Wicked Game

Really cool Stunts and moments of great film making in the Action style made me stick to this film until the end along with the lead Johnny Bosch.He may be the next Mark Dacascos ...and you can never have too many of them!

Looks like amateur video quite often and the acting is generally a little stiff,but for what it is it is very good.

Sort of a C grade mix of "point break" and "Drive".

This movie is 95 min long and about half of it is fighting....that is pretty good in my books...yet there still was a story you could follow and even a sub plot.WOW!

All in all a good b movie actioneer

Let me tell you, I buy and watch movies based on good fight scenes and dont really mind a bad story if the action is good. Well when I found out that Koichi Sakamoto of Drive fame was the action director, I had to get this movie. I was not dissapointed by the action and stunts ( you can see how painful some of them would have been for sure),what I was dissapointed in was the screen quality, it was not shot on a normal movie camera and looks like it was done on home video camera which was tough to watch. Also some of the dialogue should have been written better ( as Guile always calls Billy Ray, Billy Ray where he could just call him Billy instead) But all in all if you are a martial arts fan and enjoy good fight choreography and entertaining stunts, you could do alot worse

The problem with Koichi's film is that while people like Jackie Chan and Jet Li can get away with weak scripts and acting (or even singing), they possess a certain charm that Koichi does not. The action sequences and "charm" in their films make up for any weaknesses in the script. Koichi doesn't realize this and instead say's "look at my stunts!". He has others put themselves in grave danger to advance himself. Great stunts don't make a movie, which is why Jackie Chan and Jet Li films are entertaining and Koichi's films are almost frustrating to watch. Even when he tries to be funny, it falls flat, because he has no sense of humor. On top of everything else I've written, if Koichi wanted to be a "star", he would star in his own films, but he does not, because he knows he is a bland, unattractive person, as opposed to Jackie Chan or Jet Li. If he stuck to stunt coordinating and not "success", he might make it in the film industry.

This Movie has great fight scenes. Now its true that the acting is a little rough. But If I wanted to see a movie based on acting skills I would watch a Cheesy movie Like American Beauty. But If you want to see a movie with true martial arts in it and with Amazing stunts WITHOUT the use of wires and flying threw the air like so many movies around now which are over killing the matrix. Then Watch this. Now it's true the two main stars in the show where in the kid show the power rangers and another cast member of that show has a bit part in this movie. But hey the fight scenes are enough to make Jet Li p**s his pants. And the stunts are worthy enough for Jackie Chan to sit threw and admire.

Were it not for the amazing stunt work in this film there would be very little to recommend it. Shot on a minuscule budget, as evidenced by the use of disused warehouses and wide-open spaces for the majority of the shooting, Extreme Heist aka Wiked Game is essentially a show reel for two stunt teams. The production quality may be poor and the narrative weak, but the creativity and expertise of the Alpha Stunt Team and AAC is certainly adequate compensation. Following a formula similar to the far superior Drive (Steve Wang, 1996) this is something of a companion piece, co-directed as it is by that film's choreographer Koichi Sakamoto. He and Makato Yokoyama (director of the awesome Shadow Fury (2002)) have had steady careers working on the Power Rangers franchise (still going since 1993) but have never made the action hit fans have always longed for. Sakamoto and Yokoyama obviously made Extreme Heist in between Power Rangers episodes and even roped in Johnny Yong Bosch (The Black Ranger) and Jason Narvy (bad guy Skull), to star in their venture. Like Marc Dacascos before him, Bosch demonstrates skill and agility that screams out for more elaborate and high profile work. Sadly Bosch's career hasn't hit the heights of Dacascos's. The action scenes which make up the majority of the film are superb, a testament to the way talented filmmakers can produce something from nothing. Action seems to have been choreographed from whatever was affordable, with shoddy shacks and cars serving as both locations and props for the performers. The stunts are both physical and vehicular, with many sequences bringing the two into close contact. Bosch fights off hordes of minions and has a showdown with the tall villain at the climax, but even in the quieter moments he adds impressively unnecessary flourishes to his actions. Not content to sell the film solely on fights and vehicular stunts, Sakamoto and Yokoyama injected the theme of extreme sports into the story by opening and closing the film with impressive skydiving sequences. The ending is especially notable, including an interesting attempt at gunplay as they plummet to earth.