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In America

  • 2002
  • 12
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
7,6/10
45.091
IHRE BEWERTUNG
In America (2002)
Home Video Trailer from 20th Century Fox Home Entertainment
trailer wiedergeben2:01
3 Videos
29 Fotos
ErwachsenwerdenDrama

Eine irische Einwandererfamilie gewöhnt sich an das Leben in Hell's Kitchen, während sie um den Tod eines Kindes trauert.Eine irische Einwandererfamilie gewöhnt sich an das Leben in Hell's Kitchen, während sie um den Tod eines Kindes trauert.Eine irische Einwandererfamilie gewöhnt sich an das Leben in Hell's Kitchen, während sie um den Tod eines Kindes trauert.

  • Regie
    • Jim Sheridan
  • Drehbuch
    • Jim Sheridan
    • Naomi Sheridan
    • Kirsten Sheridan
  • Hauptbesetzung
    • Paddy Considine
    • Samantha Morton
    • Djimon Hounsou
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    45.091
    IHRE BEWERTUNG
    • Regie
      • Jim Sheridan
    • Drehbuch
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Hauptbesetzung
      • Paddy Considine
      • Samantha Morton
      • Djimon Hounsou
    • 291Benutzerrezensionen
    • 96Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 3 Oscars nominiert
      • 26 Gewinne & 66 Nominierungen insgesamt

    Videos3

    In America
    Trailer 2:01
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 0:35
    In America

    Fotos29

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 23
    Poster ansehen

    Topbesetzung38

    Ändern
    Paddy Considine
    Paddy Considine
    • Johnny
    Samantha Morton
    Samantha Morton
    • Sarah
    Djimon Hounsou
    Djimon Hounsou
    • Mateo
    Sarah Bolger
    Sarah Bolger
    • Christy
    Emma Bolger
    Emma Bolger
    • Ariel
    Neal Jones
    Neal Jones
    • Immigration Officer #1
    Randall Carlton
    Randall Carlton
    • Immigration Officer #2
    Ciaran Cronin
    • Frankie
    Juan Carlos Hernández
    Juan Carlos Hernández
    • Papo
    • (as Juan Hernandez)
    Nye Heron
    • Blind Man
    Jason Salkey
    Jason Salkey
    • Tony
    Rene Millan
    Rene Millan
    • Steve
    Sara James
    • Papo's Girlfriend
    Bob Gallico
    • Theatre Director
    Jason Killalee
    • Assistant Theatre Director
    Chary O'Dea
    • Mexican Woman with Child
    Adrian Martinez
    Adrian Martinez
    • Shopkeeper
    Merrina Millsapp
    • Marina
    • Regie
      • Jim Sheridan
    • Drehbuch
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen291

    7,645K
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    Empfohlene Bewertungen

    9ferguson-6

    3 Wishes

    Greetings again from the darkness. I have no idea what has taken so long for this film to be released. Director/Producer/Writer Jim Sheridan ("My Left Foot", "In the Name of the Father" "The Boxer") has always been a tremendous filmmaker and with "In America" he has become a wonderful story teller. This semi-autobiographical picture was co-written by Sheridan and his two daughters and is the story of an Irish family's immigration to New York. I am a fan of Levinson's "Avalon" and Scorsese's "Gangs of New York" and I will rank this with both. It causes what I call "crossover". That is when I no longer feel I am watching a movie, but that I become part of the story. The characters are no longer actors, but real people. The writing, directing and acting are all terrific. Paddy Considine (a Stephen Rea lookalike), Samantha Morton ("Minority Report"), Djimon Hounsou ("Gladiator") are all exceptional in their roles. However, this movie belongs to the real-life Bolger sisters, Sarah and Emma, who play Christy and Ariel. Ariel's innocence and need to believe along with Christy's wisdom-beyond-her-years truly make this film work. Rarely do child actors carry a movie of significance. While these two bring joy, laughter, sadness and tears, they never cross the line of overly cute or overly sympathetic. Another odd twist to this film is the importance that Spielberg's "ET" plays. The dream of home and the presence of aliens (drug dealers, etc) in their tenemant tie in nicely. Their friendship with Mateo (Hounsou) is both bizarre and heartwarming. This is an extremely emotional ride for the audience, but one well worth taking.
    10leftyguns2

    Welcome to America

    This is the story of an Irish family who comes into the US via Canada and settles in a rundown New York City neighborhood as n immigrant (exile) myself, I can very much relate to what the family was going through . Hot summers , different culture, eccentric neighbors, theft., illness. I recall my own bout with Nephritis shortly after arrival, along with a long hospital stay.My family settled in the most rundown corrupt city in the US . Newark NJ. So I know how it is to land in an undesirable town location.

    The family consists of a father , mother , two young girls, and the subtle presence of a boy who died shortly before the family emigrated. His presence however is felt through the film. .

    The mother becomes pregnant soon after , but must make a choice. If the child is born too early he/she would probably not survive, if carried to term the mother's life would be in peril.

    A subplot develops when the family befriend an eccentric black painter. Mateo. played brilliantly by Djimon Hounsou. They establish a bond that transcends their different backgrounds.

    The pregnant mother takes the courageous step not to terminate her pregnancy.

    As it is my practice I will not divulge anymore information, since It is my function as an author to comment on a film in order to either promote it or tell the reader it isn't worth his/her time. Also i'm not going to give away the best scenes and dialogue. That my dear reader you will see for yourself when you view this masterpiece of a film.

