Füge eine Handlung in deiner Sprache hinzuA lonely widowed Irish fisherman meets a pretty mysterious woman who may just literally be the stuff of legends.A lonely widowed Irish fisherman meets a pretty mysterious woman who may just literally be the stuff of legends.A lonely widowed Irish fisherman meets a pretty mysterious woman who may just literally be the stuff of legends.
Maire Hastings
- Margaret
- (as Máire Hastings)
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I am not exactly the major expert on Irish folklore but I saw this movie simply because I love Scott Glenn's acting and while he was good as usual the movie was so-so. Why? Let's see.
Owen Quinn (Glenn) is an Irish fisherman that remained widow - when, it's not told but it must have been recent - that one day during a fishing trip notices something out of this world... a seal turning into a gorgeous woman named Mairead (Saffron Burrows), and as you might guess, Quinn tries his way with Mairead. As life goes on in the Irish village, Quinn's relationship with Mairead starts going creaky and eventually leave. When she returns on the beach Quinn notices lots of seals going to the beach and morphing into women, and as a Reverend told him before in the movie there was a population of seals that morphed into humans that just waited the right stream for doing so.
While the concept was interesting the execution was odd because it could never happen that a seal can be turned into human. I know, it's the retelling of a legend but I simply couldn't suspend disbelief. For the rest, Glenn as usual did his best with the performance and Burrows was convincing up until she became cranky and wanted to return to the beach only for morphing into a seal.
Overall, a movie that in the end would appeal more to Irish folks than non-Irish one like me (I am Italian) and saved by the leads' performances.
Owen Quinn (Glenn) is an Irish fisherman that remained widow - when, it's not told but it must have been recent - that one day during a fishing trip notices something out of this world... a seal turning into a gorgeous woman named Mairead (Saffron Burrows), and as you might guess, Quinn tries his way with Mairead. As life goes on in the Irish village, Quinn's relationship with Mairead starts going creaky and eventually leave. When she returns on the beach Quinn notices lots of seals going to the beach and morphing into women, and as a Reverend told him before in the movie there was a population of seals that morphed into humans that just waited the right stream for doing so.
While the concept was interesting the execution was odd because it could never happen that a seal can be turned into human. I know, it's the retelling of a legend but I simply couldn't suspend disbelief. For the rest, Glenn as usual did his best with the performance and Burrows was convincing up until she became cranky and wanted to return to the beach only for morphing into a seal.
Overall, a movie that in the end would appeal more to Irish folks than non-Irish one like me (I am Italian) and saved by the leads' performances.
I've always loved the old legends ... this movie is not for everyone unless you enjoy fantasy, romance and story-telling. The beautiful landscape of Ireland once again lends itself to the magic and legends of the Celtic people ... much as it did in "The Secret of Roan Inish" (with Jeni Courtney).
"The Seventh Stream" is beautifully filmed with a deeply romantic score and a story comes from the same vein of Irish folklore that inspired 1994's "Secret of Roan Inish," another good family movie but not, I think, quite as atmospheric or nearly as moving as "The Seventh Stream." Both films are based on the legend of the selkies - gray seals who sometimes take human form, come ashore and interact with humans. The production values are very superior for a made-for-cable flick.
Saffron Burrows is nothing short of remarkable as the seal-woman. Viewers drugged by the over-the-top acting styles of so many movies may find her performance too subdued, too quiet, but that's their problem. Some kind of emotion is constantly flickering across her face, which is amazingly expressive. She's by turns mysterious, cold, curious, sultry, beautiful, vulnerable, weird - everything you'd expect to see in a seal-girl.
In a less fascinating role, Scott Glenn too is convincing and sympathetic as the hardscrabble middle-aged fisherman to whom the selkie turns for help. There's a lot of talk about the human heart, none of it sappy. Aside from one or two minor cultural goofs that few will care about, the film depicts pretty plausibly life in an Irish fishing village a hundred years ago.
