In America

If you're of a sensitive caring disposition, are empathetic, loving and genuinely see the best in people then this is a film for you. No leaps of faith needed here as Paddy Considine and Samantha Morton share with us the plight of those less well off than most. After suffering a traumatic family event we find them in a new country, a new city, with all its cultural variations and contradictions to overcome - a landscape of limited opportunity. Join them on their journey but be warned, their daughters Christy and Ariel will steal your heart, break you in two, stream tears from your soul. Join them on their journey and let it remind you what it means to be alive.

This is the story of an Irish family who comes into the US via Canada and settles in a rundown New York City neighborhood as n immigrant (exile) myself, I can very much relate to what the family was going through . Hot summers , different culture, eccentric neighbors, theft., illness. I recall my own bout with Nephritis shortly after arrival, along with a long hospital stay.My family settled in the most rundown corrupt city in the US . Newark NJ. So I know how it is to land in an undesirable town location.

The family consists of a father , mother , two young girls, and the subtle presence of a boy who died shortly before the family emigrated. His presence however is felt through the film. .

The mother becomes pregnant soon after , but must make a choice. If the child is born too early he/she would probably not survive, if carried to term the mother's life would be in peril.

A subplot develops when the family befriend an eccentric black painter. Mateo. played brilliantly by Djimon Hounsou. They establish a bond that transcends their different backgrounds.

The pregnant mother takes the courageous step not to terminate her pregnancy.

As it is my practice I will not divulge anymore information, since It is my function as an author to comment on a film in order to either promote it or tell the reader it isn't worth his/her time. Also i'm not going to give away the best scenes and dialogue. That my dear reader you will see for yourself when you view this masterpiece of a film.

You must see it.

"In America" is about an Irish family of four who enter America at the Canadian border, sell their car for money, take up residence in a slum-like walkup in NYC inhabited by losers and druggies, and proceed to do really stupid things like let their little girls eat ice cream across the street unattended or bet all their money on a stupid carney game or enter an unknown black man's apartment while trick or treating. The film continues from there fabricating, manufacturing, and contriving moments with the obvious purpose of evoking emotions...joy, pathos, angst, woe, etc. And it worked. I could go on but anything I write will simply be lost in the wake of plaudits from all corners. "In America" is a hugely popular flick with a good cast, excellent performances, and solid production value recommended for everyone but me. (B)

I'm not really big on this kind of film, but this one won me over in a big way. Jim Sheridan has such a sure hand as a director that even as the story meanders along, and you're not quite sure where things are going, you know HE knows and you end up trusting him and going along for whatever ride he wants to take you on. The characters and the actors portraying them are so winning, you don't want the movie to end. You just want to stay with them forever.

Every role, right down to the two border guards and the hospital administrator are perfectly cast and performed. The two sisters playing the daughters are amazing. But the acting in the film really belongs to Samantha Morton. It really is a high wire act. In lesser hands this character might have been completely unbelievable. But her love for her husband and children is so palpable, you completely buy everything she has to go through with them.

There were so many chances for cheap sentiment here, but the movie never went there. Really beautiful.

Greetings again from the darkness. I have no idea what has taken so long for this film to be released. Director/Producer/Writer Jim Sheridan ("My Left Foot", "In the Name of the Father" "The Boxer") has always been a tremendous filmmaker and with "In America" he has become a wonderful story teller. This semi-autobiographical picture was co-written by Sheridan and his two daughters and is the story of an Irish family's immigration to New York. I am a fan of Levinson's "Avalon" and Scorsese's "Gangs of New York" and I will rank this with both. It causes what I call "crossover". That is when I no longer feel I am watching a movie, but that I become part of the story. The characters are no longer actors, but real people. The writing, directing and acting are all terrific. Paddy Considine (a Stephen Rea lookalike), Samantha Morton ("Minority Report"), Djimon Hounsou ("Gladiator") are all exceptional in their roles. However, this movie belongs to the real-life Bolger sisters, Sarah and Emma, who play Christy and Ariel. Ariel's innocence and need to believe along with Christy's wisdom-beyond-her-years truly make this film work. Rarely do child actors carry a movie of significance. While these two bring joy, laughter, sadness and tears, they never cross the line of overly cute or overly sympathetic. Another odd twist to this film is the importance that Spielberg's "ET" plays. The dream of home and the presence of aliens (drug dealers, etc) in their tenemant tie in nicely. Their friendship with Mateo (Hounsou) is both bizarre and heartwarming. This is an extremely emotional ride for the audience, but one well worth taking.