Sechs Menschen befinden sich in den Wäldern von West Virginia gefangen, gejagt von "kannibalistischen Bergleuten, die durch Generationen von Inzucht schwer entstellt wurden".Sechs Menschen befinden sich in den Wäldern von West Virginia gefangen, gejagt von "kannibalistischen Bergleuten, die durch Generationen von Inzucht schwer entstellt wurden".Sechs Menschen befinden sich in den Wäldern von West Virginia gefangen, gejagt von "kannibalistischen Bergleuten, die durch Generationen von Inzucht schwer entstellt wurden".
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
It was entertaining and engaging as much as it was tired and expected. Acting and soundtrack were irritating in some parts of the movie. Very cheesy and cliche but will certainly appeal to many as an entertaining backwoods slasher.
Rating: ** out of ****
Wrong Turn seemingly has all the ingredients necessary for an effective slasher: a good setting and decent premise, a very attractive and likable cast, memorable make-up and gore effect, and a refreshingly unironic tone that reminds us of the days when old-fashioned horror didn't rely on self-conscious humor to pass for entertainment value. In that manner, Wrong Turn is actually a little nostalgic, not unlike the rest of the recent batch of backwoods horror flicks (Cabin Fever, House of 1000 Corpses, and the Texas Chainsaw Massacre remake).
But aside from two solid setpieces, the movie rarely fulfills its (admittedly limited) potential. The script matters little in this subgenre, but there's almost no plot after the ill-fated teens arrive at the mountain men's cabin. This is about twenty-five minutes into the film, after we've already dispensed with the obligatory character intros (basically: 3 hot chicks and 3 hunky, but also surprisingly personable guys) and whatever reasons they have for being stranded in the middle of nowhere, West Virginia.
Everything after that is typical cat-and-mouse filler, the killers (three inbred, cannibalistic hillbillies) searching for their prey while our protagonists run and hide behind trees. There's very little in the way of suspense, namely because it's so obvious who's going to live and who's going to die and in what order. And because the cast is so small, you can't even enjoy a particularly large body count (half the main cast is killed off less than forty minutes into the picture).
Wrong Turn is also missing much of what makes slasher movies fun to watch: explicit nudity and the occasional bit of gratuitous sex. With such an attractive cast (Emmanuelle Chriqui is cute, and Eliza Dushku and especially Lindy Booth are total hotties), the movie regrettably skimps on the goods. Such a complaint probably wouldn't matter if the characters were better developed, but despite a talented cast, the most interesting aspect character-wise is noting how different a couple Lindy Booth and Kevin Zegers played in Dawn of the Dead.
As for the rest of the cast, Desmond Harrington is a solid actor, but does little more than run, grunt, and dive headfirst into every dangerous stunt (his volunteering for every dangerous move actually makes him pretty likable even when we question his logic). Eliza Dushku simply coasts on her looks (and proves that all hottie TV actresses are destined to play a big screen scream queen at least once in their lives), while Emmanuelle Chriqui just shrieks her way through her part. Standing out a little is Jeremy Sisto, who infuses a bit of humor into an otherwise very disposable role.
The forest is something of a disappointment, as well. With a potentially excellent setting at his disposal, director Rob Schmidt fails to generate any creepy atmosphere in an environment where you'd think atmosphere would almost come naturally (to be fair, a lot of horror movies also seem to have this problem; the last time I saw a forest setting utilized perfectly was in 2003's terrifically frightening Dead End).
Despite the fact I've done little more than harp on the film, there's no denying that the middle half-hour is occasionally entertaining. There's a semi-suspenseful scene set in a vehicular junkyard (finally, a little variety in setting, huh?) and another effective sequence set inside a watchtower that segues to an exciting chase atop the branches of some very large trees. The murders are too sparse, given the small cast, but they're gruesome and memorable, and thankfully not as relentlessly cruel as the deaths in Cabin Fever, but boast just the right touch of menace and hard-edged violence.
The three hillbilly killers aren't quite as successful as the gore; in fact, seeing less of them would have been appreciated, considering their grotesque appearance almost crosses into the realm of self-parody. Even The X-Files knew better than that.
Anyway, whatever momentum the middle half-hour built up comes crashing down in the final minutes, with the film actually closing out with an explosion, surely a sign of desperation on the part of the screenwriter if he can't come up with any brighter ideas in a slasher (I was, in fact, about to give the movie a ** 1/2 until the climax). Overall, this is mildly recommended to slasher fans or anyone who wants to gawk at Dushku for a little over an hour. Wrong Turn at least has its heart set in the right place, which is more than can be said for most slashers these days.
