Behind the Red Door

"Behind the Red Door" tells of a woman (Sedgwick) who visits her estranged brother (Sutherland) only to learn he is dying. Much more than just another "dying" flick and a surprisingly fine film for a director with such a short resume, "...Red Door" wrings powerful performances from the pair of leads, avoids the usual lugubrious tear-jerking, shows solid cinematic style and artistry, and ends on a deeply profound note. Most of all, "...Red Door" fills its emotional landscape with the most beautiful of all elements - reality. An intelligently wrought flick which should be a well received by realists and sentimentalists alike. (A-)

First let me say that I am a long-time Kiefer fan (and yes, I too, think that 24 is the best show on television!) but that doesn't bias my opinion of this film. This film is one of the best I've seen this year. It is a quiet, beautiful character study which doesn't rely upon or need glitz or flash. The depths of these characters could not be explored without the even, thoughtful performances of Sutherland and Sedgwick. I watched the DVD twice as a rental then looked high & low to find it for sale with no luck until I convinced my local video store to sell a rental copy to me. Don't miss an opportunity to see this film!

Just caught up with this film recently as it was shown on Showtime. To say that it was a surprise, it's the least that can be said. I don't remember a anything as deeply felt, and as well done, and without the cheap sentimentality that might have drowned a film about the subject it treats: Aids.

Of course, this film wouldn't probably been made without the vision and the great direction of Mattia Karrell, who also contributed to the screen play. Contrary to what others have said in this forum, it is not a story that requires a box of tissues when one watches it. My own reaction was an amazement on how well the situation is handled, as it never relies of any cheap tricks to convey what is going on between the long distanced siblings. The past comes to haunt the sister, more so than the dying brother, who obviously was too young to realize what had happened to his mother who has died under mysterious circumstances.

Kiefer Sutherland as Roy, the perfectionist brother, is excellent as this man who must confront his own death. It must be terrible for someone in his line of business to realize his own mortality and have to depend in the kindness of a sister that he stayed away for too long. Kyra Sedgwick's take on the wounded Natalie, is too amazing for words. Natalie stays behind because the love she always felt for Roy. She never rebels against this blow fate has dealt her; Natalie shows she is a better person for staying with her brother until the end.

Never, in recent memory, two talented actors have been paired together with such rewarding results. Rounding the cast is Stockard Channing who is the one responsible for the family reunion, but she is a minor player in this film.

The gorgeous cinematography by Robert Elswit is too stunning for words. The musical score by David Fleury makes a great contribution to the mood of the film. Ultimately, thanks to the director Mattia Karrell comes such an unusual film that deals maturely in presenting a real slice of life without formulas.

Kiefer is known for his diverse roles, and characters. In this film he has taken yet another different turn, playing an AIDS infected, gay, Fashion designer, Makeup artist, a perfectionist. The film is about the emotional distress that he is going through, not just because of the illness but trying to regain his beloved sister back into his short remaining life, and dealing with their traumatic childhood memory, their mother's death by the hands of their father...

excellent script, perfectly played characters, beautiful cinematography, capturing the depth of the story into each shot of film. it is not your regular Kiefer movie, where you'd see some sort of action sequence or thriller plot. it's a very emotional movie and deep story.

Kiefer is an amazing performer mastering every detail of his characters. I never pictured Kiefer in a homosexual storyline, but he did it perfectly...

I watched this movie on cable recently because there was nothing else on at the time. The power of the film caught me by surprise--I'm amazed that it apparently didn't rate wider distribution (couldn't find a review in either of my movie guides). Its the story of a gay advertising exec (Sutherland) dying from AIDS and the complicated relationship that he has with his estranged sister (Sedgwick), a talented photographer. There are also references to the equally complicated relationships with their father (who probably murdered their mother). The realistic portrayal of these relationships is what drives this movie, bolstered by the outstanding performances of the actors. Sutherland is powerful as a dying man who is terrified and shows it by his alternating pleas for help and outbursts of anger at being helpless. Sedgwick is equally good as the sister who is cowed by her brother but trying to piece together the past and find resolution to the situation. The writer/director dedicated the film to "my brother Roy" and one wonders if this is the reason the film rings so true.