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Leben oder so ähnlich

Originaltitel: Life or Something Like It
  • 2002
  • 6
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
5,8/10
33.404
IHRE BEWERTUNG
BELIEBTHEIT
3.144
1.387
Leben oder so ähnlich (2002)
Theatrical Trailer from 20th Century Fox
trailer wiedergeben2:28
2 Videos
90 Fotos
Romantische KomödieKomödieRomanze

Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.

  • Regie
    • Stephen Herek
  • Drehbuch
    • John Scott Shepherd
    • Dana Stevens
  • Hauptbesetzung
    • Angelina Jolie
    • Edward Burns
    • Tony Shalhoub
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    33.404
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.144
    1.387
    • Regie
      • Stephen Herek
    • Drehbuch
      • John Scott Shepherd
      • Dana Stevens
    • Hauptbesetzung
      • Angelina Jolie
      • Edward Burns
      • Tony Shalhoub
    • 155Benutzerrezensionen
    • 55Kritische Rezensionen
    • 31Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos2

    Life or Something Like It
    Trailer 2:28
    Life or Something Like It
    Life or Something Like It
    Trailer 2:31
    Life or Something Like It
    Life or Something Like It
    Trailer 2:31
    Life or Something Like It

    Fotos90

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 84
    Poster ansehen

    Topbesetzung85

    Ändern
    Angelina Jolie
    Angelina Jolie
    • Lanie Kerrigan
    Edward Burns
    Edward Burns
    • Pete
    • (as Ed Burns)
    Tony Shalhoub
    Tony Shalhoub
    • Prophet Jack
    Christian Kane
    Christian Kane
    • Cal Cooper
    James Gammon
    James Gammon
    • Pat Kerrigan
    Melissa Errico
    Melissa Errico
    • Andrea
    Stockard Channing
    Stockard Channing
    • Deborah Connors
    Lisa Thornhill
    Lisa Thornhill
    • Gwen
    Gregory Itzin
    Gregory Itzin
    • Dennis
    • (as Greg Itzin)
    Max Baker
    Max Baker
    • Vin
    Andromeda Dunker
    • Mo
    Jesse James Rutherford
    • Tommy
    Veena Sood
    Veena Sood
    • Doctor
    Eric Snellman
    • George
    Theron Zahn
    • Steve
    Paul Morgan Stetler
    Paul Morgan Stetler
    • Limo Driver
    David Dunard
    • Striker Bob
    Johnny 'Sugarbear' Willis
    • Striker #1
    • (as Johnny 'Sugar Bear' Willis)
    • Regie
      • Stephen Herek
    • Drehbuch
      • John Scott Shepherd
      • Dana Stevens
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen155

    5,833.4K
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    Empfohlene Bewertungen

    plumberguy66

    I tried not to like it….

    Life, or Something Like It. Dumb title if you ask me. Angelina Jolie as a blond? I don't think so. Ed Burns as the love interest? Sounds like a chick-flick or ‘something like it.' All this needed was Greg Kinnear and I think we'd have something like ‘Someone Like You', right? Well not exactly. Although this movie was obviously aimed at the female crowd and used just about every chick-flick cliché under the sun, there was more here than I expected. I found this movie very predictable for the most part but the characters are so engaging (especially Jolie's) that you find yourself getting wrapped up in them and the story that surrounds them. The thing that stood out for me where a couple of scenes that had the audience so quite you could have heard a pin drop. One was when Angelina Jolie's character asks her fiancé what it is between them that dictates they should be together. Utter silence. The theater, in anticipation of what lame answer is about to spew forth from her jock boyfriend, was silent. The other was when Angelina's character is interviewing Stockard Channing's. Again total silence from the crowd. Those two moments in the movie made it worth while for me. The rest is just as you would expect. I didn't find any above caliber performances here, just the really good ones you'd expect from this cast. You wont see this one on Oscar night but I thought it was worth the ticket price and it didn't feel like a waste of time. That's my take. What's yours?
    7bijhan-reverend

    Yup, That's Seattle

    So the plot is thin, the characters not entirely likable, and some scenes knuckle-bitingly awkward when you know they're trying to be cute. Some of the dialogue is pretty good, and most of the acting if superb.

