Deadline - Terror in Stockholm

It sucks! Not the film, that's quite good. What sucks is that there hardly exist a single Norwegian who dares to make good films - like the Swedes do. WHEN ARE THEY GOING TO LEARN???! When?` Sprängaren is a good movie, well worth an eight, but it could have been a little more fast-paced, like to book, and then it would have deserved maybe even a niner...

I watched this film on TV eleven years after it was made, with absolutely no background knowledge of the book or the stars. I live on the other side of the world.

I found it very interesting - the office politics, and the portrayal of a couple of professionals with young children, trying to balance all the demands of modern life. These things were more interesting to me, than the plot about the death of the public figure and the matter of who was responsible for her death and the following attacks. The performances were very good, and I thought Helena Bergstrom's performance was excellent. I've read in other 'reviews' on IMDb that the author of the book is a similar person -( journalist with a leading newspaper,) to the role that she played - Annika. No doubt this is why the realistic portrayal of the daily challenges at the office was so interesting to me. I was not bothered that the author may have written about herself, not knowing about that at the time of watching the film. Therefore, I was free to appreciate the film for what it is - with no background baggage. And all the hype mentioned which took place at the time of release, - well - I missed it! I don't understand how people found it boring - maybe they don't enjoy dialog and observing human nature.

I watched this Swedish movie Sprangaren with subtitles based on an IMDb recommendation on another film (Irene Huss - Nottrand). The comments here had discouraged me but I went ahead with this. This is not a nail-biting thriller and may not be as good as the "girl with ..." series. But it is definitely watchable. The lead actress has done a good job as have most of her colleagues. There is a little thrill, a little investigation, a little analysis, a little emotion (especially with the colleagues) and a good bit of curiosity. And I did not find the movie slow. It is just that most of the events were inside the newspaper office and not out on the streets like American movies. There isn't much of screaming, either. But after watching a movie like this, I can appreciate why screaming and street action may not be required for every thriller. Overall, it's a good job done.

Sprängaren is my second familiarisation with a film based on Liza Marklund's work and Annika Bengtzon's character (after Den Röda Vargen) and - being a follower of Scandinavian crime films - I cannot say I am impressed (again). True, I have not read any Marklund's books either, but the plot is too fabulous and long, contains under-action not providing additional value to the film (e.g. disagreements within the newspaper and at home), and the evildoer could be guessed too soon. Well, there are some good performances (Helena Bergström as Annika Bengtzon and Örjan Ramberg as Anders Schyman), but overall course of events has holes and all the motives of the evildoer remained without thorough explanation.

Even if you prefer crime dramas with strong female leading characters, I would definitely recommend Forbrydelsen, Bron/Broen or even Dicte or Anna Pihl, all exceeding in smoothness and maintaining tension.

Colin Nutley is known for regarding Swedes in an English way, although he makes us recognize ourselves very well. He has always been fair to us. In "Sprängaren" he is telling a story about life on a Swedish evening paper. The plot, which begins with the bombing of the new imaginary Stockholm Olympic Stadium, isn't really interesting however. The values in this movie are to be find in the relations between the reporters.

Helena Bergström is here making her best part for quite long. According to Swedish journalists, this is how life is at an editorial staff of this kind. The problem is the thriller element. Mr. Nutley makes the final solution a little too easy and one asks oneself, was it really necessary to make a thriller at all, when you are making a movie about this kind of newspaper people?