but on the whole this is quality stuff and you stay with the flow. Its also the first DVD I've had where you can rewind and still see the subtitles so you know where to stop when you missed a bit.

Additionals

There's a directors making off with a different slant on it as he gives you a video diary on his experiences on set and with the actors(very French).Some trailers and film biographies complete the minimal extras to an enjoyable foreign film DVD.

It was Francois Ozon's 'Swimming Pool' that really made me sit up and take note of Charlotte Rampling's suitability to french cinema. Her stern facade yet the notion she is longing for sexual freedom suits it to a 't'.

After 'Swimming Pool' I made a conscious search for Rampling's other forays into french cinema, and this is one of the surprisingly many i came up with.

'Summer Things' seemed to me a bit like a multiple brief encounter. It follows a family riddled with dissatisfaction and their friends over the course of a summer. The daughter off for a 'naughty summer'in Chicago with the boyfriend her parents don't know about, the mother off with her friends all of whom have terrible family problems themselves, and the father who spends the summer liberated from the wife he is confused by, in the arms of his transsexual lover.

The characters are all linked in such deliciously complex ways - one of the biggest links being how much they need this change, this summer to not make them change their lives as what is expected of films of this nature, but in fact to learn how to enjoy the lives they already have - this idea was so refreshing, and like 'brief encounter' what made it so real. there weren't any epiphanies, just character developments, life lessons and realisations of the fact that the grass is never as green as we hope it might be.

Watch it! :)

Let's face it: the people in this film of vacationing Frenchmen are often unpleasant, sometimes downright loathsome. And yet, I had a good time watching, owing to Michel Blanc's skill at keeping all the balls in the air. I don't know how many speaking parts there are, maybe 20, but the energy never flags because of the marvelous actors. Karin Viard is my favorite actress for comedy; here she is wonderful as the frustrated wife of Podalydès trying to scrimp through a holiday that their finances really don't allow. The scene of Podalydès standing on the cliff, with Rampling quietly trying to buck him up, Ulliel crouched below, his tryst with Mélanie Laurent interrupted, and Viard gabbing away unwittingly with her friends until her husband jumps is a comic masterpiece.

Carole Bouquet is another favorite of mine, since she stole Bunuel's last picture Cet obscur objet du désir over 30 years ago. She too is great in comedy--here she is saddled with the most jealous husband in recent film memory (go back to François Cluzet's harassing of Emmanuelle Béart in L'enfer). Blanc keeps yelling at her, accusing her of infidelities, and she grimly makes the best of it, helped by her new-found friends Rampling and Viard. As I said at the outset, sometimes the characters do unpleasant things, but you don't get the feeling that the deck is stacked against them.