IMDb-BEWERTUNG
4,8/10
14.438
IHRE BEWERTUNG
Eine Psychologiestudentin findet all ihre Ängste und Phobien aus ihrer Kindheit nach einem traumatischen Ereignis real werdend.Eine Psychologiestudentin findet all ihre Ängste und Phobien aus ihrer Kindheit nach einem traumatischen Ereignis real werdend.Eine Psychologiestudentin findet all ihre Ängste und Phobien aus ihrer Kindheit nach einem traumatischen Ereignis real werdend.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Peter LaCroix
- David Parks
- (as Peter Lacroix)
Jodelle Ferland
- Sarah
- (as Jodelle Micah Ferland)
Empfohlene Bewertungen
The theme of this movie is one of men's primal fears: darkness... and what may be in the darkness...
An excellent little horror-movie. It probably did not too well at the box office (not even with the "Wes Craven Presents" attachment), but this is worthy to check out. Don't expect stupid, obnoxious teenagers who can't act in the leadroles, don't wait for silly, embarrassing one-liners, don't relay on cheap CGI (not even on expensive CGI, for that matter). What we get is a tense horrorthriller, well acted throughout by a cast of fairly unknowns, which relays on atmosphere, minimal special effects and leaving a lot to the imagination of the audience (which, as most of true horror-fans know, can't be beaten by the most expensive and amazing FX). To my opinion, great horrorfilms are those which are taken seriously, by the creators, the actors, by everyone involved. Take a look at Night of the Living Dead (1968), The Exorcist(1973), The Texas Chainsaw Massacre (1974), Invasion of the Body Snatchers (1978), Dawn of the Dead (1978), Halloween (1979), The Thing (1982) etc. (to name only a few of 60ties, 70ties and 80ties horror classics). What they have in common is seriousness. They might contain some humour, but it never takes over the movies to a degree that the audience is allowed to lean back in their seats and grab a next handful of popcorn in anticipation of the next shocking sequence... What these movies are capable of is to keep the audience at the edge of their seats, to scare the audience into believing and fearing what its sees and not sees but make believe seeing it) and to make the audience go home afterwards with a feeling of unease. That is what THIS movie does very well: make the audience uneasy, because it deals with a primal fear: darkness and what may be IN the darkness. Its a little gem, and i think it will be considered as a "classic" in years to come.
Rating: *** out of ****
In this era of modern horror, it's really the little films that come through and surprise me the most, so I'm glad to include They among this recent bunch (which also includes the terrifically frightening Dead End and the surprisingly funny Monster Man). I must admit to having relatively low expectations; the film was promoted with the heading "Wes Craven presents" and the film's director, Robert Harmon, hasn't done anything worth mentioning in years.
But the movie works, and if it's not particularly original or outstanding, it's at least very well made and makes smart decisions (i.e. a more atmospheric, quietly creepy approach) that lesser films would have avoided. In fact, the movie is so low-key I'm surprised it wasn't just given a straight-to-video release, as nothing in this picture screams box office success the way a noisy, thrill ride approach that Darkness Falls employed might.
They stars the very cute Laura Regan (sporting an adorable haircut!) as Julia Lund, a psychology grad student who's contacted by an old friend of hers. They reunite in a coffee shop, with the friend mentioning some half-comprehensible blather about "they," then kills himself right before her eyes. At his funeral, Julia meets a couple of his more recent friends (played by Ethan Embry and Dagmara Dominczyk), and upon a few conversations, discover they all have something in common. They've experienced night terrors as kids and believe something in the dark that once branded them as children is now back to collect.
Even running at a scant ninety minutes, it could be debated They still runs too long. The subplot with Embry and Dominczyk doesn't really go anywhere and only provides the opportunity for two lengthy sequences where we know these two are going to meet a particularly horrifying fate. Had these two scenes been less effective, I might have complained, but these setpieces are directed with the right amount of build-up, tension, and atmosphere, making the pay-off worth it. And at least those two aren't as fundamentally useless as Marc Blucas, who plays Julia's disbelieving boyfriend. It's a cliché role and nothing about him stands out in the slightest (see The Grudge for a very similar role).
As the lead, Laura Regan proves a very competent performer who's sympathetic and likable. The little discoveries she makes are creepy and intriguingly enthralling. There's hints of an alternate "universe" these creatures live in and the brief views we get of this world are among the film's most visually engrossing moments.
The monsters themselves are mostly kept out of plain sight, kept hidden in shadows and darkness so that what little we can see only enhances the scares. The sounds they make also build a nice sense of unease, a trilling noise that gives the creatures an otherwordly feel to them, not unlike the mysterious creatures in Signs.
The film is mostly a collection of effectively frightening setpieces. Most of the concepts the movie introduces are left both satisfyingly and frustratingly unresolved; there's just enough to fascinate, but maybe just a few more answers or theories would have been appreciated. They comes to an abrupt end, but that works in favor of the movie, finishing things off on a startlingly high note.
In this era of modern horror, it's really the little films that come through and surprise me the most, so I'm glad to include They among this recent bunch (which also includes the terrifically frightening Dead End and the surprisingly funny Monster Man). I must admit to having relatively low expectations; the film was promoted with the heading "Wes Craven presents" and the film's director, Robert Harmon, hasn't done anything worth mentioning in years.