Wrong Turn seemingly has all the ingredients necessary for an effective slasher: a good setting and decent premise, a very attractive and likable cast, memorable make-up and gore effect, and a refreshingly unironic tone that reminds us of the days when old-fashioned horror didn't rely on self-conscious humor to pass for entertainment value. In that manner, Wrong Turn is actually a little nostalgic, not unlike the rest of the recent batch of backwoods horror flicks (Cabin Fever, House of 1000 Corpses, and the Texas Chainsaw Massacre remake).
But aside from two solid setpieces, the movie rarely fulfills its (admittedly limited) potential. The script matters little in this subgenre, but there's almost no plot after the ill-fated teens arrive at the mountain men's cabin. This is about twenty-five minutes into the film, after we've already dispensed with the obligatory character intros (basically: 3 hot chicks and 3 hunky, but also surprisingly personable guys) and whatever reasons they have for being stranded in the middle of nowhere, West Virginia.
Everything after that is typical cat-and-mouse filler, the killers (three inbred, cannibalistic hillbillies) searching for their prey while our protagonists run and hide behind trees. There's very little in the way of suspense, namely because it's so obvious who's going to live and who's going to die and in what order. And because the cast is so small, you can't even enjoy a particularly large body count (half the main cast is killed off less than forty minutes into the picture).
Wrong Turn is also missing much of what makes slasher movies fun to watch: explicit nudity and the occasional bit of gratuitous sex. With such an attractive cast (Emmanuelle Chriqui is cute, and Eliza Dushku and especially Lindy Booth are total hotties), the movie regrettably skimps on the goods. Such a complaint probably wouldn't matter if the characters were better developed, but despite a talented cast, the most interesting aspect character-wise is noting how different a couple Lindy Booth and Kevin Zegers played in Dawn of the Dead.
As for the rest of the cast, Desmond Harrington is a solid actor, but does little more than run, grunt, and dive headfirst into every dangerous stunt (his volunteering for every dangerous move actually makes him pretty likable even when we question his logic). Eliza Dushku simply coasts on her looks (and proves that all hottie TV actresses are destined to play a big screen scream queen at least once in their lives), while Emmanuelle Chriqui just shrieks her way through her part. Standing out a little is Jeremy Sisto, who infuses a bit of humor into an otherwise very disposable role.
The forest is something of a disappointment, as well. With a potentially excellent setting at his disposal, director Rob Schmidt fails to generate any creepy atmosphere in an environment where you'd think atmosphere would almost come naturally (to be fair, a lot of horror movies also seem to have this problem; the last time I saw a forest setting utilized perfectly was in 2003's terrifically frightening Dead End).
Despite the fact I've done little more than harp on the film, there's no denying that the middle half-hour is occasionally entertaining. There's a semi-suspenseful scene set in a vehicular junkyard (finally, a little variety in setting, huh?) and another effective sequence set inside a watchtower that segues to an exciting chase atop the branches of some very large trees. The murders are too sparse, given the small cast, but they're gruesome and memorable, and thankfully not as relentlessly cruel as the deaths in Cabin Fever, but boast just the right touch of menace and hard-edged violence.
The three hillbilly killers aren't quite as successful as the gore; in fact, seeing less of them would have been appreciated, considering their grotesque appearance almost crosses into the realm of self-parody. Even The X-Files knew better than that.
Anyway, whatever momentum the middle half-hour built up comes crashing down in the final minutes, with the film actually closing out with an explosion, surely a sign of desperation on the part of the screenwriter if he can't come up with any brighter ideas in a slasher (I was, in fact, about to give the movie a ** 1/2 until the climax). Overall, this is mildly recommended to slasher fans or anyone who wants to gawk at Dushku for a little over an hour. Wrong Turn at least has its heart set in the right place, which is more than can be said for most slashers these days.
I probably hadn't seen this movie since it first came out over 20 years ago. It's a rainy summer Sunday evening and I could not think of a better movie to follow-up the classic National Lampoon's Vacation!
Wrong Turn is your standard backwoods, hillbilly, cannibal slasher that has been done several times over. The movie really doesn't add anything new, but it does provide some good kills, some good gore, and just good times! It's a fun ride with some suspensful moments that leave you as the viewer wondering what exactly you would do in situations such as this.
The bottom line is that if you are a fan of this sub-genre of horror, or if you have never seen it before, give Wrong Turn a shot, I don't think that you will be disappointed.
Wrong Turn is your standard backwoods, hillbilly, cannibal slasher that has been done several times over. The movie really doesn't add anything new, but it does provide some good kills, some good gore, and just good times! It's a fun ride with some suspensful moments that leave you as the viewer wondering what exactly you would do in situations such as this.
