IMDb-BEWERTUNG
6,8/10
57.373
IHRE BEWERTUNG
Dies ist die Verfilmung des mit dem Pulitzer- und Tony-Award ausgezeichneten Musicals über Böhmen im East Village von New York City, das mit Leben, Liebe und AIDS und den Auswirkungen, die s... Alles lesenDies ist die Verfilmung des mit dem Pulitzer- und Tony-Award ausgezeichneten Musicals über Böhmen im East Village von New York City, das mit Leben, Liebe und AIDS und den Auswirkungen, die sie auf Amerika haben, zu kämpfen hat.Dies ist die Verfilmung des mit dem Pulitzer- und Tony-Award ausgezeichneten Musicals über Böhmen im East Village von New York City, das mit Leben, Liebe und AIDS und den Auswirkungen, die sie auf Amerika haben, zu kämpfen hat.
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Empfohlene Bewertungen
I am very surprised at some of the negative reviews for this film. I never saw the Broadway musical on which the movie was based, so I don't have the advantage of having the live performance to compare to the movie. I have to say that the film really touched me, and I generally haven't liked most of the recent musical films that I've seen. All of the songs in Rent have heavy and deep meanings behind them since there's hardly any spoken dialogue. This means that Rent moves forward on the strength of its songs. Each number furthers the plot and reveals another aspect of a character.
Playwright Jonathan Larson was an amazing human being with such a talent for - at the time he wrote it back in the early 90's - being so "out there" and taking the risk of writing about AIDS and homosexuality, and ultimately having his work find its way into the hearts of so many people. If you wrote an actual script in which the young author of such a wildly successful Pulitzer winning musical dies the night after its dress rehearsal after being misdiagnosed by two different hospitals, nobody would believe you, but that is exactly what happened. It is also a shame that the actual reality of life in Alphabet City (now very much gentrified) and the nature of the AIDS crisis and treatments have changed so much that many people might not consider this film's greatness because they will regard it as out of date. I guess I just found the movie to be brilliant because it wasn't supposed to be absolutely realistic, it was supposed to evoke emotion, and that it did, at least for me. None of the individual relationships get that much screen time, yet I really cared deeply about all of these characters, both as a group and individually.
You could really feel the urgency of time pressing on the characters that had AIDS - the urgency to create, the urgency to love, - since, in 1990, there were not a lot of therapies that effectively prevented HIV from turning into full blown AIDS as there are today. Also, if you are not moved by Collins' tribute to Angel in the reprise performance of "I'll Cover You", all I can say is that you have no soul. Jesse Martin does a splendid job of displaying a genuine sense of loss, grief, and love that is the best performance in the entire movie.
Rent is one of those few films that I like to watch over and over just to see if I have missed anything. It does seem like some of the movie's detractors are being a bit snobby about the fact that Chris Columbus, who is well known for directing family films, directed this movie. Unfortunately, Bob Fosse is no longer with us, because I have found myself wondering more than once what he would have done with this material.
Playwright Jonathan Larson was an amazing human being with such a talent for - at the time he wrote it back in the early 90's - being so "out there" and taking the risk of writing about AIDS and homosexuality, and ultimately having his work find its way into the hearts of so many people. If you wrote an actual script in which the young author of such a wildly successful Pulitzer winning musical dies the night after its dress rehearsal after being misdiagnosed by two different hospitals, nobody would believe you, but that is exactly what happened. It is also a shame that the actual reality of life in Alphabet City (now very much gentrified) and the nature of the AIDS crisis and treatments have changed so much that many people might not consider this film's greatness because they will regard it as out of date. I guess I just found the movie to be brilliant because it wasn't supposed to be absolutely realistic, it was supposed to evoke emotion, and that it did, at least for me. None of the individual relationships get that much screen time, yet I really cared deeply about all of these characters, both as a group and individually.
You could really feel the urgency of time pressing on the characters that had AIDS - the urgency to create, the urgency to love, - since, in 1990, there were not a lot of therapies that effectively prevented HIV from turning into full blown AIDS as there are today. Also, if you are not moved by Collins' tribute to Angel in the reprise performance of "I'll Cover You", all I can say is that you have no soul. Jesse Martin does a splendid job of displaying a genuine sense of loss, grief, and love that is the best performance in the entire movie.
