Dieser Film erzählt die Geschichte eines Mannes, der in einem High-Tech-Gefängnis undercover geht, um Informationen zu finden, die helfen, diejenigen zu verfolgen, die seine Frau getötet hab... Alles lesenDieser Film erzählt die Geschichte eines Mannes, der in einem High-Tech-Gefängnis undercover geht, um Informationen zu finden, die helfen, diejenigen zu verfolgen, die seine Frau getötet haben. Während er dort auf eine Handlung stößt, an der ein Häftling aus der Todeszelle und se... Alles lesenDieser Film erzählt die Geschichte eines Mannes, der in einem High-Tech-Gefängnis undercover geht, um Informationen zu finden, die helfen, diejenigen zu verfolgen, die seine Frau getötet haben. Während er dort auf eine Handlung stößt, an der ein Häftling aus der Todeszelle und sein 200 Millionen Dollar schwerer Goldvorrat beteiligt sind.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Nominierungen insgesamt
- Little Joe
- (as Michael 'Bear' Taliferro)
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The director, Don Michael Paul, seems to have no ability to direct an action scene, martial art OR weapon-oriented. He uses annoying techniques like slow-motion or fast-motion to try and be "edgy", I guess. He also has problems telling a story, with some notable gaps that filled would have made some plot points more clear. He was working with a tight budget, which explains some things like numerous close-ups and somewhat impoverished sets. (Plus outdoor locations that clearly aren't in the United States, even though the movie is supposed to be taking place there.) Still, the movie moves along with nary a slow spot, and as problem-filled as it is, it's slicker and less annoying than Seagal movies like TICKER and THE FOREIGNER.
Which is what Morris Chestnut, Nia Peeples and an assorted gang of body armored thugs do when hijacker Bruce Weitz is about to be executed. It seems that Weitz who has cleaned up quite a bit since he portrayed Detective Mick Belker on Hill Street Blues, has gone and buried a small fortune in gold bullion which he robbed back in the day resulting in several Treasury agents being killed. Which is why Weitz is on death row.
But Chestnut's helicopter which is his escape route crashes in a blinding rainstorm, we get a hostage situation which also involves a Supreme Court Justice in the person of Linda Thorson. Back before she got to the high court, Thorson was the judge who tried and sentenced Weitz and she's there as a witness to the execution that gets delayed.
Fortunately for all concerned Steven Segall is in the joint with his criminal buddy Ja Rule and he organizes the cons to resist.
People who go to see Steven Segall movies go for the action and violence and not a coherent and realistic plot. The action is plenty as Segall goes through the film in a style that makes Sylvester Stallone look like John Barrymore.
If that's what your taste in film is, go for it.
Note - I particularly enjoyed the scene where deep cover FBI op Seagal is asked by a fellow prison inmate if there isn't something more to him than just another inmate whereupon he willingly blows his own cover and admits he's an agent. Exit undercover agent. Enter birdbrain.
Wusstest du schon
- WissenswertesIn an article for the German publication Berliner Kurier, Wolfgang Lindner recalls the eccentricities of Steven Seagal on the set. Reportedly, Seagal traveled everywhere in the company of a Buddhist adviser whose verdicts on the state of Seagal's karma would be reason enough for Seagal to halt filming for a day.
- PatzerWhen Judge Jane McPherson is thrown out of the helicopter at the end of the movie you can see a parachute under her shirt.
- Zitate
Little Joe: [Little Joe standing with a big "Rambo" gun] Hey, how do I look?
Twitch: Like a big-ass prom queen.
- Crazy CreditsDuring the end credits, 'Twitch' and his 'wife' engage in a hilarious conversation in the visiting room at the prison.
- VerbindungenEdited from 3 Engel für Charlie (2000)
- SoundtracksGangstafied
Written by Andre Parker, Irving Lorenzo, Jeffrey Atkins, Caddillac Tah, Ronnie Lane
Performed by Ja Rule, Caddillac Tah, Ronnie Bumps and Chink Santana
Courtesy of Murder Inc. Records L.L.C.
Under license from Universal Music Enterprises
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Details
Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.567.860 $
- Eröffnungswochenende in den USA und in Kanada
- 7.820.536 $
- 17. Nov. 2002
- Weltweiter Bruttoertrag
- 19.233.280 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1