Fausto 5.0

I'm not generally a follower of this sort of "Art House"-ish cinema, but I found this film highly enjoyable. The combination of surreal imagery and gritty realism is pleasantly understated (unlike, for example, Trainspotting), and this serves to add to the subtle nature of the film.

Miguel Ángel Solá really brings Fausto to life... He can run a whole range of emotions without it feeling forced or hackneyed, and keeping everything suitably understated (which helps accentuate the rare occurrences where things go slightly strange all the more)

Forget Matrix Reloaded, trying to confuse you with philosophical babble; this is a film that will have you and your friends discussing what it was *actually* about all the way back from the cinema (and then some). Definitely worth at least two viewings: once to see it, once to *really* watch it.

As disturbing as Los Sin Nombre but in my point of view much better as for the choice of actors and the way it was shot. I found it dark but funny. Its is explicit in its violence but yet it always serve the story. Santos' sense of humor is sick but brilliant. I definitely recommend it.

Different from everything you have seen, this movie's greatest achievement is transporting us into the real world, but being able to make it not so real. For this effect, the cinematography contributes a lot, and also the art direction. This movie is odd, it will gather enemies, but I think it had great moments and great visions. The oddity is an asset here. It has won the great prize on my country's Fantasporto.

It's Faust. If you know the story Marlowe and Goethe made famous, well this ain't it. But it's about the same thing -- the whole What Price My Soul thing. Does meaning well absolve us?

This movie is all about the nature of redemption and what price we would put on our soul. In the Goethe's version it's to save the babe he knocked up from being beheaded for killing the baby at birth. This guy's an MD -- that should be your clue.

It's got plenty of lurid stuff, human failings, falling into the pit of depravity and despair that's required of a tragedy. Is there redemption? That's what makes a story worth my time any day.

This film is not the greatest but it beats the hell (pun intended) out of that lame Pacino/ Keanu Devil's Advocate. I mean we can all see a LAWYER as the devil's pawn but the selfless head of a clinic for the terminally ill? And while we don't get Sex Goddess Charlize Theron as sole redeeming quality, we do get sex with the devil's own daughter, and that's got to be hot.

It's the prurient lurid stuff that makes me downgrade it from "Damned Good" to "Interresting". I like to keep those two separate. I like lurid and prurient movies like House of 1000 Corpses and examination of the soul stuff like Mystic River. But trying to mix it like these boys do in Fausto 5.0 is distracting to me. It's like if Rob Zombie got religion and decided to take on Goethe and Marlow and delve the deeper meaning of God the Devil and the Soul while listening to lots of industrial goth techno dance music.

All in all, I thought it was worth while watching and might rent it again some time, but it will probably not become part of my permanent collection.

One of the best takes I have heard on this film goes like this: "It's like if Rob Zombie got religion and decided to take on Goethe and Marlow and delve the deeper meaning of God the Devil and the Soul while listening to lots of industrial goth techno dance music." This sums up the film nicely for those familiar with Zombie. It is a thinking man's (or woman's) horror. It give the selling your soul story and interesting twist.

Miguel Ángel Solá (The Whore and the Whale) is brilliant as the title character, an oncologist that doesn't seem to care about the patients he serves. Eduard Fernández (Che: Part 2, and the impossible to find, Alatriste) is fascinating as the devil.

It gets gory, and it it seems a mess at times, but I couldn't take my eyes away. It was a great story.