    But what I really want to talk about is Seattle. In a world where my hometown is turned into a shallow replacement for New York, or just stereotyped to DEATH (see - Fraiser, Sleepless In Seattle, The Ring etc) it's nice to see a film that actually gives a crap about the city.

    Holy doo-doo pants! Is that KOMO 4 News?! Okay, so they made one of the Os and Q, but those are the faces I watched every Saturday before the morning 'toons.

    We see all kinds of places in Seattle that aren't international landmarks - Leschi Elementary School, Alki Beach, the Downtown Transit Station, the Queen Anne Easy Street Records, giving the viewer a realistic representation of the simultaneously snooty and gritty City of the Sound.

    There are no slip-ups of speech. No one says anything about Lake "CHELL-un" (Chelan is pronounced "sha-LAN", Fraiser!) nor is the Sound ever accidentally referred to as a bay.

    So basically what I'm saying is that if you want a movie that took its time to understand the character of the city it was taking place in, this is it. And avoid The Ring at ALL COSTS!
    6Theo Robertson

    Confused But Watchable

    LIFE OR SOMETHING LIKE IT has a premise of reporter Lanie Kerrigan being told by a homeless man that she's going to die in a few days from now and right away I was expecting some bitter-sweet angst , a sort of present day morality tale inspired by Frank Capra and I guess very early in production this was the idea but I was left confused . Is it a redemption tale ? If so then why does Lanie start out as a not unlikable person and remain a not unlikable person throughout the movie ? You see there's little in the way of character development and the situations and soul searching never seem to draw the audience into Lanie's fears . None of this is helped Stephen Herek's shallow direction either

    In short this is a shallow film but while being confused as to what it's trying to say it's also fairly watchable too . Angelina Jolie is breath takingly beautiful and in many ways she's like a female Leonardo Dicaprio in that her good looks disguise she's a much better actress than critics give her credit for and imagine how worse the movie would be if her role was taken by say Sandra Bulloch while Dave Newman's haunting score also helps the movie greatly
    6whpratt1

    Nice Romantic Comedy

    This film had a little bit of everything all rolled into one story and it was entertaining. Angelina Jolie,(Lanie Kerrigan) was a news reporter and gets involved with a homeless man that she interviews and this man predicts without any hesitation on his part, that Lanie is going to die on a Thursday, a week away. There are other details about the weather conditions and most of his predictions seem to come true. Lanie has lots of trouble getting along with her camera man on the job and they fight like cats and dogs. Lanie is looking for a better position in the TV industry and has her goals set very high, and at the same time wants to meet Mr. Right. There are very cute romantic scenes and Lanie has great conversations with her girl friends. However, Lanie begins to look at herself as a person other people see and she starts looking in other directions. Nice entertaining film.
    modamag

    Won't change your life or your mood...

    If one is asked to sit through 99 minutes of a film that ponders, "Living every day as if it were your last," then the film should at least deliver a fresh prospective on this overdone topic. If it fails to do that, perhaps a character that the audience would care about is in order. Life Or Something Like It fails to do both.

    Lanie Kerrigan (Angelina Jolie) is a local Seattle news reporter who is being considered for posh job in New York, for "AM USA." She must first prove herself in the field by working with Pete, an experienced cameraman (Edward Burns) whom she supposedly hates. When the ambitious reporter interviews a homeless prophet, he announces that the blonde reporter will die within a week. Once all of his other predictions come true, Jolie's character begins to realize that she is in fact going to die. As Thursday (D-day) quickly approaches, the reporter re-evaluates her own life.

    The premise of the film is a little interesting at first. Sure, it has been done over and over again, but various interpretations have their own charm and there is room for more. However the development of the plot is just too obvious and there is nothing new, nor is anything portrayed in a very intriguing way.

