Mr In-Between

Ok, don't let the title throw you off. It's not so bad I want to vomit. It's because it was so good that I'm physically feeling nauseated at the moment. It's not because of blood or gore. This movie is so disturbing it's ridiculous. This is why I prefer thrillers to most other horror movies though. Suspense in a realistic situation is so much more motivating than blood, guts, and monsters. Man, it's hard to put into words the emotions that I feel after finishing this movie. I don't think my wife could watch it to be honest. I'm glad I watched it while she's at work today. I'm not normally moved by movies much. In fact, I think this is the first movie about a hitman that I've ever watched and didn't have some fun thoughts about killing people afterwards.(yes, I have a morbid sense of humor) DISTURBING is the perfect 1 word description for this movie if you need one.

My Advice: Ignore the 6/10 rating. Chances are you hadn't heard of this movie save by random chance, and perhaps you read the synopsis and your interest was piqued. If so watch this movie; it delivers in many ways, and if you are a fan of the genre (dark, ambient, crime, drama, with some philosophy thrown in), then you are in for a treat. I imagine the lower-than-deserved rating was due to people merely not liking the the genre or the ending.

Now I complain about the 6/10 and only give a 7/10. I understand that most people's ratings are different than mine. This film is good but not perfect...one I will recommend to friends and the fans of the genre(s), but with an addendum: It is a fairly slow movie, with not much major event happening. The movie is paced differently in that most popular movies follow a intro/rising action/climax/resolution pattern, this movie does not (really). Truly you won't really know what the point of the movie is until closer to the end, which for some will be a turnoff. I like that fact though especially because the writer/director does a great job of keeping you distracted with some good relationships, character development, and frankly good acting.

Give it a shot if you're getting tired of traditional Hollywood hogwash.

Jon (Andrew Howard) is a cold blood and very efficient assassin and torturer with no friends, who works to his mentor and protector, the sadistic Tattooed Man (David Calder). The murders of Jon are very clean and sophisticated, as if they were a work of art. When Jon meets his former school friend Andy (Andrew Thiernan) and his wife Cathy (Geraldine O'Rawe), his world becomes divided by life (with Andy and Cathy) and death (with Tattooed Man), and Jon becomes a conflicted man, living between good and evil in the in-between of these realities, and trying to redeem his soul.

"Mr. In-Between" is probably the greatest surprise of the year for me, a gem to be discovered by movie-lovers. This low-budget movie, if found by the viewers, certainly will become a cult-movie. The frightening and awesome story showing the personification of evil is spectacular, without any concessions to any characters. The battle between the good and the evil is amazing, and there are two specific scenes that impressed me a lot: the first one when Jon "saves" Cathy and her daughter from the Tattooed Man; and when the Father vomits in the church after hearing the confession of Jon, when he asked: "-Do you still love me, Father?". The direction is amazing, using magnificently the camera. Andrew Howard is one of the most scariest killers I have ever seen in films, and his cruelty is comparable to John Doe (Kevin Space) in "Seven". David Calder is perfect as the personification of the Devil, in a cruel and sadistic character. Sometimes, some friends of mine question me why I spend time watching B or C-movies, instead of only classics and famous movies. Movies like "Mr. In-Between" show that my procedure is correct, otherwise I would never find unknown jewels like this one. I am very impressed with this movie, scarier than most of the Hollywood horror movies, which I recommend to a very specific audience. My vote is nine.

Title (Brazil): "Sr. Morte" ("Mr. Death")

Note: On 03 April 2022, I saw this film again.

As a big fan of the book, I was thrilled to find out that it had been made into a film. I certainly wasn't disappointed. It's tense and well-paced with a wonderful cast. I've not encountered Andrew Howard before, I don't think, but he portrayed a man whose humanity is slowly leached from him with absolute conviction. So much better than the slew of British gangster films which have emerged recently, avoiding gimmicky camerawork and actors more known for the celebrity than their talent. Strongly recommended, even for those who aren't necessarily fans of the genre.

Jon is an ideal employee: neat, efficient and conscientious. The torture he inflicts is effective and the kills are swift. Mentored by his tattooed boss, the only thing asked of Jon is total quality. But something happens...and for the first time Jon let his emotions affect his work. Now the tables are turned as the boss and the hit-man face off in the most dangerous kind of business...The Killing Kind."

The main problem with this film was that I just couldn't get into it, it had great characters, a good story and twists that would all account for a great film. But it just missed that thing that makes films interesting. Maybe it was the "low-budget" aspect of the quality of film that made me dis-like the film, or maybe the fact that I thought it was going to be something totally different.

He isn't a hit-man that I would picture, he hardly ever uses a gun (which is showcased on the cover). He uses a pool cue and a fire poker among things. The dialouge does indeed suck, but that's British films for you (Save Shaun and Snatch). The fact of the matter is, this film tries to be something that it's not, which is SNATCH and LOCK STOCK, with a twist at the end that will shock some, but leave the others asking why.

There are some great characters here that could use a touch up here or there, other then that, this film is a disappointment. Skip it for a better British film, because there are many.