Killerdeului suda

This movie is about four professional assassins living under the same roof and their tribulations with some of their clients, targets and run-abouts with the police.

This movie deserves to be seen since it is very well made and conveys a lot of emotion from all of the actors. It'll make you laugh, shed a tear and think. Although it never uses excessive gore or violence, it still has a very real feel to it. I recommend this movie to every action fan who has a sensible cord!

I watched this movie with a preconception of it being filled with gory scenes of people being killed by these 4 professional killers. BUT I was so wrong!!! This is one of those professional killer movies not just for the gung-ho guys, but also for the artistic folks out there and gals who just wanna oggle at the good-looking killers.

I must say that the cinematography is good. And boy, am I impressed by the story plot. The writer's just so good to depict various ways to kill someone.

And the movie makes you accept killing like an everyday affair, just like eating or bathing. A must-see movie for those of you who are keen on watching movie with plots that are out-of-the-ordinary!

The story is there. It's all summed-up in the movie's headline. It's a group of assassins who; after a hit; have decided to talk-out their problems and deep-analyse their entire prospects and lifestyle and love.

Except they're not as good as this as they are shooting. The opening hit is brilliant; through the window is a lovely-executed John Woo-style slow-mo cam-shot which I really loved.

The rest of the narrative is about leading up to the big hit and their purpose in life. It appears that hitmen do have a conscious even though it appears to be "arrested in development".

They attend a big Hamlet theatre play along with South Korean high-society. It's a very technical play and they have to do something truly special to get the attention of the police who really respects them at another level after the stunt.

It's got some wonderful moments in the movie but the dialogue is very heavy and sometimes too drawn-out. It could be a bit more focussed on how they became hitman and a comedic sketch on their training would be a nice adaption.

The ending is fun and humorous but the middle is a bit too long-handed for me. Three's some excellent filming techniques and it's aged pretty well. It's way before the golden era of Korean new wave and before Oldboy so refreshing to see how far Korean cinema has come since this.

It's a nice movie and another excellent addition on the aspiring Third Windows' films' label.

Enjoyable but if you want all out action it's probably not for you.

Brilliant yarn about four hitmen who act more like a dysfunctional and often naive family of brothers than crew of killers. Of course they have the heart of gold, but the journey is dashing, the resolution is aesthetically splendid, and the ride is often genuinely hilarious. I love this film! Brilliant, needs to be released in North America immediately, then remade in English for all the cats unwilling to read subtitles! Casting is top notch in this one as well!

If you listen to all the promos and previews, you'll be told to expect a "Reservoir Dogs" clone. And you'll be disappointed. This movie is meant for people who like their violence semi-realistic and totally screwball. Fans of "Buckaroo Banzai", "Six String Samurai" or "High Risk" will love this. (I'm *not* saying it's wrong not to like "Guns and Talks"; I'm saying it's the wrong movie for you.)

The film is a lot of fun, with characters of varying morality that you never hope to be, but sometimes want to be. Leader Sang-yeon (Hyeon-jun Shin) is likeable and charismatic, a good moral opposite of the Detective (Jin-yeong Jeong). The rest of the cast are funny and well acted. The only flaw with how people are used is the strong and silent assassin, Ha-yeon (Bin Won) who is horribly underdeveloped.

Humourous bit worth watching: of the two men hiring the group at the end of the film, the man with glasses is the director in an uncredited cameo appearances (his imitation/homage to Alfred Hitchcock, who made cameos in all his films). ("How do I kill a man from cancer? Make him smoke?") Some bits are implausible (the escape, for example) but this is comedy, not high art.

A note on the Korean movie scene: prior to 2001, foreign films revenues were used to subsidize the Korea movie industry. But in 2001, Korean-made films *outgrossed* Hollywood and other foreign films. The quality of story, acting, direction, action, and effects have equalled European and Hong Kong films, and I think are worth watching, having seen a few.