Kurze Überfahrt

After watching "Romance" and "The Anatomy of Hell", I felt like I had reason enough to believe, Catherine Breillat prioritizes sex and depressing visuals so much, the subtle things she tries to prove take backseat. But after watching Brief Crossing, my conception underwent a drastic polarity shift.

Thomas is a 16 year old seemingly typical French boy. Alice is probably British, and is around 30. Looks like she had a lot of dimensions to her that she lost from a years long slow heartbreak. Thomas thinks the usual social institutions like boyfriend-girlfriend relationships can't inhibit the French from satisfying their carnal needs any longer. Seems like he does not readily realize the gravity of what he says.

Sometimes, when a child is born in a battlefield and brought up in the neighbourhood, he looks at wars with the eyes of an innocent. He sees deaths, but does not realize what it is that seems so obvious like the sun and the moon. One day, a bullet hits him and the next moment, he is not innocent any more. Brief crossing is one such crossing. Crossing from sight to comprehension. Crossing from ideas of pain to pain itself. Crossing from Innocence to Awareness.

Brief Crossing, like a few others of its kind like "The Man from Earth" or "Broken English", depends solely on a few people's expressions. Not even an extra penny has been spent on refining anything that is not totally essential to help the movie reach its end. Of course it's not for everyone to watch. But those who like it once, will not forget it ere long.

Not recommended for general viewers or cinegoers. Highly recommended for "those" few.

I love this film! Brève traversée [Brief Crossing] was part of the Brisbane International Film Festival, I saw 23 films and this was by far my favourite! The story focused around a young (16) boy and a 30 something woman on a ferry. The two meet in the lunch line and for lack of anywhere else to sit, they sit together. A conversation starts up that lasts them hours and away we go. The film follows their discussions & then sexual relationship. Its kind of a Before Sunrise meets The Graduate. I just loved their discussions and the glances the two share - the 2 actors are sensational, they make the film work. One quote I recall (which I rather like) said by the woman 'Alice' talking about how pointless life can be: "The irony is in order to make a living you have to spend time!" ......5 stars!

These two actors (Sarah Pratt & Gilles Guillain ) previously unknown to me are just brilliant. Occupying the screen for most of the time their film characters are revealed to us through a series of conversations. Casually meeting on an overnight ferry bound for Portsmouth, Thomas a teenager and Alice a married woman exchange shy glances at first as they sit at the same table in the ship's cafeteria.

The feelings between the two grow more intimate as the night wears on. Alice finds Thomas so naive and innocent. He acknowledges he hasn't done so well at school but hopes to become a plastic surgeon because women are so concerned about their appearance and there's money in it. Alice is very critical about men in general claiming they are selfish and only have one thing in mind. She says she has just walked out on her husband.

It is interesting to watch Thomas trying to look and act older and Alice (letting down her hair ) trying to look younger. Alice is in a seductive mood and uses her womanly experience to snare him into her cabin. Shutting out the world they are now free to act without any inhibitions.

All scenes are beautifully handled by the director who is obviously devoted to detail. All scenes are believable. Alice always critical and somewhat cold seems to be constantly in control, while Thomas begins to be carried away by his emotions. To him Alice seems to be more desirable by the minute.

Finally there is the disembarkation scene. You think you know how it will all end, do you? Well think again. Life is never simple. Life can have its disappointments.

It was my intention to record this film for later viewing but I became so absorbed at the beginning I watched it right through. It is so pleasing to find a film that is so rewarding. Highly recommended.

"Roastbeef. No chips". Something commonplace like this marks the beginning of a short relation between a woman and a young boy. A woman, who lost all her illusions about love and marriage. A young boy, attractive for the woman because he still is naive and innocent. It is especially the role played by Sarah Pratt that puts this film on a high level. Returning to the trivial roastbeef-and-chips-scène at the beginning of the film: the way Pratt argues with the waiter: "I don't want them!". That's great acting. With simple means and with only two persons that really make this film Catherine Breillat has done very good directors work. Placed in the chilly décor of a ferry boat two people attract each other and have something - something what? You can't really call it a love affair. What they do have together during the few hours of the boat trip looks tense, reliable and sometimes moving.

I saw this at the Auckland International Film Festival this year and with so little spare time I had to really be picky and selected what I thought was the 10 best films including `Y tu mama tambien' (which received critical acclaim). Personally I thought this was the best.

This film is set on an overnight ferry trip across the English channel, it begins with a chance encounter between two lone travellers, namely a 16 year old boy Thomas and a middle aged woman Alice. Seasoned lone travellers will know that keeping company with other lone travellers is a good way to pass time. This is how their relationship develops. Thomas wants what most young men his age want, a sexual encounter. Alice on the other hand portrays herself as a sophisticated yet vulnerable woman surviving a mid life crisis. Sounds like a volatile combination right? Well you will have to see this film to the end, which has one of the best endings I can remember.

Now some notes about the cast and crew. This film introduces Gilles Grippon (Thomas) and he plays his role well, a teenager trying to be cool yet unsure of himself and impressionable. Sarah Pratt was absolutely gorgeous and stunning as Alice. She really held together those scenes sans the dialog when the couple were just exchanging glances. This film is not wholly a French language film as English is almost equally spoken throughout. Sarah has an excellent command in both. I am surprised so little is known about this beautiful and talented actress. I hope to see her in more films to come.

This is the fourth Catherine Breillat film I have seen and the best so far. Like all her other films she deals with the character's sexual intricacies but it does not have the pornographic taint of `Romance', the violence found in `A Ma Soeur!' or any of the disturbing scenes found `A Real Young Girl' (one of her early films but only recently released because it had been banned). Also well translated on screen especially with the use of lighting is the feel of being on the channel ferry. Having been on one myself it brought back memories.

I would love to own this on DVD if it ever comes out. 10/10