Rent is one of those few films that I like to watch over and over just to see if I have missed anything. It does seem like some of the movie's detractors are being a bit snobby about the fact that Chris Columbus, who is well known for directing family films, directed this movie. Unfortunately, Bob Fosse is no longer with us, because I have found myself wondering more than once what he would have done with this material.
There is no replacement, alternative or better place to see a Broadway musical than in, where else? Broadway...Nowadays however, some of Broadway's best are also being made for the silver screen and are surprisingly well done.
If you've already seen "Rent" on Broadway and want to see it on film, I strongly suggest you go for it. If you haven't seen it, it may seem to be corny or "hokey" in a few places but get past that because behind it are a set of story lines that will grab you by the library of your literary innards and hold them attentively until the credits roll.
Jesse L. Martin, known on the small screen for his role Detective Ed Green since 1999, is one of the stars who will send auditory shockwaves your way with his beautiful voice. I had no idea he could sing and oh yes! He can definitely sing.
The lyrics throughout the production are unforgettable and must be listened to. This segment of, "Seasons of Love" sets the theme for the movie and rings true for us all.
"It's time now to sing out, Tho' the story never ends Let's celebrate Remember a year in the life of friends Remember the love! Remember the love! Seasons of love!"
In closing, you'll laugh, cry, cheer, sing, laugh and if you haven't done all of these, see it again because you missed something. This is definitely a rock opera of an era we will be talking about for a long time to come.
If you've already seen "Rent" on Broadway and want to see it on film, I strongly suggest you go for it. If you haven't seen it, it may seem to be corny or "hokey" in a few places but get past that because behind it are a set of story lines that will grab you by the library of your literary innards and hold them attentively until the credits roll.
Jesse L. Martin, known on the small screen for his role Detective Ed Green since 1999, is one of the stars who will send auditory shockwaves your way with his beautiful voice. I had no idea he could sing and oh yes! He can definitely sing.
The lyrics throughout the production are unforgettable and must be listened to. This segment of, "Seasons of Love" sets the theme for the movie and rings true for us all.
"It's time now to sing out, Tho' the story never ends Let's celebrate Remember a year in the life of friends Remember the love! Remember the love! Seasons of love!"
In closing, you'll laugh, cry, cheer, sing, laugh and if you haven't done all of these, see it again because you missed something. This is definitely a rock opera of an era we will be talking about for a long time to come.
I saw 'Rent' at a screening on Nov.12. I had seen the stage version both in NYC with the original cast as well as in LA with a different cast. The music and story has been echoing in my head for the past 10 years. So I was bound to be critical, but determined to be open-minded as this was going to be a film, not a stage musical. Chris Columbus did a wonderful job in preserving the message and feelings Jonathan Larson I think wanted people to take away with them. The changes made to bring this story to the screen were artfully accomplished. The film is gritty and sad and has a feeling of hopelessness that was difficult to transmit in a stage venue. The music that made it into the film is spectacular, and the soundtrack is indeed better than the OBC recording. The loss of several songs, though at first disappointing, works in the context of the movie. I hope all you fellow 'Rentheads' give this film the chance it deserves. I will be in the theater on opening day next week to see it again for sure.