The bottom line is that if you are a fan of this sub-genre of horror, or if you have never seen it before, give Wrong Turn a shot, I don't think that you will be disappointed.
Wrong Turn tells the story of Chris Flynn (Desmond Harrington), a doctor who gets stranded in the middle of nowhere after being late for an important meeting. In hopes of getting to his final destination in time, Chris takes a back road through the woods of West Virginia to avoid the traffic jam and accidentally crashes into a car which belongs to a group of friends led by the somewhat bitchy heroine, Jessie Burlingame (Eliza Dushku). Having two wrecked cars, the group decides to wander through the woods in hopes of getting help, unaware that they are about to get stalked and killed off one-by-one by a group of hideously deformed inbred family who has been living and feeding with human flesh in that area for more than 30 years.
Having seen the film countless times before, I was always strangely fascinated by it, but I never truly understood why. I did always love it, but there was always something about it I just really dug. Having seen the film again now, I've finally realized what, and the reason is very simple - the film is just a very well-done homage to all those bad-ass 70s Horror films, and just combines the highlights of those flicks in one simple and highly-enjoyable Slasher film.
Another reason why I probably like this movie so much is because of its fantastic and unique eerie atmosphere. Throughout the whole movie you repeatedly get that uncomfortable feeling of being watched by someone, and the scares which constantly appear through the movie just add to the atmosphere. The tension and the special effects are very well done too thanks to Stan Winston who creates a really disgusting and menacing inbred family, but he does it so good you don't even look at them in that way; sure they are scary as hell and look horribly deformed, but beneath that all you still do realize they are all just a bunch of humans, well at least sort of.
The cast is really good too. The two leads, Desmond Harrington and the lovely and talented Eliza Dushku, do an amazing job here and since they both play likable, strong characters, you really root for them and want to see them live. The other cast members, Jeremy Sisto, Lindy Booth and Kevin Zegers, are all great actors, but they don't have really much to work with here since their characters are basically wasted, though Emanuelle Chriqui really stands out and plays the supporting female lead role very good and convincing. Even though you already know from the start who is going to survive, there's still plenty of tension and scares present throughout the whole movie, so if you think this is just another typical, gory Slasher flick - think again.
One thing I'm very impressed with here is the directing. Schmidt does a terrific job, and you can say he's a horror geek by just watching several clips from the movie. We get some "Deliverance" references now and then, a little bit of "Last House on the Left", "The Hills Have Eyes", "The Texas Chain Saw Massacre", and loads more. The kills are very effective and absolutely gory too, so if you are a fan of brutal death scenes, you will almost definitely dig the deaths.
The film does have some weak points though. Some of the dialog is a bit cheesy in parts, and the ending is really predictable, clichéd, and a bit rushed if you ask me, but the film still really impressed me and is definitely one of my favorite movies now.
So in short - Wrong Turn is a movie you either love or hate. I definitely belong to the first group for a couple of reasons, and even though I do realize Wrong Turn is not the best film ever, I love every second of it for one simple reason - it's a simple, highly enjoyable and scary no-brain throwback to 70s Horror movies, so if you're just looking for a fun and gory Horror film, Wrong Turn is then definitely a right turn, and an amazing film you should definitely not miss! Highly recommended.
8/10
Having seen the film countless times before, I was always strangely fascinated by it, but I never truly understood why. I did always love it, but there was always something about it I just really dug. Having seen the film again now, I've finally realized what, and the reason is very simple - the film is just a very well-done homage to all those bad-ass 70s Horror films, and just combines the highlights of those flicks in one simple and highly-enjoyable Slasher film.
Another reason why I probably like this movie so much is because of its fantastic and unique eerie atmosphere. Throughout the whole movie you repeatedly get that uncomfortable feeling of being watched by someone, and the scares which constantly appear through the movie just add to the atmosphere. The tension and the special effects are very well done too thanks to Stan Winston who creates a really disgusting and menacing inbred family, but he does it so good you don't even look at them in that way; sure they are scary as hell and look horribly deformed, but beneath that all you still do realize they are all just a bunch of humans, well at least sort of.
The cast is really good too. The two leads, Desmond Harrington and the lovely and talented Eliza Dushku, do an amazing job here and since they both play likable, strong characters, you really root for them and want to see them live. The other cast members, Jeremy Sisto, Lindy Booth and Kevin Zegers, are all great actors, but they don't have really much to work with here since their characters are basically wasted, though Emanuelle Chriqui really stands out and plays the supporting female lead role very good and convincing. Even though you already know from the start who is going to survive, there's still plenty of tension and scares present throughout the whole movie, so if you think this is just another typical, gory Slasher flick - think again.
