A Nero Wolfe Mystery

I have read every Nero Wolfe book printed and own most of them. I have been reading about the undertakings of the great Nero Wolfe and his right-hand man, Archie Goodwin, since I was in school. It was with great trepidation that I viewed this series; fully expecting to see miscast characters, loss of the very meticulous detail which makes the books so enticing, and a total loss of plot. I was genuinely and wonderfully surprised to find that my expectations were way off the mark.

I could not have cast the characters better had I been permitted to choose them myself. I have been casting these characters in my mind since I started reading the books. I chose Raymond Burr for the part of Nero Wolfe, and although I do believe he would have done the part justice I sincerely do not believe he could have done a better presentation than Mr Chaykin. I was never able cast Archie's part in my mind to any satisfaction and when I read that Timothy Hutton would be playing the part I thought that was a serious error. However as it turns out Mr Hutton plays a perfect Archie. I am at a loss for words to describe why he is so fitted to the character. He looks like Archie, he acts like Archie - he simply is Archie.

The detail that the series has managed to preserve is amazing. If you've read the books you are familiar with the red leather chair and the yellow leather chairs and who gets which and when! Not only are the chairs brought to life, the elevator, the decor, the orchids, Fritz in all of his self righteousness, Wolfe's pushing in & out of his lips, the froth on the beer, the milk, the typewriter....the adherence to the novels is outstanding!! This show feels familiar the first time you watch it.

As it turns out my estimation on the probability of the plots falling apart was also unfounded. The plots are not compromised. We are not shorted a good run down of the clues. I have yet to find a question unanswered. Another wonderful adaptation.

This series has also taken a fairly unique approach to casting the supporting roles in that with the exception of the recurring roles of Wolfe, Goodwin, Fritz, Saul, Orrie, Fred, Cramer and perhaps one or two other minor characters all of the supporting cast appear to be made up of the same actors every week. For example, Christine Brubaker has shown her wide range of acting capability playing parts from a night club singer to a newspaper columnist. This concept not only impresses the audience with the amount of talent but also adds to the feeling that this series is an old friend who has returned for another treasured visit.

I would highly recommend this series to anyone. If you've read the books, I promise that you will not be disappointed. If you have not read the novels then you will be introduced to some of the most complex, human and entertaining characters you will ever meet.

A+ to all involved.

Magnificent performances: Tough to fill Archie Goodwin's shoes, and even tougher to fill Nero Wolfe's, but Timothy Hutton and Maury Chaykin do it in these splendid, remarkably faithful adaptations of Rex Stout's addictive detective novels. Bill Smitrovich as Inspector Cramer, Colin Fox as Fritz; Conrad Dunn, Fulvio Cecere, and Trent McMullen as the 'Teers; and R.D. Reid as Sergeant Purley "I tawt you wuz already gone" Stebbins are also dead-on and delightful. Plus a tour-de-force for the non-recurring roles, in the best theater tradition but unique for television -- a talented repertory cast, led by Kari Matchett, Debra Monk, Francie Swift, James Tolkan, Nicki Guadagni and the late great George Plimpton.

Kudos especially to head writer Sharon Doyle for not only keeping the faith with Stout's marvelous language – the dialog and Archie's first-person narrative (here as voice-over) – but actually enhancing the stories with worthy-of-Stout inventions of her own. Some standouts: In "Disguise for Murder" and "Eeny Meeny Murder Mo" we get ringside seats at the card games which are unseen teasers in the books; in "Poison a la Carte" we share a beautifully poignant, wordless concluding scene that speaks volumes about the relationship between Wolfe and Fritz; in "Christmas Party" and "Door to Death" we get priceless gems from a jealous Lily Rowan;and joy of joys, in "Silent Speaker" we get the Nero Wolfe series' own "Mrs. Columbo" – Mrs.Cramer, in person, joining forces with Archie for fun with Fergus.

The sets are stunning, especially the beloved Brownstone in all its glory.

This is the show that introduced millions of viewers to Wolfe and Archie and catapulted their creator, whose last book was published 30 years ago, to the top of the used book sales charts. Season One and Season Two Nero Wolfe on DVD are treasures for new and longtime fans alike. The absence of a Season Three on A&E and DVD is sad evidence of a once proud television network gone to the dogs.

I really love 4 am, because that's when Nero Wolfe movies turn up on Sky Satellite here in the UK. The logic of them is as impenetrable as the dialogue, the plots as murky as an old fog, but they're fun. Nero Wolfe, the character, absorbs me. He has wonderful taste in food, but likes canary yellow shirts, an impeccable library, a wonderful orchid room, and he lives totally in his head. I love the scenes where they show you all the delicious food and old Nero sets poor old Fritz impossible tasks - like finding Iranian coriander, or meat during the great meat shortage. I love old Cramer the detective and his sidekick, Curly. Those two are so full of malice, I'll bet they don't have to pull their guns out to kill anyone. Archie's pretty good too, though if he was my assistant I'd slap him for his cheek. The women are pretty exotic, along the lines of 'dames' or 'broads' in writers like James Hadley Chase.The sets are classy, the graphics incredible, the mis-en-scene terrific. But the best bit is the food. Only one thing, you never see old Nero drinking wine, his favorite tipple is beer. Personally, I like beer, I've got nothing against it, but for a real haute couture man, I feel red wine would be classier.John Olsson

I love this series passionately. A murder mystery set in the late 50s, with fast-paced wit and style. It gets you thinking not just about the murders, but about the people; how they really behave and how sharp one has to be to keep up with the threads of so many suspects lives and possible motives.

The books are just as fast paced and difficult to follow as the TV series can be. Definitely not for mothers who intend to get the knitting/ironing done while half concentrating on the TV.

But you've never seen such quality on American television - in fact, you'd almost swear it was British. The script is impeccable, the cast perfect, the performances true to the novel, and obviously Timothy Hutton is loving every minute of his role as Archie Goodwin. (a role which he has made successfully jump straight from the pages of Rex Stout's novels, onto the screen.)

But the best part; you can watch them over and over, because there'll always be an angle you missed, a glance, a witty line, a plot twist. And knowing how often TV shows are repeated isn't this a godsend? Haven't we had enough of the crud you can watch with your eyes closed, while-knitting-on-the-phone-doing-the-ironing?

I was begining to wonder, with one boring TV season after another, and "Frasier" being the only show to watch. Now I have "Wolfe." I hope A & E will keep it around for awhile. Timothy Hutton and Maury Chaykin are brilliant in their roles as Archie Goodwin and Nero Wolfe. My dad is a big fan of the books, and he says they're excatly how he would have pictured them to be.

The show seems to air in segments of two-part episodes, that will most likely be marketed as movies. They're worth buying! Fast-paced and and full of fun, "Nero Wolfe" seems to be the best show that has come along to television in a long time! At first I thought it would just be an excuse to watch Timothy Hutton (SWOON) once a week, but it's got a whole lot more than just a really great actor.

Thank you, A & E, for this quality show.