There are also one or two minor directorial lapses. When fate deals unkindly with one of the characters, he cries out "Nooooooooooooooo!" in ultra slow-mo. Just like in The Simpsons and elsewhere. But the embarrassing moments take up about two minutes in total, and none is as bad as that.The rest of the film could hardly be improved on as a serious fairy tale for the whole family, unless your family is deeply into pro wrestling and stuff like that.
One of the most moving fantasy films I've seen, definitely not sugary or maudlin, and not oozing with CGI.
Check it out! I bet they were going to call it originally "The Seventh Seal," but found out that title was taken.
Saffron Burrows is nothing short of remarkable as the seal-woman. Viewers drugged by the over-the-top acting styles of so many movies may find her performance too subdued, too quiet, but that's their problem. Some kind of emotion is constantly flickering across her face, which is amazingly expressive. She's by turns mysterious, cold, curious, sultry, beautiful, vulnerable, weird - everything you'd expect to see in a seal-girl.
In a less fascinating role, Scott Glenn too is convincing and sympathetic as the hardscrabble middle-aged fisherman to whom the selkie turns for help. There's a lot of talk about the human heart, none of it sappy. Aside from one or two minor cultural goofs that few will care about, the film depicts pretty plausibly life in an Irish fishing village a hundred years ago.
There are also one or two minor directorial lapses. When fate deals unkindly with one of the characters, he cries out "Nooooooooooooooo!" in ultra slow-mo. Just like in The Simpsons and elsewhere. But the embarrassing moments take up about two minutes in total, and none is as bad as that.The rest of the film could hardly be improved on as a serious fairy tale for the whole family, unless your family is deeply into pro wrestling and stuff like that.
One of the most moving fantasy films I've seen, definitely not sugary or maudlin, and not oozing with CGI.
Check it out! I bet they were going to call it originally "The Seventh Seal," but found out that title was taken.
Scott Glen stars with a different character type in this mystic, romance drama set in Ireland. In a rather straightforward but touching story, this bittersweet drama lends itself to the mystery surrounding the discovery of a strange woman who has her own story to tell. The only real problem and its an important one is how the woman ends up in her own environment, it does not really track except for being a story device to make the movie more emotional compelling. Both quite satisfying in some ways and sad in other ways. This movie could have been a nine with a more perhaps conventional treatment though maybe ironically not as memorable. The grandest of all paradoxes.
For a TV movie, this is a real winner.
Gorgeous scenery, touching romance, examination of the avarice and evil of human nature and our redeeming qualities are all on offer. Bring your crying towel, because this will move you, and it is a romantic tragedy.
The cinematography is way above average for TV fare. If you like water scenes and boats, like I do, you're in for a treat, but don't expect lavish yachts. No, this is a tale set in a simple and beautiful Irish fishing village with men who wrest their living from the sea.
It has above average acting for TV, and I disagree with some of the other reviewers who have said that Scott Glenn didn't deliver. To the contrary, I thought his portrayal of a stricken widower deprived of his raison d'etre who we first see as a near recluse from society and then emerging from his hard shell of pain was very effective.
I own this on VHS, and I love it more every time I watch it. It's a rare find, but if you do run across it, do yourself a favor and give it a watch if you go in for romantic tragedies.
Gorgeous scenery, touching romance, examination of the avarice and evil of human nature and our redeeming qualities are all on offer. Bring your crying towel, because this will move you, and it is a romantic tragedy.
The cinematography is way above average for TV fare. If you like water scenes and boats, like I do, you're in for a treat, but don't expect lavish yachts. No, this is a tale set in a simple and beautiful Irish fishing village with men who wrest their living from the sea.
It has above average acting for TV, and I disagree with some of the other reviewers who have said that Scott Glenn didn't deliver. To the contrary, I thought his portrayal of a stricken widower deprived of his raison d'etre who we first see as a near recluse from society and then emerging from his hard shell of pain was very effective.
I own this on VHS, and I love it more every time I watch it. It's a rare find, but if you do run across it, do yourself a favor and give it a watch if you go in for romantic tragedies.
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- VerbindungenEdited into Hallmark Hall of Fame (1951)
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- Hallmark Hall of Fame: The Seventh Stream (#51.2)
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