Poster Boy

I just saw this at the Outfar Film Festival in Phoenix, and I have to say I was disappointed. The plot had the making of a really engrossing story: The handsome college-age son of a Southern Right-wing Senator is a closeted gay, and is "outed" in an attempt to destroy the re-election of his father. Depending on how the story was scripted, I anticipated feeling sympathy for the son, anger toward those who invade his private life for political gain. Or, the could have scripted so that one feels the "closet-case" got what he deserved. Unfortunately, the way the film was scripted and filmed destroyed any chance of achieving an engrossing story or feeling anything for the characters involved.

The story is told in the form of a rather obnoxious reporter interviewing Henry, the senator's son. As he describes the events leading up to his outing, we fade in & out of the scenes. This format has been used successfully several times in the past. It doesn't work this time. By the end of the film I felt as thought I'd watched a bad documentary, just witnessing the events, feeling nothing for the people involved. The other problem is the main characters seem almost schizophrenic in their personalities. One moment Henry is throwing the suit & tie clad Young Republican into the pool; the next moment he's bonding with him and hiring him a hooker when he learns he's still a virgin. We first meet Anthony as an "out there" Act Up! activist; we next see him a sensitive best friend of an AIDS-stricken woman. Next he's telling her that he also had sex with her boyfriend that gave her AIDS; we next see him caring about Henry, whom he had vowed to "out".

By the time Henry is outed, I was looking at my watch and waiting for the ending credits. Too bad. Good plot done wrong in about every detail. Better luck next time.

Most reviews for this movie are quite negative, and I guess I am in the minority when I say this - but this movie was fantastic!!! It is not your traditional gay movie, actually it doesn't really have much of a gay focus which might annoy some people. It's more a coming of age story and is relate-able to everyone, no matter what your sexual orientation is. At first the plot of this movie might seem to move along too slowly, but that is simply to establish the characters and setting of the movie which is something that has to be done to fully appreciate this movie. When you look back on the movie, you do realize how everything fits in together perfectly, now that you know everything, although it might seem a little bit muddled halfway through the movie.

Some other users have commented on the movie not being multi dimensional, but I think that the way that the characters reacted are pretty realistic, and most people (generally) are multi dimensional but may only show one side of their selves for one reason or another, and don't forget that this movie is focused from the point of view of Henry Kray. It also has many plot twists, and though it has be commented upon that it is too predictable, I thought nothing of the sort. The characters are oddly unpredictable, and are like multi layered onions, many people might just look it and observe that is it just another gay movie, but it is not, it is so much more than that.

Henry Cray is a young gay man who's gone away to college and is enjoying the liberty of coming out, away from his family. Only problem is that the boy's father is a powerful, conservative U.S. Senator and around campus the son's homosexuality is a bit of an open secret.

Enter Anthony, a 28 but younger looking gay man, who's been a member of Act Up but who is now more interested in spending his time with affluent gal pal Izzie and perhaps getting into the pants of some college boy when they crash a campus party.

Despite being 28 Anthony can easily pass for a college guy and quickly meets several guys willing to show him a good time including Henry. Unaware of Henry's name Anthony hooks up with him and spends a fun evening on the floor of the school's darkened gymnasium. Only in the morning, after Henry has left him alone on the floor, does Anthony find out Henry's full identity.

Looking for any chance to take a shot at the conservative government that he detests Anthony decides to take this opportunity for political action. Only problem is that he finds himself beginning to care very deeply for Henry and he must decide if he can use someone he cares for in this way.

So, the hand cam got on my nerves rather quickly.

Spent the first part of the movie trying to figure out what kind of film I was watching. The film is obviously set up to be a "worlds collide" situation. Perhaps I was expecting that those 2 worlds, or their separateness, would have been better defined from the beginning.

The whole project comes off like an amateur attempt judging by the lack of polish. The lighting is crap. The camera work is distracting. The casting is good. The dialogue is effective but the plot jumped around too much for me to follow. Makes me feel like I have A.D.D.

The technical flaws kept me out of the film and I was left with an overpowering sense of watching a film rather than experiencing it.

A technical quibble first: my hearing is less than perfect, and Poster Boy has a lot of mumbled dialogue with no subtitles on the DVD. New films without subtitles are just inexcusable in my opinion--what is someone who is deaf supposed to do? Just not watch that film?

The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.

Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.