Füge eine Handlung in deiner Sprache hinzuSeveral Jewish and Palestinian children are followed for three years and put in touch with each other, in this alternative look at the Jewish-Palestinian conflict. The three filmmakers follo... Alles lesenSeveral Jewish and Palestinian children are followed for three years and put in touch with each other, in this alternative look at the Jewish-Palestinian conflict. The three filmmakers followed a group of seven local children between 1995 and 1998. They all have a totally differe... Alles lesenSeveral Jewish and Palestinian children are followed for three years and put in touch with each other, in this alternative look at the Jewish-Palestinian conflict. The three filmmakers followed a group of seven local children between 1995 and 1998. They all have a totally different background. These seven children tell their own story about growing up in Jerusalem. Th... Alles lesen
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Let hope that everyone there will wake up soon and will go and see this film and maybe than everyone will realize that hate doesn't lead to anywhere and children are the hope for the future as long as they don't grow up hating anyone.
The major hidden, and very dishonest, assumption behind this film is that the situation in the occupied territories is basically static, and that peace between the two warring parties, i.e., Israel and Palestine, is simply a matter of letting bygones be bygones. But, in fact, as most mature, literate people nowadays know, Israel's ultimate aim is the total annexation of the occupied territories along with the total displacement of the indigenous Palestinian population outside of this greater Israel.
I watched this film in a audience that was primarily composed of young college age people, many of them, I assume, must have been very bright, since it was being shown at the Kennedy School of Government at Harvard University. And these kids swallowed the phony premise of this film hook, line and sinker. This just goes to show you how powerful the combination of naivité and a yearning for easy sentimental solutions can be.
I could go on all day about all the deceptive and manipulative techniques used in this film. Instead, I would just like to recommend a documentary that gives a real, honest, comprehensive overview of the ongoing Palestinian tragedy: "Peace, Propaganda & the Promised Land". A film, I would like to add, that was also produced and directed by an Israeli: Bathsheba Ratzkoff, and that includes interviews with a number of Israelis who are sincerely working for peace, and a number of American Jewish people who are also working for peace, and who all realize that no peace nor justice for the Palestinians is possible without first squarely and soberly confronting the real facts "on the ground", as the popular saying goes.
There's a strange sour note at the very end of "Promises" where one of the very charismatic Israeli twins speaks 2 years after the main events of the film, in answer to a short follow-up question. He says that the Palestinian boy that he and his brother had briefly befriended during the filming of the documentary tried to call him a number of times in order to get together with them on a semi-regular basis. But the twin says that it's just too complicated to try and do that, and that the whole war thing is just something that's mostly just a background issue in his life, anyway, so he and his brother just don't bother to even return the Palestinian boy's calls anymore. For a viewer that knows the real context for this film, this statement perfectly illustrates the disparity in their two living situations. The war is an annoyance/irritation for the Israeli twins, but it is an all consuming nightmare that the Palestinian boy is trying desperately to escape. And the charming twins really just can't be bothered. And by the basically dismissive and throw-away way that this question was presented at the end of film, neither can these film makers.
But to give credit where credit's due, this was a very well made film and it could have been a very pleasant and amusing film if it had taken place in the Twilight Zone, instead of in the real world. Unfortunately, for those of us who have taken the time to educate ourselves about this timely and important issue, the lies and distortions of this film aren't even funny.
Filmed in Israel and the West Bank Occupied Territories, we see an Israel rarely seen on CNN, a country of checkpoints and segregated corridors reinforced by violence.
Goldberg, a secular Jew who grew up in Jerusalem, studied film at New York University and worked as a journalist in Israel. He filmed 170 hours and narrowed it down to 106 minutes. Throughout the film, each child is interviewed separately and most recite the litany of hatred and misunderstanding that they have learned. Moishe, 12, lost his best friend in a Palestinian Intifada, while Faraj, a young Arab, mourns for his closest friend who was killed by an Israeli soldier. "The more Jews we kill, the stronger the Arabs will be", states a Palestinian boy. As the film progresses, a strong desire for peace and reconciliation emerges through the quiet, thoughtful questions posed by Goldberg.
Goldberg astonishingly brings the Israeli twins Yarko and Daniel to spend a day with their Palestinian neighbor Faraj. At first they maintain an aloofness but as the day progresses they forget all about their politics in a few hours of wrestling, playing ball, and eating a delicious meal. The most emotional moment comes when Faraq breaks down and cries because he realizes that when the cameras leave, everything will be the same as before and they will never see each other again. I couldn't see the next few minutes because of all the moisture in my eyes.
In a sad epilogue, the children are shown two years later, somewhat hardened in their attitudes, ready to sacrifice themselves for a futile conflict. Perhaps by now, some of them have blown themselves up in glorious martyrdom or were simply caught in the wrong place at the wrong time when a bomb went off. The most heartbreaking statement comes from one of the children who state, "The life we live doesn't allow us to accomplish our dreams".
Nevertheless, listening to these children, there has to be some reason for optimism. "In war both sides suffer," one of the Israeli twins says. "Maybe there's a winner, but what is a winner?" Perhaps what we need are more people like Yarko, Faraj and Goldberg to show us the way.
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- VerbindungenReferenced in Liebe braucht keine Ferien (2006)
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