Love Liza

This is not 'Terms of Endearment'. This film does not offer answers, explanations, or resolution, and as such I found it to be a very effective portrayal of the aftermath of a suicide.

It's not an enjoyable film to watch, but it's very much worthwhile. First off, the acting is fantastic. Philip Seymour Hoffman deserves all the raves he's getting for this role -- he's downright painful to watch. All of the supporting cast -- except for the mother-in-law portrayed by Kathy Bates, who is exhausted with her own grief -- brilliantly introduces nuances of discomfort. It's not overdone, but it's obvious that these characters are internally dealing with the question of how to deal with Hoffman's character Wilson, who has just suffered this terrible and shocking loss. The dialogue is consistently and realistically not natural, in keeping with the awkward position of the supporting characters and Wilson's deteriorating mental health.

I have seen this film criticized because Wilson's position is *so* dreary, that it may seem over-the-top, unrealistic. But, really, the character's wife recently shot herself. What bright spots were such critics expecting in this character's life at this time? I believe the writing of the plot is realistic in this regard.

Structurally, it's brave, risky, and effective. I felt alienated by the lack of explanation and resolution of Wilson's position. Not a positive emotion to walk out of a film with, but extremely powerful. The sparse soundtrack and the painfully sympathetic supporting characters all added to this feeling of alienation.

I think PSH is wonderful in this movie and it really shows his incredible acting abilities in a very raw way.

This is a tragic, tragic film that demonstrates the waves of destruction that emanate from suicide. It shows the decline of a ordinary man doing well to a self destructive huffing addict. You could watch this with your wife, if she can stay awake, and then you'll find yourselves discussing it for weeks.

Don't expect to discover the moral, learn lessons or take away answers from this movie. The beauty of this movie is that it leaves more questions than answers. Its a movie that inspires thinking and a barrage of unanswered questions left in your head. Any movie that inspires so much thought after it is over is a real winner to me.

This movie had decent directing, decent story, well done cinematography. The only thing that really made it worth watching was Seymour Hoffman's awesome performance. The movie was a bit quiet at times, I think there was a point in the movie when not a word was said for at least ten minutes. But if your someone who'll see a movie just for the acting, than this one is worth renting, probably not buying though, it's far too depressing.

I call Philip Seymour Hoffman my favorite actor, so of course when I found a movie where he is the center of attention (not usually the case) I felt obligated to see it. His older brother wrote the screenplay, no doubt with Philip in mind for the part.

To tell you the truth, the overall feel of the movie wasn't so great. I'm sure that Hoffman played the character well, but we only get to see this character in this very strange part of his life. There's no context to judge how much of his behavior is situational. He seems to be cracking up, laughing at the office in a way that makes the others leave the area, and generally behaving in a way that shows lack of judgment. We understand that his wife just took her own life, it's revealed early on in the film, so we understand why he is behaving the way he is, we just don't know what he's normally like. I enjoyed Jack Kehler's character. He seems to be the kind of person you'd like to avoid talking to more than just briefly, but it makes sense that he gets on well with Hoffman's character during his time of turmoil. There were some things they chose to put in the movie (like his glass falling over at the beach, the flowers falling over at the cemetery, and the glove compartment not shutting) that felt like they would happen in real life - like real life metaphors, and I appreciated that element. I thought the gas huffing was a little strange until I read that there was a definite connection to the way his wife died. It's a tricky film to judge. It's hard to empathize with character because he's just so outside the norm, but it's easy not to judge him because it's hard to imagine anything much worse happening to a person.

If you really like Philip Seymour Hoffman I would tell you to go ahead and rent the film, I would at the same time tell you to keep your expectations lowered.

I saw this film at the 2002 Toronto International Film Festival. This is the feature directorial debut of actor Todd Louiso (and yes, he talks and acts exactly like his character in High Fidelity). Philip Seymour Hoffman plays Wilson Joel, a man whose wife has committed suicide before the film begins. We follow Wilson as he tries to carry on, unable to open the suicide note she left for him, becoming addicted to sniffing gasoline fumes, and trying to make friends among radio-control car/boat/plane enthusiasts. If it sounds a bit wacky, it is. It's also beautiful and very very sad. Hoffman is a genius at playing lovable sad sacks, and he's even better than usual here, carrying the entire picture on his slumped shoulders. The wonderful Jack Kehler (who played the artistic superintendent in The Big Lebowski) provides excellent comic relief. Philip's brother Gordy Hoffman wrote the screenplay, and the film took four years to get made. Obviously a labour of love. A gorgeous melancholy soundtrack from Jim O'Rourke adds immeasurably to an already powerful film.