One thing I'm very impressed with here is the directing. Schmidt does a terrific job, and you can say he's a horror geek by just watching several clips from the movie. We get some "Deliverance" references now and then, a little bit of "Last House on the Left", "The Hills Have Eyes", "The Texas Chain Saw Massacre", and loads more. The kills are very effective and absolutely gory too, so if you are a fan of brutal death scenes, you will almost definitely dig the deaths.
The film does have some weak points though. Some of the dialog is a bit cheesy in parts, and the ending is really predictable, clichéd, and a bit rushed if you ask me, but the film still really impressed me and is definitely one of my favorite movies now.
So in short - Wrong Turn is a movie you either love or hate. I definitely belong to the first group for a couple of reasons, and even though I do realize Wrong Turn is not the best film ever, I love every second of it for one simple reason - it's a simple, highly enjoyable and scary no-brain throwback to 70s Horror movies, so if you're just looking for a fun and gory Horror film, Wrong Turn is then definitely a right turn, and an amazing film you should definitely not miss! Highly recommended.
8/10
I usually don't find horror movies to be very scary. I've seen enough of them to know pretty much what's going to happen and when it will happen. They're generally so predictable that they just fail to illicit any kind of emotional response in me whatsoever. "Wrong Turn" is an exception, however. It's one of the rare horror movies that was actually as scary and disturbing to me as it was meant to be.
The plot, which involves six attractive young people being hunted by a family of cannibalistic mountain men, is very straightforward and offers no real surprises to fans of horror movies. As is the case in most of these movies, however, the plot quickly becomes besides the point, and the movie becomes more concerned with trying to frighten and disturb the viewer.
Needless to say, it succeeds. The mountain men prove to be some of the scariest movie killers that I've seen in a long time, probably because the film wastes no time in showing us exactly what they plan to do with their victims (we see this about a half-hour into the movie in a scene that is guaranteed to make at least half of the people who watch it really, really sick). They also manage to be more relentless and even more beyond reason than most horror movie killers; they behave more like wild animals than people.
The acting is considerably better than most movies in this genre. Granted, that's not saying much, but I actually felt more than a little sympathy for the two main characters (Eliza Dushku and the Ray Liotta-looking med student). They behave just like anyone else would in that situation, and they're likable enough and believable enough to make us root for them. I didn't find myself feeling much sympathy for the rest of the cast (they often act like typical slasher movie fodder, especially the two kids who get high and have sex shortly before being murdered), but they're at least more believable than the characters who usually appear in these movies.
Overall, I would have to say that this movie was better than most of the horror movies that have come out lately. I wouldn't recommend it to everyone, but any fan of horror movies should definitely check it out.
The plot, which involves six attractive young people being hunted by a family of cannibalistic mountain men, is very straightforward and offers no real surprises to fans of horror movies. As is the case in most of these movies, however, the plot quickly becomes besides the point, and the movie becomes more concerned with trying to frighten and disturb the viewer.
Needless to say, it succeeds. The mountain men prove to be some of the scariest movie killers that I've seen in a long time, probably because the film wastes no time in showing us exactly what they plan to do with their victims (we see this about a half-hour into the movie in a scene that is guaranteed to make at least half of the people who watch it really, really sick). They also manage to be more relentless and even more beyond reason than most horror movie killers; they behave more like wild animals than people.
The acting is considerably better than most movies in this genre. Granted, that's not saying much, but I actually felt more than a little sympathy for the two main characters (Eliza Dushku and the Ray Liotta-looking med student). They behave just like anyone else would in that situation, and they're likable enough and believable enough to make us root for them. I didn't find myself feeling much sympathy for the rest of the cast (they often act like typical slasher movie fodder, especially the two kids who get high and have sex shortly before being murdered), but they're at least more believable than the characters who usually appear in these movies.
Overall, I would have to say that this movie was better than most of the horror movies that have come out lately. I wouldn't recommend it to everyone, but any fan of horror movies should definitely check it out.
Wusstest du schon
- WissenswertesEliza Dushku did a lot of her own stunts for the movie.
- PatzerAs the group is walking down the path, the flower appears on Scott's necklace before Carly picks it and puts it there.
- Crazy CreditsThere's an additional scene halfway through the end credits, showing the fate of a state trooper who discovers a body in the burned-down cabin.
- VerbindungenFeatured in Eliza Dushku: Babe in the Woods (2003)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Camino hacia el terror
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.418.790 $
- Eröffnungswochenende in den USA und in Kanada
- 5.161.498 $
- 1. Juni 2003
- Weltweiter Bruttoertrag
- 28.650.575 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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