25 Watts

This very low budget Uruguayan movie, shot in black and white, and somewhat reminiscent of the films of Jim Jarmusch, tells the story of the aimless adventures of a group of men in their early twenties in Montevideo. None of them studies, a few of them held to crappy jobs, and their success with women is, much to their chagrin, virtually nil. There is not much to do for them but to kill time around the city with various antics. This is shot not as a drama, but as a comedy, which seems to me to be the right decision. If there is a theme to this movie (and this is clearly not a "message" movie) is the lack of meaningful projects for the youth of Uruguay (particularly its males). A useful comparison is with an Argentine movie called 76-89-03, but that film was more corrosive and politically incorrect, and therefore was far more controversial. The directors, Rebella and Stoll, made another film a few years later, Whisky, that it was more polished and mature, and dealt with the hopelessness not of the youth of Uruguay but of its middle aged people. Soon after Whisky, Rebella killed himself with a shotgun, so we don't know whether he would have graduated to a major or important director. A good film, overall.

25 Watts might do something it wasn't meant to do -- and that is portray a boring day just as it should be portrayed: boringly. Although at times having wit and comedy, one cannot help but feel that somewhere between the script and the subtitles the true entertainment was lost.

Although this film contains a lot of original and interesting camera work combined with a pleasantly artistic depiction of daily events, it is only at the cost of excitement. The scenes which one finds to be most exciting are the scenes one finds to be the shortest. The scenes that portray pure boredom seem to always be the longest.

Although the general idea behind it and the hard work put into it may seem good, in the end it is overshadowed by the general boredom. Although it was interesting, it was not entertaining. Although it kept my attention, it did not terribly enthrall me. In the end, the zany characters and moments of excitement do not cut it and leave something lacking.

I hope this film will be the first of a large number of pictures. Making pictures is not common in Uruguay, and filming it in black and white is less common. This film show you how our country is, but without showing you the typical things, the touristic part (beaches, squares and so on), something that appears in almost all the uruguayan films. I recommend it, it´s one of the best films I have ever seen.

I'm from Ecuador, Quito. This movie is just one of the best movies ever made in Latin America and for sure in the world. This is not a problem about "what is more intellectual or what is more Hollywood style" this movie is simply a tribute of creativity and cinematography. The camera work, the acting way, all the aesthetic decisions are coherent with the script and with our social reality. In my point of view, this is a non common way to say very political things and find a very personal route in movie language.

I'm sure this movie is NOW a reference for young filmmakers and for all artists in the ambient.

Saturday, early in the morning. Leche, Javi and Seba wander around the neighborhood with nothing much to do. They drink beer, smoke, talk about girls. 25 watts shows us a day in the life of these three young inhabitants of Montevideo. They spend the day trying to escape from boredom, facing the twists and turns of love, interacting with friends and other picturesque characters from the "barrio" that share moments with them. So we get to see a paranoid delivery man, a weird video club owner among other strange and funny characters. The acting is very good, all the cast. This film was shot in b&w 16mm and then blown up to 35mm. It has a grainy look, which adds certain raw atmosphere to it. It is Stoll and Rebella's first feature film.

Certainly, one you should check out.