Hush!

I saw Grains of Sand a number of years ago, so I decided to see this one at the Toronto International Film Fest this year. For me, it was the best movie I saw this year. The characters were great - all of them felt real to me. The humour in this movie is great. Not much more to say except go see it!

"Hush" is a dramedy out of Japan which swirls around a handful of young adults including a couple of gay men and a female who wants to have a baby by one of them. This skillfully crafted flick has warmth and charm and poignancy and heart and humor and....but, damn, it sure is long and bland. About as interesting as tofu, this character-driven film dawdles interminably as the characters pour over their relationships, including families and friends, in minute detail while we non-Japanese English speakers are reading subtitles and trying to keep the male characters straight as they are very similar in appearance. My eyes were bouncing up and down between faces and subtitles like paddle-balls for 2.25 hours. Recommended only for Japanese films buffs into people pictures. (B-)

There's something off about this movie. I kept wondering if perhaps it was just badly translated. It wasn't that I didn't know what was going on from one moment to the next, but there seemed to be many strange sudden transitions and characters would suddenly seem to be familiar with one another when I'd had the impression they'd never met before. It gave the narrative a jerky, confused feel.

I only made it through about a third of this before I got bored and gave up. It wasn't awful, but it was never absorbing, I wasn't feeling remotely connected to the characters and there just didn't seem to really be much going on, although at the time it stopped it looked like the movie was just deciding it might need to have some sort of plot after all. But that was too little too late.

This is one of my favorite films, even not the best. Each time I see this film, I cannot but wonder why this film, in spite of its central theme, homosexuality, gives me the impression that it's quite an ordinary film, and that homosexuality is just one of everyday matters. In other words, this film is not a special extraordinary work under cover. This is why it is full of humors, which let both straight and gay viewers smile, maybe, in a same way. This film is just the third work of the director, Ryosuke Hashiguchi, who continues to shoot marvelous films, which, certainly, have something to do with homosexuality quite casually, and most importantly, quite naturally. I am looking forward to his next film, whose theme is homosexuality or heterosexuality.

The young people are charming, and the idea of mutual support is often touching. But the film lacks focus and rambles endlessly. It should have been more tightly edited for continuity. Also, the pace is terribly slow, and the cinematography is often static. The scene in which the parents of the two boys confront the young woman often seems like a still photograph,with the young people standing motionless in the background. I thought it would never end.

It's hard to decide if the film is a comedy or a drama. The young woman who wants a baby is so terribly distraught. I wondered if those two gentle boys weren't taking on a real nut-case in order to help her.