IMDb-BEWERTUNG
4,7/10
1974
IHRE BEWERTUNG
Die Geschichte über einen Sack voller Geld und den Leuten, die damit in Berührung kommen.Die Geschichte über einen Sack voller Geld und den Leuten, die damit in Berührung kommen.Die Geschichte über einen Sack voller Geld und den Leuten, die damit in Berührung kommen.
- Regie
- Drehbuch
- Hauptbesetzung
Litefoot
- The Warrior #1
- (as G. Paul Davis a.k.a Litefoot)
Empfohlene Bewertungen
I cannot exactly say that I hated it, nor can I say I loved it. I can see how some people think it is a complete mess, but as you watch it, it does sort of come together at the end. There seems to be a lot of holes in the plot. Somethings never really get answered, and if that is what the director and/or writer was going for, then they did their job. I found the individual performances pretty interesting, but as a whole they seemed all over the place. I kind of felt like the film should have been called Six Degrees of Devil's Casino.
If you have an extra hour and thirty-three minutes to spare, it might be worth it to expand your movie selection and just check it out. I mean I have watched a lot of B rated films and I cannot say it was any worse than those. I agree with a lot of the people on here when they say the shots on location are actually what makes this film worth while. Since most of it is shot in the dessert, it makes for an interesting look.
If you have an extra hour and thirty-three minutes to spare, it might be worth it to expand your movie selection and just check it out. I mean I have watched a lot of B rated films and I cannot say it was any worse than those. I agree with a lot of the people on here when they say the shots on location are actually what makes this film worth while. Since most of it is shot in the dessert, it makes for an interesting look.
A corrupt judge (Michael Lerner) is about to rule on an expansion to a neighboring Indian casino. He tells the Chief (Russell Means) that the FBI has put an undercover agent (Jeremy Davies) in his staff. The man witnesses a group of Indians killing his beloved. The Chief hires the Hit-man (Chris O'Donnell) to kill him. They pay the Hit-man with a bag of cash but he's robbed by a casino Security Guard (Jon Polito) who in turn is robbed by the Cop (Michael Rapaport) who then leaves the bag with the Ticket Clerk (Bill Pullman) for 29 Palms. The bag is then mistakenly taken by the guy originally slated to be killed who picks up the Waitress (Rachael Leigh Cook) stranded when her car broke down.
It's interesting to follow the bag at the beginning. It has a silly ridiculousness about it. It stops being interesting after awhile. I wonder if director Leonardo Ricagni is trying to copy the Coen brothers or something like that. It becomes a boring mess. Chris O'Donnell is not nearly scary enough as a hit-man. Rapaport is a good weasel but none of the characters are particularly compelling. The movie wants it so bad but just doesn't have it.
It's interesting to follow the bag at the beginning. It has a silly ridiculousness about it. It stops being interesting after awhile. I wonder if director Leonardo Ricagni is trying to copy the Coen brothers or something like that. It becomes a boring mess. Chris O'Donnell is not nearly scary enough as a hit-man. Rapaport is a good weasel but none of the characters are particularly compelling. The movie wants it so bad but just doesn't have it.
`29 Palms' is such a bad movie...no, wait, it's so bad one can't even call it a movie, so, let me start again...'29 Palms' is such a bad abomination , disguised as a movie, that there are no words negative enough to describe it. Let's put it this way, I'm embarrassed to say I even watched it all the way through. It's so bad that my DVD player never worked right again after running it.
The central plot of this film is promising - an enigmatic drifter finds a bag of money and has the foresight to realize people are after it, so he places several decoy bags out there to confuse everyone while keeping the money for himself.
In the hands of a director with more experience, this might have been a pretty good movie. It's still entertaining but there are moments that make you cringe.
Jeremy Davies (the mumbling astronaut in "Solaris") is the drifter. Chris O'Donnell is the hitman trying to recover his money, which coincidentally, was to be his fee for killing the drifter, who was mistaken for an FBI informant. Now there's a laugh, Jeremy Davies as an FBI agent.
