Company

Ram Gopal Varma pulled off a very beautiful film, full with suspense and action, what every avid film fan secretly desires.

Complete with actual facts and thrill it was a fun movie and could probably be compare to Godfather being the marvel that it was.

Based ON the Bombay underworld the actors had done justice to the roles given to them. My favorite was Ajay Devgan because of his realistic was of portraying the characters and he was basically the life of the film in my view...

I can't help but repeat myself but It was that much of a splendid movie

Of you want to go for a fun filled ride watch it..

Ram Gopal Varma's latest offering 'Company' is probably one of the best Indian gangster films ever made (after Nayakan and Satya). This film is so well done that the viewers feel like they are watching real-life events. And people living in India will know that some of the events are actually inspired by real-life incidents, although the film does not admit it.

Company is the story of two friends - Malik (Ajay Devgan) and Chandu (Vivek Oberoi) - how they build up the 'Company' - Bombay underworld on a global scale and thus establish their supremacy. A small misunderstanding between them turns into a large scale mafia war. The cast in this film is great, a special mention must be made of Vivek Oberoi. The son of Suresh Oberoi (former Bollywood star) is talented and seems to have put in a lot of effort for his first film. I only hope he doesn't get type-casted in the future after such a hard-hitting role on debut. Ajay Devgan fits very well into the role of Malik, a cold blooded don who always means business. Manisha Koirala enacts the role of Malik's girlfriend pretty well and is refreshing. However, the biggest surprise of this film was Antara Mali. She has done a great job as Chandu's wife, and it only goes to show that there is no dearth of talent in the country.

The narrative is well paced, and the viewer never gets bored. Some people might find the absence of songs in the film annoying, but their presence would only hamper the pace of the film. The script is well written, and some of the dialogues are really memorable - for example, when Malik says "To forgive a friend's mistake is an even bigger mistake in the 'Company'". The background music by Sandeep Chowta really complements the plot and he certainly deserves some credit. But more than anything, it is Ram Gopal Varma's direction that needs to be appreciated. He has proved once again that with a good story, an excellent cast and a lot of determination, one can make a memorable film and defy some of Bollywood's age old norms. A special mention must also be made of Mohanlal. He is certainly one of the best Indian actors of all time and although his Hindi dialogue-delivery in Company is quite sloppy, he deserves a lot of praise for making a good effort. His portrayal of an honest, determined cop trying to eradicate crime in Bombay (loosely based on Sivanandan, Joint Commissioner of Police, Mumbai) is very well executed.

The film gives us an in-depth view into the dark world of Bombay Mafia, where only the fittest survive, and how their operations have spread on a global scale. One thing I found intriguing about this film was the role that mobile phones play, how everything can be controlled efficiently by just making one phone call, and how business deals and murders can be executed with, quite literally, just one push of a button.

Bottomline: This film is a must-watch. A landmark in Indian film-making, all thanks to Ram Gopal Varma. An easy 9 out of 10.

Ram Gopal Varma's SATYA is one of my very favourite Hindi movies, though rather an anomaly in the Hindi movies that I've seen. Much darker in tone than Bollywood usually offers, it's also one of the most intelligent movies about gangsters ever made in my opinion. RGV returns to similar themes with his latest movie, Company, but this time brings a whole new style to his direction that makes the movie stand out even more from the Bollywood crowd. The movie still has a grittiness and realism in its examination of the underworld, but this time it is filtered through post-MTV-post-Wong Kar-Wai sensibilities. I've always found Indian movies to have some of the best cinematography in the world, but never seen one that looks like this. Wide angle lenses, cameras half obscured behind the scenery, bright contrast, quick fire staccato editing... all very modern cinematic tricks, and very well done here.

The Company is in fact an organised crime syndicate, which our hero Chandu (Vivek Oberoi) joins at the start of the film. Chandu is the young leader of a small time gang looking to make it big. He earns the respect and trust of company head Malik and quickly rises to be his right hand man. When Malik makes a bid for power, the two of them have to handle the fallout from the quakes it makes through the criminal infrastructure.

Chandu is a similar character to Satya (who is one of my favourite movie characters, and not just because he has the best beard in film), but a leaner meaner more ambitious kind of career criminal. Nowhere near as mean or as hardened as the seemingly imperturbable Malik, however. Malik takes his business very seriously.

