Die Kühe sind los

where did it all go because it certainly wasn't spent on the animation. It was just your regular Saturday morning cartoon animation. I guess most of the money must have been spent on the stars who played the voices. Since Rosanne's been out of work lately, she probably asked for a pretty penny to do this.

It didn't have any fun songs that stand out in my mind. Plus, the plot was very generic. And it needed more animals. The main animals were cows, a rabbit, and a horse. There's also a goat, pigs, buffalo, and chickens, but they weren't shown a lot. One of the reasons people liked the story of Finding Nemo so much was all the different animals used to tell the story.

FINAL VERDICT: I guess 5 year olds will like it, but I didn't think it was too great.

With Disney fazing out their hand-drawn animation studios in favor of the computer animation brand, one must accept the quiet passing of their traditional style with a mix of both admiration and frustration. A nod of respect for 44 motion pictures of varying degrees of quality followed by a note of sadness at the demand for bottom-line economics over artistic dedication.

As a swan song, "Home on the Range" is not the best send-off from the Mouse House. If "Lilo and Stitch" or "Brother Bear" had ended up as the final 2-D animated piece from the studio, it might have finished the tradition on a slightly higher note. Not that this latest one isn't entertaining, but it lacks the drama to bring about the end of an era on a high note.

The time is the 1800s. The place -- the Old West. Cattle drovers roam the land with their livestock, thieves and other miscreants terrorize the countryside and homesteaders try to eek out an existence in the middle of the wilderness. It is here that local farmer Pearl has set up her own his little paradise appropriately titled "Patch of Heaven."

Among the animals on the farm, the cows clearly command the most respect. They include prim and proper Ms. Caloway (voice of Judi Dench) who does not tolerate recklessness, the air-headed Grace (voice of Jennifer Tilly) who spouts kooky Zen tidbits at inappropriate moments, and cocky Maggie (voice of Roseanne Barr), a headstrong show cow and the latest addition to the farm following misfortune at her old home.

Times are not good for Pearl, with the bank threatening to foreclose on her farm if she doesn't come up with $750 within three days. Not wishing to lose another home, Maggie convinces Ms. Caloway and Grace to aid her in hunting down cattle thief Alameda Slim (voice of Randy Quaid). The three heifers find competition in a conceited and ambitious stallion named Buck (voice of Cuba Gooding Jr.) who is anxious to make a name for himself by being the mount of legendary bounty hunter Rico (voice of Charles Dennis).

The various parties continually cross paths in energetic vignettes, with Western clichés both adhered to and skewered as only a cartoon could do. The cows want Slim to collect the reward, Slim wants the cows to raise money to buy land cheap at auction, and Buck wants to impress Rico with his abilities to track and fight crime. Traps are set, alliances are forged and action ensues.

"Home on the Range" is certainly lively, and is often times quite humorous, but it suffers from a lack of creativity given the potential of the premise. For a cartoon about cows hunting down cattle rustlers, everything seems so formulaic. There are very few surprises and the characters seem to just go through the motions of the typical Disney animated fare.

Where it does succeed though is in the performances. Barr is delightfully acid-tongued as a cow with a tendency for showing off. Her timing is great and comments pointed, which only makes one wonder where she has been for the last few years.

Dench brings Mrs. Caloway a Victorian-era sense of composure and sophistication that is amusingly out of place in the Old West. Never mind how she got that British accent out there in the first place, Dench's ability to bring dignity to the role is a welcome plus.

Tilly is a strange choice for Grace but acquits herself admirably. She's both empty-headed and idiot savant, often at the same times, though her character is typically pushed to the background in favor of Maggie and Caloway's bickering.

The rest of the cast is likable as well, with Gooding Jr. lively as the horse full of himself but with his heart more or less in the right place. Quaid can be amusing at times as the yodeling villain, and even Steve Buscemi shows up in a small but memorable role as a slimy fence for Alameda Slim's stolen property named Wesley, whom Slim appropriately mispronounces as "weasely."

But despite the good performances and lively action, there's not much else at which the movie excels. The characters are all generic and based on archetypes. Who is Pearl and why should we care about her? Just because she dances around with her animals and they live in peaceful harmony with each other, we're supposed to just automatically sympathize with her plight?

Also, what does Alameda plan to do with the land when he gets it? The answer to these and other questions -- we don't know. The filmmakers just want us to accept the plot as is, which may present a problem to the older members of the audience.