Please forgive the cheesy opener. I know that "Rent" hasn't started off with the best press in the world. Some questioning Chris Columbus' direction, some questioning the actors, some questioning the film in general. All I can say, however, is wow! I must admit that I was extremely skeptical about the entire project, and that I'm not a "rent-head", and this wasn't one of the movies on my wish list to see, but it satisfied me plenty. First off, lets talk story: most know the story, the one of eight East Villagers struggling with everyday life, with a few extremes. Just problems like money issues, drug addiction, and AIDS! A story that could easily be drove full speed into cliché heaven, but doesn't. It makes you feel the ups and downs of these characters. And how they convey all this not only through dialogue, but through song as well. Which brings me to my next point: the music. Being a theater major, I have heard the original cast album quite a few times, and not that it was bad, its just the movie music has this "pop" to it that vibrates your eardrums and your heart in the best ways. And like I said, no disrespect to the original. My final point centers around what many are saying will destroy any chances of this movie entering the Oscar race: the direction. Well, sorry to disappoint the Columbus skeptics out there who think he should stick to "Home Alone's" and "Harry Potter's", but he captured exactly what this movie was about. The grittiness, the hardships, life, love, NEW YORK! He gives the movie realistic credibility, which is always hard to accomplish with musicals (i.e. - people breaking into song and dance on the subway). These people sing, and it makes you think no differently of life. And to touch up on one more thing, the acting, what can you say? This cast overcame unbelievable obstacles to make this work, and they did just that. Anthony Rapp does an amazing job in leading this cast. "La Vie Boheme" hasn't left my mind since I left the theater. Adam Pascal and Rosario Dawson are such a couple to watch. Such chemistry between the two. Their developing relationship throughout the movie makes you laugh, cry, and, well, cry a little more. Another scream of a relationship was Idina Menzel and Tracie Thoms as Joanne and Maureen. Talk about an unlikely couple! Somehow, though, they make it work oh so well. Taye Diggs is gold, as usual, as the roommate turned landlord to Mark and Roger. The two that really caught my eye, though. The performances that will go in my photographic movie character memory in a very special spot are Angel and Collins (aka Jesse L. Martin and Wilson Jermaine Heredia). Two guys I have yet to see on film (exception with Martin on "Law and Order") brought to the movie what this movie was about the most, and that is love. "I'll Cover You", sung by the duo, will melt your heart in a second.
In conclusion, all I can say is just give this movie a chance. Don't just go off the negative buzz, because this truly is a beautiful movie. A movie that will have you appreciating your life more and more by the second. The movie that will take you on the emotional roller coaster of life. See the Holiday movie of the year.
"No Day but Today"
In conclusion, all I can say is just give this movie a chance. Don't just go off the negative buzz, because this truly is a beautiful movie. A movie that will have you appreciating your life more and more by the second. The movie that will take you on the emotional roller coaster of life. See the Holiday movie of the year.
"No Day but Today"
this movie made me cry. out of joy and sadness combined. the music makes me want to sing and love. the music heals. the story inspires. the music heals. i'm glad musicals are still made. :-) wow. that's really all i can say. beautiful. exquisite. gorgeous. bountiful. soulful. well-edited. and unbelievably acted. and unbelievably directed. with unbelievably beautiful cinematography. and choreography that knocks your socks off. i loved this movie. it's wonderful, and heartening, that in a world and nation so full of hate art can be produced such as RENT! that reminds, affirms, validates, expresses, navigates, investigates, perpetuates, stimulates, fumigates, explicates, redirects, and instigates nothing other than love. and enjoying the moment. and not holding onto the past. timeless lessons. timeless music. Oscar gold written all over this.
Wusstest du schon
- WissenswertesThe New Year's Eve sequence was turned into an actual party for the cast and crew, and the celebrating was real.
- PatzerIn Today 4 U, Angel sings " Like Thelma and Louise did when they got the blues..." The scene takes place in 1989, more than a year before Thelma & Louise (1991) came out.
- Crazy CreditsThank you, Jonathan Larson
- Alternative VersionenThe delayed echoing effect that is heard when a character is speaking directly into the microphone for Maureen's protest does not occur on the DVD if you have a mono television soundtrack.
- VerbindungenFeatured in No Day But Today: The Story of 'Rent' (2006)
- SoundtracksSeasons of Love
Written by Jonathan Larson
Performed by Rosario Dawson, Taye Diggs, Idina Menzel, Jesse L. Martin, Adam Pascal, Tracie Thoms, Wilson Jermaine Heredia, and Anthony Rapp
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Rent: Vidas extremas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 29.077.547 $
- Eröffnungswochenende in den USA und in Kanada
- 10.016.021 $
- 27. Nov. 2005
- Weltweiter Bruttoertrag
- 31.670.620 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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