Veteran Coen Brothers bit player, Joe Polito, plays a security guard after the money. Under good direction, he's a pretty decent actor, but here he looks like someone's brother-in-law who stumbled into a movie role.
Not a bad first time effort by the writer and director. They tried a bit too hard to copy other people (the Coen Brothers most notably) by assembling a quirky cast and making a film that combines suspense and humor. You could do worse on a slow weekday night than to rent this one.
In the hands of a director with more experience, this might have been a pretty good movie. It's still entertaining but there are moments that make you cringe.
Jeremy Davies (the mumbling astronaut in "Solaris") is the drifter. Chris O'Donnell is the hitman trying to recover his money, which coincidentally, was to be his fee for killing the drifter, who was mistaken for an FBI informant. Now there's a laugh, Jeremy Davies as an FBI agent.
Veteran Coen Brothers bit player, Joe Polito, plays a security guard after the money. Under good direction, he's a pretty decent actor, but here he looks like someone's brother-in-law who stumbled into a movie role.
Not a bad first time effort by the writer and director. They tried a bit too hard to copy other people (the Coen Brothers most notably) by assembling a quirky cast and making a film that combines suspense and humor. You could do worse on a slow weekday night than to rent this one.
A richly photographed ensemble piece about several characters attempts of obtain a bag of money. Nothing deep, just a quirky and sometimes funny film that uses coincidences similar to the 'Lock, Stock and Two Smoking Barrell's' motif. It never quite works as a hilarious caper film, and neither does the viewer enable any feeling for the main protagonist in the Drifter played by Jeremy Davies.
'29 Palms' does have it's moments though particular during the scenes with Michael Rappaport as the nasty cop, who has some of the funniest lines. Joe Polito does a decent job, but his character is overly annoying and fairly stupid. Bill Pullman is a welcome edition, but again, short-lived and not really given an essential character to play. Chris O'Donnell makes an interesting, if not decent, hit-man character. None of the characters are really developed except Jeremy Davies one, and Rachel Leigh Cook's character. '29 Palms' would have got a far better score if it was more entertaining and less reliant on coincidences as plot-devices which has been done before. I did like some of the flashback moments and interactions but the main reasoning to also partially dislike this film is because it should have had a better ending. The ending was just plain weak, and the only redeeming factor from it was the very last line, but the entire sequence itself was stupid and nonsensical. I could hardly recommend this film, as it became tiresome and irritating, though it certainly had it's moments to give it an average score. **1/2 out of *****!
'29 Palms' does have it's moments though particular during the scenes with Michael Rappaport as the nasty cop, who has some of the funniest lines. Joe Polito does a decent job, but his character is overly annoying and fairly stupid. Bill Pullman is a welcome edition, but again, short-lived and not really given an essential character to play. Chris O'Donnell makes an interesting, if not decent, hit-man character. None of the characters are really developed except Jeremy Davies one, and Rachel Leigh Cook's character. '29 Palms' would have got a far better score if it was more entertaining and less reliant on coincidences as plot-devices which has been done before. I did like some of the flashback moments and interactions but the main reasoning to also partially dislike this film is because it should have had a better ending. The ending was just plain weak, and the only redeeming factor from it was the very last line, but the entire sequence itself was stupid and nonsensical. I could hardly recommend this film, as it became tiresome and irritating, though it certainly had it's moments to give it an average score. **1/2 out of *****!
Wusstest du schon
- PatzerWhen the cars are speeding on the dirt roads (car chase scenes) you can hear the tires screeching as if they were on pavement.
- Crazy CreditsThere is a short additional sequence with Michael Rapaport after the credits have ended.
- VerbindungenReferenced in Dinner for Five: Folge #1.7 (2002)
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- Twenty-nine Palms
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- 5.000.000 $ (geschätzt)
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