    You must see it.
    9Xstal

    Loss, Love, Redemption...

    If you're of a sensitive caring disposition, are empathetic, loving and genuinely see the best in people then this is a film for you. No leaps of faith needed here as Paddy Considine and Samantha Morton share with us the plight of those less well off than most. After suffering a traumatic family event we find them in a new country, a new city, with all its cultural variations and contradictions to overcome - a landscape of limited opportunity. Join them on their journey but be warned, their daughters Christy and Ariel will steal your heart, break you in two, stream tears from your soul. Join them on their journey and let it remind you what it means to be alive.
    bob the moo

    A lot of strengths but they cannot over come the sentimental melodrama at the heart of the film

    Although they tell border control that they are on holiday, Johnny, Sarah and their two daughters have immigrated illegally into the US in the early 1980's. They move to New York into a block full of junkies and down-and-outs. With little money and no friends the family face all manner of stresses and strains in their present and from their past – stresses that threaten the family unit and their future together.

    The names in this project attracted me to it and I did have high hopes for it. The film itself though is a strange, rather frustratingly mixed affair that is really good in some regards but annoyingly soapy in others. The plot is not really a plot in the traditional sense but more the recollections of moving into the new world told from the perspective of elder daughter Christy. I was fine with this approach and hoped that it would be convincing, engaging, moving and so on. Although you can see everyone working against it, the film cannot avoid the spirit of sentimentality and soapy-drama seeping into the majority of the scenes. This takes away from the grit and reality of the drama and does make it harder to get into because it doesn't engage in the way that the same events may have if they had been delivered with more grit and less of the soapy-inspirational quality.

    It is a shame that the film cannot shake this off but it is not the fault of the cast who are roundly really good. Considine yet again gives me good reason to respect him as an actor, likewise Morton who works well with him as well as individually. They are really well supported by two very natural and engaging performances from the Bolger sisters; they are "cute kids" but not in a way that is cloying or annoying. Hounsou has a strong presence in the film and to his credit he delivers this despite the material handed him – not because of it. The cast doesn't really have a weakness and one can only imagine what this film would have been if Sheridan had been given people capable of a lot less.

    Overall then this is a mixed affair. The performances and direction makes it better than it could otherwise have been, but these cannot shake off the sentimentality and soapy feel that much of it has. The end result is a film that has great moments and a story that I really wanted to lose myself in but ultimately was just too melodramatic at its core for all the strengths to totally overcome.
    8rebeljenn

    A touching, magical film

    'In America' is a film about a family of Irish immigrants who move to Manhattan and face some hard times in America. The story is primarily told through the eyes of the little girls, and they go through the hard times of adjusting to a new life while learning loss and gain. There is a sense of magic and cultural identity in the film, and this makes it even much more touching when told through the eyes of the little girls who have had their lives turned upside down in the search for a new and better life in America. In some places, it is a little too sweet and magical, but I don't think it ruins the film because it is told through the eyes of the girl, and I am certain that many more immigrant families went through experiences like this and even worse than this. I also thought that the acting by the little girls was done well. It's a sweet film; it's a little sad, and it's magical. It just made me feel all warm inside. Go see it for yourself and see if you get caught up in the magic as much as I did.

    Verwandte Interessen

    Elsie Fisher in Eighth Grade (2018)
    Erwachsenwerden
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Originally written to take place in 1982 when E.T. - Der Außerirdische (1982) first came out, but budget cuts obligated it to be set in 2002 when it was made. Coincidentally, the 20th anniversary edition of E.T. played in many cinemas in 2002, so that plot point didn't have to be changed.
    • Patzer
      The early scenes, when the family first arrive in New York, are set in summertime, yet they drive through Midtown at night past people dressed in winter clothing, a Christmas-season Target billboard, and the Radio City Music Hall Christmas tree.
    • Zitate

      Johnny: Are you okay little girl?

      Christy: Don't "little girl" me. I've been carrying this family on my back for over a year, ever since Frankie died. He was my brother too. It's not my fault that he's dead. It's not my fault that I'm still alive.

      Johnny: Ah, Christy.

      Christy: Mom was always crying because he was her son. But he was my brother too. I cried too... when no one was looking. I talked to him every night.

      Ariel: She did, Dad.

      Christy: I talked to him every night, until...

      Johnny: ...until when?

      Christy: Until I realized I was talking to myself.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Cat in the Hat/The Cooler/In America/The Last Samurai (2003)
    • Soundtracks
      Ezee Does It
      Written by Robert Besdesky (as Beast) and Michael Wallace (as Michael Dwane Wallace)

      Published by Extreme Music Library PLC

      Courtesy of Extreme Music Library PLC

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 11. Dezember 2003 (Deutschland)
    • Herkunftsländer
      • Irland
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
      • Irisch-Gälisch
    • Auch bekannt als
      • Tierra de sueños
    • Drehorte
      • Irland
    • Produktionsfirmen
      • Hell's Kitchen Films
      • East of Harlem (UK) Ltd.
      • Irish Film Industry
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 15.539.656 $
    • Eröffnungswochenende in den USA und in Kanada
      • 205.229 $
      • 30. Nov. 2003
    • Weltweiter Bruttoertrag
      • 25.382.911 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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