8 Mile

Those who are saying `8 Mile' shows a vanilla-ed Eminem may have a point: this movie introduces him to a non-rap audience just as `Wild Style' introduced us to hip-hop. But those who say Eminem is sanitized here for mall viewing have an odd notion of language. Perhaps his CD's contain more inflammatory material than is aired in this movie, but what gets said here is most definitely not for any suburban grandmothers who aren't stone deaf.

It's surprising - admirable, really - how well Curtis Hansen and his crew keep track of the plot from scene to scene when not much of it seems to matter other than Rabbit's problems with his mother, Stephanie Smith -- Kim Basinger. Bassinger is a blue ribbon southern white trash trailor park mom. You can't help feeling that with minor tweaking she could be the mother of a Grosse Pointe prep school boy, a lady whose problem was overspending instead of imminent eviction from a stinky trailor. Bassinger makes trashiness look attractive, just as she made movie star decay attractive when Hansen directed her in `L.A. Confidential' six years ago. Rabbit's problems with girlfriends aren't significant, though he has two of them, an ex and a new one. Both are delicious but primed for rejection. Rabbit's closest relationships are with his emcee pal `Future' (played by an utterly charming and huggable Mikhi Pfifer) and his slightly retarded token white homie, Cheddar Bob (Evan Jones).

But his closest relationship of all is with himself, as is clear from the first scene, where Eminem is doing rap gestures in the competition shed men's room, looking in the mirror, hearing his music in his head --and this is fine, because it's what a young man has to do: get on friendly working terms with who he is. The movie is about his going off to be on his own and give up his rowdy playmates to become a winner, and he walks off by himself in the final scene. The comparison with Shakespeare's Henry IV isn't out of place. The Shakespearean parallel was used explicitly for Keanu Reeves' character in `My Own Private Idaho' but the theme is really more central here. Eminem isn't a cold personality like Keanu Reeves in Van Sant's movie. He is close to his mates and they're always touching hands and gently hugging each other. The hands and the hugs are one of the main images that stay with you after seeing `8 Mile.'

Eminem as shown in `8 Mile' isn't totally motivated by his anger at all. His anger is very contained. He seems able to turn it on and off at will and release it only when he needs it -- to trounce rap competition or throw out his mom's sleazy boyfriend. It's his ability to control his anger that makes both Rabbit and Eminem winners.

Eminem does have an authenticity about him that makes for a strong presence on screen. Paradoxically he projects a powerful inwardness, so that his turning away from everybody makes his face jump out at us. His effect is of authenticity, because he doesn't put on a reaction to please the audience or suit the scene, but he is always there, moving with the scene and in fact creating it.

`8 Mile' isn't just a vehicle for Eminem. It's too well made a movie to be that. But without Eminem `8 Mile' wouldn't exist. The only importance of the rapping contests emceed by `Future' is that first Rabbit shies away from them, and then he enters them and wins them. You have to wonder how the rapper/actors feel who are in the movie only to be put down by Eminem.

`8 Mile' cannot escape from the limitations of the fictionalized star biopic. There have been dozens of movies about emerging music stars and their families, their early sponsors, their first big breaks, and so on, many of them with more range and specificity of detail than this one. This movie only takes its hero to the moment when he walks away, having shown that he can be a star. The whole focus is on his personality, and in particular his stillness. The most important moments are those when Rabbit/Eminem stands with mike in hand, silent, waiting for inspiration to strike. Even when he choses not to compete and hands the mike back, this moment is full of power. In this movie Eminem carries the expression of sheer imminence, raw potential, to a new level of clarity and confidence.

This rapper is good just standing there.

It is rare that an established filmmaker and production company create something that young people are able to grasp the complete meaning of. Intellectual jargon or unnecessary vagueness of plot often take precedence over lucidity and appeal.

Eminem's "8 Mile" has managed to break this cycle, presenting in poignant audio/video style the nature of the life so many of our nation's youth live, and how despite it all there always remains the possibility to break through.

The film's meaning is largely overt, not subtle, and makes itself available to a much wider variety of viewers than most films with any sort of dramatic moral. Just look at the box office reports for "8 Mile"s opening weekend.

I won't attempt to speculate on the effect the film will have among our youth, but I personally believe it will be positive in nature. It will be impossible for this film to become as transient as an action blockbuster or as esoteric as a cult classic. It's depth and range of appeal are simply unparalleled in our time.

I enjoyed this movie immensely. I thought it was a departure from the typical movies that star Hip-hop artists nowadays, which typically glorify the hip-hop lifestyle. Which is a very material lifestyle. This movie was pretty dark.

I thought Eminem did a good job acting. I mean he's not going to win any Oscars for this role, but he does a very good job acting. If not for who he is, then you wouldn't pay too much attention to his acting because that's how competent he does.

As most of you already have heard, this movie was based on Eminem's life, but none of the events are actually factual. His relationship with his mother (Basinger) is much more amiable than it is in real life, or at least how it comes across in his music.

Brittany Murphy acts as his love interest, but most importantly his muse.

There are some scenes that leave you scratching your head. One of which is the Eminem-Murphy love scene in the plant. It seems out of place and bad for the pacing of the film. Also Taryn Manning's role as the ex-girlfriend is almost unnecessary. The presence of her character is a key plot element that sets up the film, but the appearance of her character in the film by its end seems unnecessary due to the fact that it is underdeveloped. I wonder if there were more scenes involving Manning that were ultimately deleted via editing.

Overall I enjoyed the movie. Some may not enjoy it as much, but that's probably because they go into the movie with different expectations. If you're expecting something other than a hip-hop based film that subtly comments on social/economic/racial issues, and is a pseudo-rags to riches story, then you might be sorely disappointed.

Jimmy 'B-Rabbit' Smith (Eminem) is desperate to be a rapper. It's 1995 Detroit. With the support of his friend David 'Future' Porter (Mekhi Phifer), he aims to overcome his personal problems. His mother Stephanie (Kim Basinger) is a drunk. He leaves his girlfriend Janeane (Taryn Manning) when she tells him that she's pregnant. He chokes on a head-to-head rap battle. He has no place to go but to move back into his mother's trailer. His mom's boyfriend Greg (Michael Shannon) is a jerk. He has a part-time grimy auto parts job and then he meets Alex (Brittany Murphy).

Eminem is basically playing himself and he does a good job. He's surrounded by good actors. The sense of the place is the standout of this movie. The Detroit locations have the proper grittiness. The desperation is palpable. The rap battles are exhilarating. The story is relatively standard with nice touches. This is a matter of the perfect story for the perfect lead. He's not really acting as much as being himself.

I was afraid of this movie. For a long time I feared that one day, Eminem WOULD make a movie - and that movie would suck!!!!

Along it came, and you know what? It didn't suck. Man, was I relieved.

I have never been able to put a finger on Mr. Mathers' rapping skills, I think his technique is amazing. His rhymes are sharp and intelligent and he always performs them with pure justification. But could he take this to the big screen? He succeeded. In his debut movie he managed to play it real and natural. He had good on screen chemistry with pretty much all the characters, but especially with Brittany Murphy (Uh, gotta love that sex scene... That was hot.)

The final battles in the movie, are the absolute climax. If you ever had any doubts about Eminmems talents - one way or the other - you definitely know his worth now!

• Some might say that it must be easy to play yourself, and it's not a secret that this movie is somewhat autobiographic. But it sure takes guts to put yourself out there like that, well done.

So 8/10