The rise to power of a young gangster is a theme that has been handled on many occasions before, and Company is not vastly different to its predecessors... although it is a good reminder of what hopelessly romanticised popcorn fodder the YOUNG & DANGEROUS series are. With almost no song and dance routines, the run time is kept down to a lean 145 minutes, but this is still plenty of time to build and explore the characters and their situations very thoroughly. Company is quite a subtle movie, the pacing not too hurried and the situations mostly underplayed. This, coupled with the depth of the script and the very stylish camerawork and editing, gives the movie a very sharp feel. Another intelligent movie about gangsters, and an unmistakably cool one too.

Sadly, the movie is let down terribly on one front - the soundtrack. Not all the time, but quite often the music is conspicuously inappropriate. Most irritating is the over use of Mussorgski's Night On Bear Mountain at completely the wrong times, but there are other problems too.

Ultimately, I don't think I enjoyed COMPANY quite as much as I enjoyed SATYA. Perhaps this is because this time my expectation and anticipation was higher, but mostly I think it's that Chandu isn't as sympathetic a character as Satya was. Oberoi plays the character quite well, with mountains of cool but a certain amount of depth... but he doesn't command the screen in the same way that J.D. Chakravarti did. This is probably because his beard isn't as cool.

I did enjoy the movie a lot though... the 2.5 hours pretty much flew by, and the script kept me interested all the way through, never becoming too predictable. There aren't a whole lot of laughs in the movie, or even smiles... this isn't the kind of gangster movie that has you rooting for the heroes as they gun down armies of cops (which, incidentally, the heroes here never do... the violence is mostly contained within the criminal underworld). It's a movie that explores what it really means to be a gangster, and the position of crime and criminals within society. Chandu and Malik are certainly presented as the 'heroes' of the movie, but it never glosses over what they actually have to do to get their power.

India is a poor country, and it's a fact that a lot of the movies produced in Mumbai are targetted at an audience with a pretty low literacy rate. Bollywood movies don't tend to be too challenging to watch, or if they do wish to explore a more serious point it is usually done with very little subtlety. I am curious as to how successful Ram Gopal Varma is in India, as the two movies of his that I've seen have been challenging in a very subtle way. He's obviously quite a box office draw as Company is clearly a big budget production. Filming 2.5 hours of that kind of camerawork/editing isn't an overnight task, and extensive sections of the film are shot on location in Hong Kong, Africa and... Switzerland I think. Well, I have no doubt that enough of the Indian population are perfectly well educated and will have no problem appreciating the finer points of the movie - but I imagine that the overseas market must have been in his sights as well.

Company is a movie that I'd like to see get pushed in the US, as it's a nice reminder that the TRAFFICs and co of the world are not exclusive Hollywood property. Sadly, American studios have frequently demonstrated that its not in their interest to promote this fact, so I expect it will be left with this semi-decent DVD release and word of mouth to spread itself around. My word of mouth is a strong recommendation that people seek that DVD out.

Terrific performances from Mohanlal, Ajay Devgan and Vivek Oberoi and a slick, stylish picture about the underworld make this movie a must see. Hats off to Ram Gopal Verma. The direction, story line, cinematography - every aspect is brilliant and the movie on a whole is very gripping and fast paced. My personal favorite character in the movie is Mohanlal who plays a commissioner and I guess he is one of the coolest cops ever shown on Indian screen.

I give Company 10 out of 10.

This has to be one of the best underworld movies ever made in India. After the disappointment of jungle and mast Ram gopal varma has bounced back to deliver one of his best works. It rivals his own earlier work Satya. Though based on the underworld both films are completely different as his own words put it company is above the underworld unlike satya.

the direction, camera and background score are superb. the cast consisting of Ajay Devgan, Mohanlal and newcomer vivek oberoi perform exceedingly well. After having seen oberoi's later works this performance is easily his best. while Ajay Devgan lives the role to perfection, the Malayalam super star Mohanlal brings a breathe of fresh air by enacting the coolest and most realistic cop Hindi cinema has ever seen. the screenplay written by jaideep sahni is of highest quality. superb dialogues are well delivered especially by Ajay devgan and mohanlal. on the whole a different movie with artistic and technical perfection.