But the kids will probably love it. It's simple and fun, and loaded with some lively country music performed by the likes of k.d. lang and Tim McGraw that is sure to bring a smile.

Compared to some of the lesser Disney offerings, "Home on the Range" is certainly a step up due to it's glib approach to Western convention, but as the coda to an animated legacy dating back to "Snow White and the Seven Dwarfs," one wishes that the studio had chosen a beefier prize before putting their dynasty out to pasture.

Six out of ten stars. Not a bad cartoon, but as Disney's animated swan song, it's a bit of a disappointment.

I really took a chance when I bought the DVD of "Home On The Range" because I had not seen it. It is not my normal practice to buy something that I am totally unfamiliar with. However, I was happily surprised. This movie was wonderful! My kids and I thoroughly enjoyed it.

Roseanne provided a funny voice to one of the cows. Love her or hate her, the casting was perfect, like Ellen DeGeneres was for "Finding Nemo".

I read here on IMDb that "Home On The Range" is the last Disney film to be done with traditional animation. Maybe there are faster or cheaper ways of making these movies, but a great history is coming to an end. Kind of sad… I recommend this movie. While it may not be a masterpiece, it is a delight that is better than most Don Bluth or Dreamworks films.

I would give it *** out of four. Fun and funny stuff!

Disney's animation studio, immediately after 'Lilo & Stitch', experienced a major financial loss. Competitors such as the soon to be acquired Pixar, DreamWorks and even Blue Sky Studios were dominating the earlier part of the twenty first century. Disney's features, the once leading studio, were broken. Productions enduring extensive lengths, costly visualised conversions and downsizing of employees. Home on the Range, rather unfortunately, was a misfired product from a studio encountering corporate instability. A western styled tale involving three mismatched dairy cows attempting to capture an infamous cattle rustler to receive a generous bounty that will pay off their farm from foreclosure.

Finn and Sanford's hearts were in the right place, just bordering the rustic picket fences of Patch of Heaven. The trio of dairy protagonists, comprising of brash show-cow Maggie, sophisticated Mrs. Caloway and the stupendously ditzy Grace, garnered sufficient interactions with each other that prolonged their brief characterisations. The rivalry between Maggie and Mrs. Caloway was earnest and provided moo-ments (I promise, no more cow puns...) of friendship during times of great need. The plot itself was punctual and cohesive, with functional albeit predictable beats found in any other Disney animation. Voice acting was solid for the most part, particularly Dench, Tilly and Gooding Jr., whom all suited their characters. Barr was too bullish, and lacked the subtlety required to tenderise Maggie's emotional conflicts. However, the biggest asset Home on the Range withholds, is the throwback to the classic cartoon style. The humour is refreshingly slapstick and acquitted itself with nothing more than a fun adventure. It'll keep children entertained, adults not so much.

As I said previously, this feature was produced during a rough period of time for the studio, and consequently resulted in a functional yet unmemorable tale. Despite the modesty of the leading "three maids are milking", their journey is hugely unmemorable, lacking the originality and timelessness of previous productions. Yes, questing across the dusty Grand Canyon, encountering perilous flash floods and traversing exhilarating mines, should've made for an exciting comedic adventure. Alas, the milk in these cows had expired. The narrative lacked innovation, the dialogue lacked energy and the animation itself lacked charm. Even Menken's original composition, featuring "all-time favourites" including *cough* "Will the Sun Ever Shine Again" and the painful antagonist's theme tune "Yodel-Adle-Eedle-Idle-Oo" resembled outdated traits that Disney failed to avoid. Hypnotising cows into an LSD trip by expressively yodeling at them, should've been one of the most unforgettable scenes the studio had pumped out. Sadly, not the case. Everything was shoved into a minuscule runtime, and the breezy pace emphasised the one-dimensional aesthetic.

Home on the Range is, undoubtedly, formulaic. Whether the formula for this dairy goodness is to your taste, is clearly down to personal preference. Undeniably though, the sour aftertaste of a studio no longer caring was beginning to present itself. A feature with the consistency of semi-skimmed milk, avoiding the delectability of full fat wholesomeness. Udderly disappointing.

Having only just moved to her new home, Maggie the cow is shocked to learn that it is to be shut down and auctioned off – more than likely meaning the chop for all the animals. With cows Mrs Caloway and Grace in tow, she sets out to try and save the farm by claiming the reward for bringing in an infamous cattle rustler. Ignoring the sheer improbability of this, they set off only to find that several other parties (animals and humans) have similar ideas.

I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".

And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.

The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.

Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.