But the movie works, and if it's not particularly original or outstanding, it's at least very well made and makes smart decisions (i.e. a more atmospheric, quietly creepy approach) that lesser films would have avoided. In fact, the movie is so low-key I'm surprised it wasn't just given a straight-to-video release, as nothing in this picture screams box office success the way a noisy, thrill ride approach that Darkness Falls employed might.
They stars the very cute Laura Regan (sporting an adorable haircut!) as Julia Lund, a psychology grad student who's contacted by an old friend of hers. They reunite in a coffee shop, with the friend mentioning some half-comprehensible blather about "they," then kills himself right before her eyes. At his funeral, Julia meets a couple of his more recent friends (played by Ethan Embry and Dagmara Dominczyk), and upon a few conversations, discover they all have something in common. They've experienced night terrors as kids and believe something in the dark that once branded them as children is now back to collect.
Even running at a scant ninety minutes, it could be debated They still runs too long. The subplot with Embry and Dominczyk doesn't really go anywhere and only provides the opportunity for two lengthy sequences where we know these two are going to meet a particularly horrifying fate. Had these two scenes been less effective, I might have complained, but these setpieces are directed with the right amount of build-up, tension, and atmosphere, making the pay-off worth it. And at least those two aren't as fundamentally useless as Marc Blucas, who plays Julia's disbelieving boyfriend. It's a cliché role and nothing about him stands out in the slightest (see The Grudge for a very similar role).
As the lead, Laura Regan proves a very competent performer who's sympathetic and likable. The little discoveries she makes are creepy and intriguingly enthralling. There's hints of an alternate "universe" these creatures live in and the brief views we get of this world are among the film's most visually engrossing moments.
The monsters themselves are mostly kept out of plain sight, kept hidden in shadows and darkness so that what little we can see only enhances the scares. The sounds they make also build a nice sense of unease, a trilling noise that gives the creatures an otherwordly feel to them, not unlike the mysterious creatures in Signs.
The film is mostly a collection of effectively frightening setpieces. Most of the concepts the movie introduces are left both satisfyingly and frustratingly unresolved; there's just enough to fascinate, but maybe just a few more answers or theories would have been appreciated. They comes to an abrupt end, but that works in favor of the movie, finishing things off on a startlingly high note.
Well-crafted thriller that plays upon night terrors and the old "monster in the closet" legend. An ambitious, sensible young psychology student is occasionally frightened by memories of old childhood nightmares. She, along with a group of strangers, eventually come together believing they were all traumatized and "tagged" as children by mysterious night demons, the very same demons who may be returning to complete some ominous, unfinished business. Occasionally spooky thriller holds your interest the way it should, but it never really tops its effective opening sequence, or gets informative enough to be really satisfying. **
Having suffered from night terrors since age 3, that progressed to night terrors with sleep walking by 5, I was thoroughly creeped out by the story line and since I still have night terrors on a regular basis I thought the idea that your marked was very interesting and a scary thought. Decent horror flick, not a blood fest, but the kind of movie that gives you the willies, especially if your afraid of the dark and suffer from night terrors. Worth a watch! ;)
They isn't a horror film for fans of horror who like gratitious gore and is more of a plot-thought provoking film where if you ever did suffer from the mental disorder known as Night Terrors as i did as a young child then this movie will strike a chord within you and leave chills running up and down your spine. If you never had horrific nightmares as a kid then it probably won't do much for you as the acting really isn't that great and I really didn't feel that sympathetic towards any of the adult charachters once They got them. They afterwards spooked the living crap out of me as for several weeks now I've had to close my closet door before i go to sleep as I have visions of the very well executed They monsters in the back of my mind.Definatley rent the DVD as the alternate ending offers more of an explanation as to what They is but it also takes away from the horror movie aspect of the film and makes it a film in just psychlogical terror instead. *** out of *****
Wusstest du schon
- WissenswertesContrary to the marketing's claims, Wes Craven had no involvement in the production of the film. The complete U.S. title for They is "Wes Craven Presents: They." Craven was considered an 'executive producer' of the movie. However, other than lending his name to the title, he had no part in the making of They - Sie kommen (2002). It's assumed that the purpose for putting his name in the title was to publicize the movie and attract horror fans.
- PatzerIn the opening stormy weather scene lightening and thunder crash and the power goes out. Young Billy's flashlight quits working as the scene shifts back to young Billy's window there is a night-light lamp that is still illuminated.
- Alternative VersionenA work print shown to test audiences features an open credits sequence of young Julia sleeping.
- VerbindungenFeatured in WatchMojo: Another Top 10 Worst Movie Endings (2015)
- SoundtracksCenter of the World
Written by Ryan McAllister
Performed by Dakona
Courtesy of Wayne Ledbetter for Eric Godtland Management, Inc.
Top-Auswahl
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Details
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.840.842 $
- Eröffnungswochenende in den USA und in Kanada
- 5.144.090 $
- 1. Dez. 2002
- Weltweiter Bruttoertrag
- 16.446.271 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was They - Sie kommen (2002) officially released in India in English?
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