Wasabi - Ein Bulle in Japan

The story is about a french policeman with personal working practices that his boss doesn't like much. Jean Reno does very well in this role. His character is the centerpiece of the whole movie. You can also see a snapshot at the Japanese way of life, even though it is adapted to the movie a lot. Not to make this into a long and boring comment, I think you should see this to have a good laugh if you like Jean Reno and his humor.

In France, Hubert Fiorentini (Jean Reno) is a tough, violent, but very effective detective, who has been missing the great love of his life, a Japanese woman, for nineteen years. While capturing a criminal drag-queen, Hubert hurts the son of his chief and is "licenceed" for a couple of months. Meanwhile, he is called from Tokyo by the lawyer of his former girlfriend, who died and left of her possessions to him. When he arrives in Tokyo, he meets his former partner Momo (Michel Muller) and is informed by the lawyer about his inheritance: 200 millions of Euros and a teenager daughter, Yumi Yoshimido (Ryoko Hirosue). Sooner he realizes that the Yakuza is chasing him, looking for the huge amount of money. "Wasabi" is a great and very funny adventure, recalling the confusions of "Lethal Weapon". Jean Reno is excellent, as usual, in the role of a tough but very sentimental man. Ryoko Hirosue gives charm to the story, and Michel Muller is the clumsy and quite dumb partner of Hubert. This movie made my family and I laugh a lot, being an excellent entertainment. My vote is seven.

Title (Brazil): "Wasabi"

WASABI (2001) is a variation on fish-out-of-water action comedies like the RUSH HOUR films, with a nod to more deadly serious Japan-set predecessors like the Michael Douglas starrer, BLACK RAIN (1989). Written by Luc Besson, it tells a tale of a French cop called to Tokyo for the reading of his old girlfriend's will only to learn that the girlfriend died under suspicious circumstances, that a cache of $200 million is involved, and that he's the father of the dead woman's daughter, of whom he's now the legal guardian until she turns 20 in two days. There is plenty of formulaic cartoonish action capitalizing on the no-nonsense cop's tendency to hit or shoot first and ask questions later, but it's balanced by some delightful interaction between Hubert, the gruff, if sentimental, middle-aged cop, played by Jean Reno, and Yumi, the terminally cute, endlessly trendy Japanese daughter, played by pop star/TV-film actress Ryoko Hirosue.

Some scenes manage to combine the action and father-daughter antics seamlessly, as in a department store shopping trip, where Yumi runs ecstatically from one section to the next while Reno quietly ferrets out and knocks unconscious each of nearly a dozen Yakuza thugs tailing them, all, miraculously, without attracting her attention. In a later scene, he has a French Intelligence comic relief sidekick (Michel Muller) show him cases of advanced weaponry while Yumi changes into her purchases in an adjacent room, bursting through the doors in a flamboyant display of each new outfit, while the two men scramble to hide the hardware from her view and tell her how great she looks.

The script is just as contrived and implausible as it would be in the hands of Hong Kong or Hollywood filmmakers, who've all done similar material, but it's handled with a light enough tone and given over sufficiently to the lead performers to make it a pleasant if undemanding experience. It's always a treat to see Reno in a starring role and he's quite believable and charming throughout in a patented movie star role that Bruce Willis might have played in Hollywood or Lau Ching Wan in Hong Kong. The lean and wiry Ryoko Hirosue (all arms, legs, nose, and chin) is `kawaii' to the nth degree--like a saltier, earthier Audrey Hepburn--and steals the film whenever she's on camera (which isn't often enough!). The character is quite volatile and given to wild mood swings punctuated by tears one minute and sly grins or girlish squeals the next. She's quite a fashion plate as well. The actress reportedly learned her French dialogue phonetically, but she handles it like a pro, as if she'd been speaking it much of her life.

`Wasabi' is a high-spirited French action comedy with a Japanese name. This Luc Besson production stars Jean Reno in a wonderful performance as a tough-guy French cop who is as quick to use his tongue as his overeager fists. One day, out of the blue, Detective Fiorentino discovers that he has a 19 year-old daughter by a Japanese woman who left him almost 20 years ago, breaking his heart in the process. The girl, Yumi, turns out to be an orange-haired free spirit who hates cops and has been led to believe that her father raped her mother. Much of the film is spent with Hubert and Yumi getting to know one another, as they uncover secrets about her mother's past that seem to have made the young woman the target of some rather unsavory characters.

The plot is the least of the matter in this film. As directed by Gerard Krawczyk, `Wasabi' is really all about style. Besson's screenplay is fitfully amusing, doling out cleverness and cutesyness in roughly equal measure. Cinematographer Gerard Sterin brings out the colorful richness of the urban Japanese landscape and editor Yanne Herve doesn't linger longer on the jokes and sight gags than is absolutely necessary. These elements help to compensate for the somewhat desperate air that afflicts the screenplay from time to time.

The prime asset of `Wasabi' is Jean Reno's performance. Reno perfectly mines the comic potential inherent in the material through the tone of weary cynicism and superiority to all around him that he conveys throughout. As an actor who has played this type of rogue-cop character many times in his career, Reno obviously relishes this opportunity for a little good-natured self-ribbing. And he does a splendid job.

`Wasabi' is little more than a piffle when all is said and done, but Reno makes it worth seeing.

Negative comments sort of miss the point, as this movie wasn't designed to be anything more than harmlessly amusing. To say anything bad about it is rather like kicking a puppy. You wouldn't kick a puppy, would you?

I needn't go into the plot, which you can click a few links to find, but I sought this movie out because Jean Reno is fun in anything he's in, and oh lookit that, Luc Besson wrote the screenplay-- can't go wrong with that, can you? (unless it's an American remake, which luckily this is not).

This movie is FUNNY, at times a little cheesy (which we can also call FRENCH), and the action is over-the-top enough to be cartoonish (when Hubert punches someone, they fly back 20 feet). This is essentially a wacky comedy with some action, something Americans aren't used to seeing, but well worth a look. It's harmless fun, but still more original than your average paint-by-numbers American romantic comedy. Or action film.