24 Stunden Angst

Rating: *** out of ****

One of the more pleasant surprises of the year, Trapped stars Kevin Bacon as a clever kidnapper who gets more than he bargained for when he and his partners (Courtney Love and Pruit Taylor Vance) hold a rich couple's (Charlize Theron and Stuart Townsend) daughter for ransom. Director Luis Mandoki knows how to pile on the tension to this chilling premise, delivering genuine suspense and thrills every minute without losing momentum. The story even holds a few decent surprises that caught me slightly off-guard, if not necessarily shocked.

As well-tuned as the direction was, what impressed me the most were the performances. The central story focuses on Theron and Bacon, and both make for one of the more effective protagonist/antagonist duos in recent memory. Dakota Fanning also shines as the kidnapped daughter; this is one of the best performances from a child actor all year (the other is from Fanning herself in the miniseries Taken). Stuart Townsend and Courtney Love aren't as effective as Theron and Bacon, but come through with solid performances.

Trapped is still a very flawed movie, considering the script is hardly original and the subject matter itself is a little unsavory and disturbing. The tit-for-tat matches between kidnapper and hostage can get a little repetitive, but the fact that it revolves around three pairings does add more tension to the proceedings. Still, the movie nicely builds to its thrilling conclusion, a climactic sequence that is a bit overdone but nonetheless exciting. It's a pity Trapped was ignored at the box office, since it's easily far superior to recent similarly plotted kidnapped thrillers such as Don't Say a Word or Along Came a Spider.

It's unfortunate that Columbia/Sony is not pushing this movie -- there's some convincing acting here (Theron does the woman-in-jeopardy thing well; doesn't hurt that she's easy on the eyes too!) and three different storylines interwoven by the writer quite nicely. Some good setups and payoffs as well (though one involving the waggling of a plane's wings is kinda corny, but it worked). My only criticism is that some of the dialogue is predictable (the bad guys says exactly what we expect him to say in certain scenes). Courtney Love plays a white trash wench pretty well, but that's not surprising given her vagabond background.

BOTTOMLINE: If you like thrillers, go see this on a matinee -- worth seeing on the big screen for some beautiful cinematography of the Pacific Northwest and the climax. IMHO a big step above ALONG CAME A SPIDER and HIGH CRIMES. I haven't seen Mandoki's other flicks, but I plan to rent them now. I just hope Charlize Theron chooses some more challenging dramatic roles, or her career will probably suffer for it.

"Trapped", the top-of-the-heap video release for this week, tells of a a well to do couple whose daughter is kidnapped by a man who wants more than just money. What begins as a stylish thriller with good psychodramatic potential abandons the mind games at the half way point, trades nuances for sledge hammer blows, and disintegrates in a ball of Hollywoodish convoluted anything-for-the-thrill fire. Nonetheless, "Trapped" is probably worth a look for those who aren't too analytical and just want some no brainer excesses. (B-)

Average. The movie is full of clichés and most of all, the ending is totally unrealistic and overblown.

Otherwise, if they had stuck to the basic plot, this could have been a nice little thriller, especially because on average, the acting was pretty good (especially Charlize Theron and Kevin Bacon). As usual, for some reason Hollywood producers (or Directors) feel it necessary to cram movies with tons of unnecessary subplots most of the time, as well as add minutes of ridiculous 'action scenes' which usually make the films look unreal and unbelievable to the audience. Do they really think the average moviegoer is a moron? In this case, the ending definitely ruined what could have been a good thriller...

Love the beginning. The premise of the movie is set up beautifully, tightly, but a garbled ending with too many plot lines begun in the last third of the movie dooms the project. It dissipates interest when a director arbitrarily introduces motives that had not been foreshadowed. Competent actors in what is eventually a lifeless vehicle, despite the chase, collisions, smoke and noise.