    While Life was marketed as a light comedy, it is anything but. Comedy would have been a much better direction for the filmmakers, however aside from a few jokes on the sidelines, the film takes itself very seriously. The tone of the script is confused. It's similar to A Knight's Tale which also tried to hopelessly shift between drama and comic relief. In the end, we end up with a picture that doesn't work as a drama or a comedy. Throughout the film, it feels as though the filmmakers kept changing their minds.

    Unfortunately the confusion is not the only self-destructive component in the movie. The character development also does the job fairly well. Jolie shows Lanie's ambition sufficiently, but the movie suggests that there is more wrong with her life than a little healthy competition. It seems ridiculous that a person whose real tough faults we haven't seen is trying to change her ways. The movie seems to artificially pull Lanie into changing, instead of using character development as cause for such an evolution. Lanie changes at the end, but the question, "why?" remains. Pete's relationship with Lanie also seems forced. Pete flashes randomly throughout the movie, cueing Lanie's unfolding.

    Edward Burns carries his role well enough, but unfortunately there isn't much to carry. Angelina Jolie just doesn't seem to fit into this role and while she is a talented actress, there is something very odd about her in Life. In fact, Tony Shalhoub is the only actor who remotely stands out in this movie. Although his dialogue follows the same scripted fate as the others, Shalhoub manages to express with his voice and facial expression much more than the script actually inhibits.

    The script doesn't allow the audience to care much for any of the characters, doesn't contain a single original idea and tends to push ideas aggressively instead of allowing the audience to discover them. The script also leaves off various unresolved mysteries, most of which only seem to act as space fillers. The filmmakers take us towards one direction and back off immediately afterwards. Maybe they forgot? Considering the pacing, most of the audience did too.

    Life Or Something Like It is comparable to one scene where Lanie's soon to be ex-boyfriend, Cal, takes Lanie to a ballpark in the middle of the night to throw a few pitches after a heart-to-heart talk. Lanie expects Cal to have some words of wisdom for her, or at least charm - but doesn't catch anything except the ball. Life Or Something Like It won't change your life and it won't change your mood either.

    If you need to kill time, see the movie - But what if today is the last day of your life?

    Grade: D

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Christian Kane (Cal Cooper) is also the lead singer of outlaw country band Kane. When Cal comes out of the elevator towards the apartment, he's singing one of their songs "Sweet Carolina Rain".
    • Patzer
      When Pete and Lanie deliver Tommy at his mother's house, he is supposedly asleep on Lanie's shoulder and Pete has to wake him so he can get out of the car. But the actor playing Tommy visibly blinks as the car pulls to a stop and shuts his previously wide open eyes when the car comes to a stop, pretending to be asleep so Pete can 'wake' him.
    • Zitate

      Cal: Is this you breaking up with me? Well will you think about it for a minute?

      Lanie: A minute just seems like a really long time to waste.

    • Alternative Versionen
      Available in two different versions. Runtimes are "1h 43m (103 min)" (theatrical cut) and "1h 45m (105 min) (Argentina)".
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
    • Soundtracks
      (I Can't Get No) Satisfaction
      Written by Mick Jagger and Keith Richards

      Performed by The Rolling Stones

      Published by Abkco Music, Inc.

      By Arrangement with Abkco Records

    Top-Auswahl

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    FAQ19

    • How long is Life or Something Like It?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 10. April 2003 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Polen
    • Offizieller Standort
      • New Regency Productions
    • Sprache
      • Englisch
    • Auch bekannt als
      • Una vida en siet días
    • Drehorte
      • Vancouver, British Columbia, Kanada
    • Produktionsfirmen
      • New Regency Productions
      • Davis Entertainment
      • New Regency Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 40.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 14.448.589 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.219.234 $
      • 28. Apr. 2002
    • Weltweiter Bruttoertrag
      • 16.872.671 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 43 Min.(103 min)
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 2.39 : 1

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