"Ein pensionierter FBI-Agent mit psychologischen Fähigkeiten wird beauftragt, die sogenannet ""Zahnfee"", einen mysteriösen Serienmörder, aufzuspüren. Dabei hilft ihm der inhaftierte, forens... Alles lesen"Ein pensionierter FBI-Agent mit psychologischen Fähigkeiten wird beauftragt, die sogenannet ""Zahnfee"", einen mysteriösen Serienmörder, aufzuspüren. Dabei hilft ihm der inhaftierte, forensische Psychiater Dr. Hannibal ""Der Kannibale"" Lecter.""Ein pensionierter FBI-Agent mit psychologischen Fähigkeiten wird beauftragt, die sogenannet ""Zahnfee"", einen mysteriösen Serienmörder, aufzuspüren. Dabei hilft ihm der inhaftierte, forensische Psychiater Dr. Hannibal ""Der Kannibale"" Lecter."
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It worked because not only do you have the incomparable Hopkins at Dr. Lecter but you have one this generations best actors, Edward Norton, as the leading character "Will Graham." Norton, as always, gives a solid performance. And - look at the backup cast: Ralph Fiennes, Emily Watson, Harvey Keitel, Mary Louise Parker and Philip Seymour Hoffman. Not bad.
This is one of those movies that gets better and better with each viewing. On my first look, I was disappointed Hopkins didn't have a bigger role but, after I knew what to expect, subsequent viewings made me appreciate the film's effort as a whole, and it's an underrated flick and a fine addition to the "Lecter" series.
However, the final result is pleasantly surprising. 'Red Dragon' opens with a wonderfully suspenseful prologue detailing the infamous Dr. Hannibal Lecter's (Anthony Hopkins) capture, and the unbearable tension rarely lets up for the remainder of the film.
Lecter's capturer, Will Graham (Edward Norton), is coaxed out of retirement by Jack Crawford (Harvey Keitel) to help track down a ruthless serial killer nicknamed the Tooth Fairy (Ralph Fiennes), who is murdering seemingly-random families in their sleep. Graham believes that Lecter may hold the key to capturing this killer, and, in order to prevent any further murders, he must revisit his old demons.
The acting performances are first-rate. Hopkins is good (as always) as the cold, calculating serial killer Lecter. Norton handles a demanding role exceedingly well. Throughout his career, Fiennes has excelled at portraying loathsome villains (i.e. Amon Goeth in 'Schindler's List,' 1993), and here he turns in perhaps his greatest performance. The facially-disfigured, mentally-unstable Francis Dolarhyde is shown not to be an inherently evil killing machine, but an emotionally-troubled young man who is still battling the overwhelming demons of an abusive childhood.
Strong supporting performances from Emily Watson ('The Proposition,' 2005), Harvey Keitel ('Pulp Fiction,' 1994) and Philip Seymour Hoffman ('Capote,' 2005) round off a terrific thriller, and one for which widespread recognition is long overdue.
Prequels are the fashion of the moment aren't they?
This was actually very good, and most enjoyable. Fiennes and Norton added much to the story, and were both absolutely excellent.
Hopkins gave the performance you'd have expected from him in his role, and this was also notable for a fine performance as Fiennes' blind girlfriend of the bird that appeared in the ever-so-nauseating and vomit enducing Angela's Ashes [which gave a whole new meaning to stereotypical grim films].
Don't be put off by Hannibal, definitely see this one.
This movie is basically a reworking of the film Manhunter, except with Anthony Hopkins as Hannibal, so it connects better with the others. This movie sticks closer to the book than Manhunter did, which will please fans, except that it ads way more Hannibal Lecter interview scenes than were in the book, most likely to bank on Anthony Hopkins' name. The movie has the same suspenseful style as Silence of the Lambs, making up for the fact that Hannibal hardly had any suspense at all. The dialogue and overall fast paced style of the movie made it really worth watching, and if this movie had been released a year before Silence rather than a year after Hannibal, they would be great together. The characters are great and engaging. They seem more realistic than they were in Manhunter. I'm glad this movie managed to be far more successful than Manhunter, because I don't think I could deal with two bad Red Dragon adaptations.
The acting is superb. I was kind of annoyed with Anthony Hopkins in Hannibal, because he played the role way too differently than the way he played it in Silence. Now, in this movie, he gets back to basics. Edward Norton is great as Will Graham. The role of the Red Dragon/Francis Dolarhyde was made for Ralph Fiennes. He takes the role and makes it his own. Whenever I think Ralph Fiennes now, I think Red Dragon.
Overall, this is an awesome psychological thriller, and any fan of Silence of the Lambs should definitely see this movie.
7/10
"Red Dragon" is almost a copy of "The Silence of the Lambs", as both films feature FBI requiring Hannibal Lecter's help to solve serial murder cases. Both have intelligent exchanges of words, and both are thrilling. "Red Dragon", has a stellar cast, and all of them give memorable performances. I particularly like the performance of Ralph Fiennes; he is very convincing as a socially inept person.
Though "Red Dragon" is not as suspenseful and thrilling as "The Silence of the Lambs", it is certainly much better than the meaningless meanderings of "Hannibal".
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- WissenswertesSir Anthony Hopkins stated that one of his goals in playing Dr. Hannibal Lecter for a final time was to re-establish that he is an evil serial killer, as Hopkins believed Hannibal had come to be seen too much as a likable anti-hero by audiences.
- Patzer(at around 37 mins) The movie is set in the 1980s, as a prequel to Das Schweigen der Lämmer (1991), but VHS tapes of films such as Mrs. Doubtfire: Das stachelige Kindermädchen (1993) (1993), Zurück in die Zukunft (1985) (1985), and E.T. - Der Außerirdische (1982) (1982) are seen in a drawer as part of the Leeds family VHS collection. Dating the film from the 1980 opening and "a few years later" after that prologue, and the reference to Saturday, February 25 as two months ago puts it in April 1984 or 1989, the latter more likely as the end of the movie leads directly into Das Schweigen der Lämmer (1991); the 80s tapes may be OK for 1989 but one from 1993 is certainly not.
- Zitate
Hannibal Lecter: And be grateful. Our scars have the power to remind us that the past was real.
- Crazy CreditsThanks to the men and women of the Federal Bureau of Investigation
- SoundtracksOriental Blues
Written by Jack Newlon (as Richard Newlon)
Performed by Tony DeSimone
Courtesy of MCA Records
Under license from Universal Music Enterprises
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Box Office
- Budget
- 78.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 93.149.898 $
- Eröffnungswochenende in den USA und in Kanada
- 36.540.945 $
- 6. Okt. 2002
- Weltweiter Bruttoertrag
- 209.196.298 $
- Laufzeit
- 2 Std. 4 Min.(124 min)
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1